1 définition, 86 pages, 183 articles pour «photo»

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1 définition

  • [1] reflex
    Un appareil photo de type reflex est un type d'appareil muni d'un miroir qui permet une visée……
    Catégories = Photographie

86 pages

  • [1] Albums photo
    31/01/2014 Affichage des albums photo sous la forme de grandes vignettes carrées. Lors de la sélection d'un album, toutes les photos de l'album sont présentées sous
    Mot clé = photo | Niveau = 2

  • [2] Albums photo (liens)
    23/07/2011 Affichage des albums photo sous la forme de liens texte. Lors de la sélection d'un album, les photos de l'album sont présentées sous forme de miniatures
    Mot clé = photo | Niveau = 2

  • [3] Blog photo
    31/01/2014
    Mot clé = photo | Niveau = 2

  • [4] Conditions d'utilisation
    06/02/2014 Les conditions d'utilisation du contenu de l'infobrol et de photobrol. Le cadre légal, et les différentes licences CreativeCommons selon le contenu .
    Mot clé = photo | Niveau = 2

  • [5] Galerie photo
    31/01/2014 Galerie photo de Stéphane Gaudry, sous forme de flux.
    Mot clé = photo | Niveau = 2

  • [6] PhotoBrol
    30/10/2009 Tous les codes source CSharp du projet PhotoBrol
    Mot clé = photo | Niveau = 2

  • [7] Statistiques des photos par date
    09/09/2014
    Mot clé = photo | Niveau = 2

  • [8] Statistiques photo
    31/01/2014
    Mot clé = photo | Niveau = 2

  • [9] CD - DVD et mémoires optiques
    01/05/2004 Mémoires optiques. Techniques utilisées pour lire ou pour graver un CD ou un DVD, types de CD ou de DVD. Finaliser une gravure. CD-ROM, CD enregistrable(CD-
    Mot clé = photo | Niveau = 8

  • [10] Autofocus Nikon
    06/09/2018 Tutorial autofocus Nikon. Comprendre l'autofocus (AF System) et en tirer le meilleur parti. Illustré avec l'autofocus du Nikon D850.
    Mot clé = photo | Niveau = 9

  • [11] 79 photos en rapport avec photo-de-rue
    19/05/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = photo-de-rue | Niveau = 11

  • [12] 51 photos en rapport avec lomophotography
    16/05/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = lomophotography | Niveau = 12

  • [13] 30 photos en rapport avec appareil-photo
    17/05/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = appareil-photo | Niveau = 13

  • [14] 20 photos en rapport avec photographe
    20/05/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = photographe | Niveau = 14

  • [15] 15 photos en rapport avec materiel-photo
    17/05/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = materiel-photo | Niveau = 15

  • [16] Ferme Libert, la remise
    03/06/2019 Un essai d'accentuation des textures pour un autre rendu photo. Pas trop fan.
    Mot clé = Ferme Libert, la remise | Niveau = 16

  • [17] Micro-powerplant stairs
    03/06/2019 Un traitement de brute, ou comment massacrer une photo :-) Essai de compression tonale.
    Mot clé = Micro-powerplant stairs | Niveau = 17

  • [18] Hey broer, ik denk dat die fotograaf naar ons kijkt...
    03/05/2019 Hey PipBoy, a photographe observes us
    Mot clé = Hey broer, ik denk dat die fotograaf naar ons kijkt... | Niveau = 18

  • [19] Energeia cylinders - bw
    03/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Energeia cylinders - bw | Niveau = 19

  • [20] Energeia cylinders
    08/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Energeia cylinders | Niveau = 20

  • [21] Energeia upstairs overview
    31/05/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Energeia upstairs overview | Niveau = 21

  • [22] Energeia wheel
    12/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Energeia wheel | Niveau = 22

  • [23] Energeia Lab
    14/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Energeia Lab | Niveau = 23

  • [24] Electricity panel
    09/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Electricity panel | Niveau = 24

  • [25] Fallout electricity and chemistry visit...
    15/05/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Fallout electricity and chemistry visit... | Niveau = 25

  • [26] Fallout experiment
    08/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = Fallout experiment | Niveau = 26

  • [27] L-314210
    18/06/2019 Toutes les photos et les infos : www.gaudry.be/photo/ecvb-musee-energeia/ Energeia-Museum, Electricity and lighting through the years This museum,situated in an old power station, was closed by Electrabel because the frequenting was not important enough. All measuring equipment, with preserved fixtures and fittings, steam engines, steam turbines and the didactic material still present at the time of the visit, were covered with a layer of dust, evoking the cave of a wizard of modern times, or the Frankenstein's laboratory.
    Mot clé = L-314210 | Niveau = 27

  • [28] Twilight and turbines
    05/06/2019 Dans l'obscurité presque totale. Mise au point au petit bonheur, un peu avant l'infini, et surtout monter la sensibilité au maximum des possibilités de l'appareil (ISO 6400 + 3IL, ce qui nous fait ISO 7200 selon les metadonnées). Je ne voulais pas ouvrir à plus de 5.6, mais j'aurais dû encore ouvrir plus (ce 17-50 a une ouverture constante de 2.8). Malgré tout, le temps était encore trop long (1 seconde). D'habitude je trouvais un endroit pour poser l'appareil, mais rien à cet endroit. Alors j'ai pris une barre de métal par terre, je l'ai tenue verticalement en posant mon appareil dessus, la sangle tendue presque à bout de bras... J'ai réussi à éviter le flou de bougé, mais pas à éviter un bruit de sensibilité considérable dans la photo, et en le supprimant on perd tous les détails...
    Mot clé = Twilight and turbines | Niveau = 28

  • [29] Doel, Bird by Roa
    09/06/2019 Roa Known only as ROA, the graffiti and street-art artist from Ghent (BE) has slowly been traversing the world tagging cities such as Warsaw (Poland) and Berlin (Germany) with incredibly cool animals. See more about Roa in Flickr photostream.
    Mot clé = Doel, Bird by Roa | Niveau = 29

  • [30] Doel, Rat organs by Roa
    03/06/2019 Roa Known only as ROA, the graffiti and street-art artist from Ghent (BE) has slowly been traversing the world tagging cities such as Warsaw (Poland) and Berlin (Germany) with incredibly cool animals. See more about Roa in Flickr photostream.
    Mot clé = Doel, Rat organs by Roa | Niveau = 30

  • [31] Doel, Proposal of marriage - gorilla version by Roa
    06/05/2019 Roa Known only as ROA, the graffiti and street-art artist from Ghent (BE) has slowly been traversing the world tagging cities such as Warsaw (Poland) and Berlin (Germany) with incredibly cool animals. See more about Roa in Flickr photostream.
    Mot clé = Doel, Proposal of marriage - gorilla version by Roa | Niveau = 31

  • [32] Doel, Hunting by Roa
    06/06/2019 Roa Known only as ROA, the graffiti and street-art artist from Ghent (BE) has slowly been traversing the world tagging cities such as Warsaw (Poland) and Berlin (Germany) with incredibly cool animals. See more about Roa in Flickr photostream.
    Mot clé = Doel, Hunting by Roa | Niveau = 32

  • [33] Doel, cattle by Roa
    06/06/2019 Roa Known only as ROA, the graffiti and street-art artist from Ghent (BE) has slowly been traversing the world tagging cities such as Warsaw (Poland) and Berlin (Germany) with incredibly cool animals. See more about Roa in Flickr photostream.
    Mot clé = Doel, cattle by Roa | Niveau = 33

  • [34] Ardennes American Cemetery and Memorial
    18/05/2019 Metadata Nikon D7000 ƒ/7.1 17.0 mm 1/25 s ISO 100 Size: 9824*3230 Processing Panorama, merge of 3 photos(left-right-center) with a 1/3 overlap Very bad distorsions on the bottom-left and bottom-right corners, but I like the cloudy sky. Context The Ardennes American Cemetery and Memorial is home to the graves of 5,329 members of the United States military who died in World War II. It is one of fourteen cemeteries for American World War II dead on foreign soil, and is administered by the American Battle Monuments Commission. The ninety and a half acre cemetery and memorial is located in Neuville-en-Condroz, near the southeast edge of Neupré, Wallonia, Belgium. It is one of three American war cemeteries in Belgium, the other two being at Flanders Field and Henri-Chapelle. Layout and memorial The Ardennes American Cemetery is generally rectangular in shape. Its grave plots are arranged in the form of a Greek cross separated by two broad intersecting paths. At the east end of the traverse path is a bronze figure symbolizing American youth, designed by sculptor C. Paul Jennewein. The cemetery is surrounded on all sides by stands of trees. An approach drive leads to the memorial, a rectangular structure bearing on its south facade a massive American eagle with three figures symbolizing Justice, Liberty, and Truth and thirteen stars representing the United States. This facade was designed by C. Paul Jennewein. The facade on the far (north) end, which overlooks the burial area, bears the insignia in mosaic of the major United States units which operated in northwest Europe in World War II. Along the outside of the memorial are the "Tablets of the Missing", granite slabs on which are inscribed the names of 462 American missing (15 Navy and 447 Army and Army Air Forces) who gave their lives in the service of their country, but whose remains were never recovered or identified. Within the memorial are a chapel, three large wall maps composed of inlaid marble, marble panels depicting combat and supply activities and other ornamental features. From Wikipedia, the free encyclopedia
    Mot clé = Ardennes American Cemetery and Memorial | Niveau = 34

  • [35] Garage Imperia - voiture abandonnée - avant
    13/05/2019 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Garage Imperia - voiture abandonnée - avant | Niveau = 35

  • [36] Garage Imperia - voiture abandonnée - arrière
    10/05/2019 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Garage Imperia - voiture abandonnée - arrière | Niveau = 36

  • [37] Usine Impéria, l'entrée moyenâgeuse
    19/05/2019 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Usine Impéria, l'entrée moyenâgeuse | Niveau = 37

  • [38] Windgrafiek, a flying glow
    31/05/2019 Windgrafiek GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Dommelbrug Noord About the project: The balloons with a diameter of ca. 2 meter are filled with helium and fitted with LED lighting. When there is low wind velocity they are allowed to flow vertically into the sky on a 100-meter-long cord. The upward force of the helium ensures that the cord is drawn upwards, while the wind pushes it aside. In this way the cord of luminescent balloons becomes a graph whose shape is determined by the wind. At high wind speeds the balloons are kept closer to the ground in other patterns. Wind graph is designed and executed by Ralph Brodruck and the Tendris Company. About the photo This picture is a merge of 3 photos of the balloons moving in the wind, with a speed of 0,005 sec (1/200). From Glow 2011 website.
    Mot clé = Windgrafiek, a flying glow | Niveau = 38

  • [39] Burning Van Abbe Museum - 1
    30/05/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 1 | Niveau = 39

  • [40] Burning Van Abbe Museum - 2
    30/05/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 2 | Niveau = 40

  • [41] Burning Van Abbe Museum - 4
    30/05/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 4 | Niveau = 41

  • [42] Burning Van Abbe Museum - 3
    30/05/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 3 | Niveau = 42

  • [43] Burning Van Abbe Museum - 5
    30/05/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 5 | Niveau = 43

  • [44] Panorama vertical de l'escalier de Noisy
    17/05/2019 Panorama composé d'une série de photos, pour une impression en format vertical. Taille 100% de la photo : 1m18 * 30cm En pixels : 13974 * 3414
    Mot clé = Panorama vertical de l'escalier de Noisy | Niveau = 44

  • [45] En haut du puits de l’ancien accès vers les coffres de tête...
    21/04/2019 En haut du puits de l’ancien accès vers les coffres de tête... A l’arrière-plan, la porte boulonnée en 1930, et le seul accès actuel par l’étroiture au dessus de la porte. A l’avant plan, le puits de liaison vers les coupoles de tête 2 et 3. L’échelle est encore en place et donne sur le couloir partiellement immergé (voir les photos sur la vaisselle abandonnée et le couloir semi-immergé).
    Mot clé = En haut du puits de l’ancien accès vers les coffres de tête... | Niveau = 45

  • [46] Serial photographers
    06/06/2019
    Mot clé = Serial photographers | Niveau = 46

  • [47] Istanbul, Basilica Cistern
    31/05/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia, the free encyclopedia - version 09Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque
    Mot clé = Istanbul, Basilica Cistern | Niveau = 47

  • [48] Istanbul, la citerne basilique
    27/05/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Istanbul, la citerne basilique | Niveau = 48

  • [49] Yerebatan Sarayı
    09/06/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Yerebatan Sarayı | Niveau = 49

  • [50] Coucher de soleil sur le Bosphore...
    21/05/2019 La tour de Léandre Cette tour a servi de lieu de tournage pour un James Bond (Le monde ne suffit pas), ainsi que pour Assassin's Creed : Revelations. Plus d'infos : www.gaudry.be/photo/istanbul/
    Mot clé = Coucher de soleil sur le Bosphore... | Niveau = 50

  • [51] Istanbul, Topkapi palace - Imperial Council (Defterhāne)
    30/04/2019 Defterhāne This picture shows the third chamber called Defterhāne. Imperial Council The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity. The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II. From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time. The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers: - The first chamber where the Imperial Council held its deliberations is the Kubbealtı. - The second chamber was occupied by the secretarial staff of the Imperial Divan. - In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive. On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check. In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol. Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions. From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan. All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour. Source: Wikipedia, the free encyclopedia - version 10Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque Camera infos: Camera: Nikon D7000 Lens: Sigma 17-50mm f2.8 EX DC OS Exposure 0.05 sec (1/20) Aperture f/6.3 Focal Length 20 mm ISO Speed 100 Date: February 22, 2012 GPS Latitude 41 deg 0' 45.92" N GPS Longitude 28 deg 59' 1.72" E
    Mot clé = Istanbul, Topkapi palace - Imperial Council (Defterhāne) | Niveau = 51

  • [52] Istanbul, Rüstem Paşa Camii
    28/05/2019 The Rüstem Pasha Mosque (Turkish: ' Rüstempaşa Camii') is an Ottoman mosque located in Hasırcılar Çarşısı (Strawmat Weavers Market) in the Tahtakale neighborhood, of the Eminönü district of Istanbul, Turkey. History The Rüstem Pasha Mosque was designed by Ottoman imperial architect Mimar Sinan for Grand Vizier Damat Rüstem Pasha (husband of one of the daughters of Suleiman the Magnificent, Princess Mihrimah). Rüstem Pasha died in July 1561 and the mosque was built after his death from around 1561 until 1563. Architecture Exterior The mosque was built on a high terrace over a complex of vaulted shops, whose rents were intended to financially support the mosque complex. Narrow, twisting interior flights of steps in the corners give access to a spacious courtyard. The mosque has a double porch with five domed bays, from which projects a deep and low roof supported by a row of columns. Interior The Rüstem Pasha Mosque is famous for its large quantities of exquisite İznik tiles, set in a very wide variety of beautiful floral and geometric designs, which cover not only the façade of the porch but also the mihrab, minbar, walls, columns and on the façade of the porch outside. These tiles exhibit the early use of a tomato-red color that would become characteristic of İznik pottery. Some of the tiles, particularly those in a large panel under the portico to the left main entrance, are decorated with sage green and dark manganese purple that are characteristic of the earlier 'Damascus ware' coloring scheme. No other mosque in Istanbul makes such a lavish use of these tiles. The plan of the building is basically that of an octagon inscribed in a rectangle. The main dome rests on four semi-domes; not on the axes but in the diagonals of the building. The arches of the dome spring from four octagonal pillars— two on the north, two on the south— and from piers projecting from the east and west walls. To the north and south are galleries supported by pillars and by small marble columns between them. Source: Wikipedia, the free encyclopedia - version 25Feb2012 See also in my flickr albums: Hagia Sophia, Sultan Ahmed Mosque (Blue Mosque of Istanbul)
    Mot clé = Istanbul, Rüstem Paşa Camii | Niveau = 52

  • [53] Labyrinth School
    10/06/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Labyrinth School | Niveau = 53

  • [54] Salle de gym
    14/06/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Salle de gym | Niveau = 54

  • [55] Balet du lac des cygnes, ou le chant du cygne?
    11/05/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Balet du lac des cygnes, ou le chant du cygne? | Niveau = 55

  • [56] Decay Close-up
    12/06/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Decay Close-up | Niveau = 56

  • [57] Little grey control room - revisit
    23/05/2019 Pas beaucoup de modification du lieu depuis ma dernière visite : www.gaudry.be/photos/342204514010198176011797.html. Mais je voulais cette fois avoir la console de contrôle dans son ensemble...
    Mot clé = Little grey control room - revisit | Niveau = 57

  • [58] There is no path to the light - v2
    23/05/2019 Mr. Helpmann: He's got away from us, Jack. Jack Lint: Afraid you're right, Mr. Helpmann. He's gone. Mr. Helpmann: Mmm. Jack Lint: Well... Brazil (last lines) Un autre essai, un peu plus net que la photo précédente, mais qui me plaît nettement moins, car je ne regarde pas vers la lumière du haut de la tour, et que les fumées sont moins bien réparties...
    Mot clé = There is no path to the light - v2 | Niveau = 58

  • [59] There is no path to the light
    28/05/2019 Mr. Helpmann: He's got away from us, Jack. Jack Lint: Afraid you're right, Mr. Helpmann. He's gone. Mr. Helpmann: Mmm. Jack Lint: Well... Brazil (last lines) Malheureusement, une photo ratée, car elle manque de netteté et la montée en sensibilité alors que la lumière était faible a induit beaucoup de bruit. Malgré ses défauts je l'aime pour la proportion entre les dimensions gigantesques de la tour et moi qui parais minuscule, l’ambiance générale, les efforts fait pour grimper à l'intérieur (à l'époque il était nécessaire d'escalader les piliers intérieurs sur une très grande hauteur pour accéder à cet étage), et enfin, pour ces fumigènes (car les fumées sont immédiatement aspirées par le tirage d'air de la tour, et il faut des fumigènes extrêmement puissants pour produire un effet satisfaisant).
    Mot clé = There is no path to the light | Niveau = 59

  • [60] Cowpers HF6
    15/06/2019 Cowpers Un cowper moderne consiste en cylindre vertical en acier de 6 à 9 m de diamètre et s'élevant à 20 à 35 m. Cette enceinte est remplie de briques réfractaires dont la nature dépend de leur rôle : on a des briques isolantes qui protègent la face interne du blindage du cowper, et des briques stockant et restituant la chaleur. Ces dernières servent à la construction du puits de combustion, où se déploie la flamme, et du rûchage, un empilement de briques perforées qui absorbe la chaleur des fumées. Le puits est souvent intégré dans le cylindre où il occupe environ un tiers de la section du four. Les plus gros cowpers sont dotés de puits externes qui permettent de mieux isoler la zone de combustion de celle d’accumulation/restitution de chaleur. La chauffe étant plus lente que le refroidissement, chaque haut fourneau est doté de trois, parfois quatre, cowpers passant alternativement dans chaque phase. En fonctionnement continu, un cowper restitue sa chaleur pendant environ 30 min, avant que le vent soit orienté vers le cowper qui vient de finir une réchauffe de 50 min (durée à laquelle il faut ajouter les phases d'inertage et de mise en pression, qui durent 10 min). Un cowper moderne peut réchauffer environ 1,4 tonne de vent à 1 200 °C, par tonne de fonte. Lorsqu’il restitue sa chaleur, c'est donc, pour un haut fourneau produisant 6 000 t de fonte par jour, un four d'une puissance d'environ 100 MW. La chauffe est effectuée par combustion d'une partie du gaz produit par le haut fourneau, qui doit être mélangé avec un gaz riche pour atteindre les températures souhaitées. Source: Wikipedia Modern cowper consists in vertical steel cylinder 6 to 9 m and a diameter amounting to from 20 to 35 m. This enclosure is filled with refractory bricks whose nature depends on their role has insulating bricks that protect the inner face of the shield cowper, and storing and reproducing bricks heat. The latter are used in the construction of wells combustion, where the flame spreads, and rûchage, a stack of perforated bricks which absorbs heat of the fumes. The well is often integrated into the cylinder where it occupies about one third of the furnace section. The biggest feature cowpers outer wells to better isolate the combustion zone of the accumulator / heat delivery. Heating is slower than cooling, each blast furnace has three, sometimes four, stoves passing alternately in each phase. In continuous operation, cowper restores its heat for about 30 minutes before the wind is facing cowper who just finished a 50-minute heats (time at which there are the phases inerting and pressurization, lasting 10 min). Modern cowper can warm wind of about 1.4 tons to 1200 ° C, per ton of pig iron. When the heat returns, so this is for a blast furnace producing 6000 t of pig iron per day, a furnace with a capacity of approximately 100 MW. The heater is powered by combustion of part of the product through the furnace, which must be mixed with the rich gas to achieve the desired gas temperature.
    Mot clé = Cowpers HF6 | Niveau = 60

  • [61] Antonov An-24 cockpit
    05/06/2019 The Antonov An-24 (Ukrainian: Антонов Ан-24) (NATO reporting name: Coke) is a 44-seat twin turboprop transport/passenger aircraft designed in 1957 and manufactured in the Soviet Union by the Antonov Design Bureau. Design and development First flown in 1959, over 1,000 An-24s were built and 880 are still in service worldwide, mostly in the CIS and Africa, with a total of 297 Antonov An-24 aircraft in airline service, as of May 2010. It was designed to replace the veteran piston Ilyushin Il-14 transport on short to medium haul trips, optimised for operating from rough strips and unprepared airports in remote locations. The high-wing layout protects engines and blades from debris, the power-to-weight ratio is higher than that of many comparable aircraft and the machine is rugged, requiring minimal ground support equipment. Due to its rugged airframe and good performance, the An-24 was adapted to carry out many secondary missions such as ice reconnaissance and engine/propeller test-bed, as well as further development to produce the An-26 tactical transport, An-30 photo-mapping/survey aircraft and An-32 tactical transport with more powerful engines. Various projects were envisaged such as a four jet short/medium haul airliner and various iterations of powerplant. The main production line was at the Kiev-Svyatoshino (now "Aviant") aircraft production plant which built 985, with 180 built at Ulan Ude and a further 197 An-24T tactical transport/freighters at Irkutsk. Production in the USSR was shut down by 1978. Production continues at China's Xi'an Aircraft Industrial Corporation which makes licenced, reverse-engineered and redesigned aircraft as the Xian [Yunshuji] Y7, and its derivatives. Manufacture of the Y7, in civil form, has now been supplanted by the MA60 derivative with western engines and avionics, to improve performance and economy, and widen the export appeal. Source: Wikipedia
    Mot clé = Antonov An-24 cockpit | Niveau = 61

  • [62] Liège, cloîtres Sainte-Croix
    27/05/2019 Située à proximité de la place Saint-Lambert, la collégiale Sainte-Croix fait triste figure depuis plus de 20 ans, telle un animal en cage, engoncée dans ses échafaudages rouillés et ses filets protecteurs. Mais si nous passons outre ce rapide et triste constat, nous prenons le temps de regarder et nous découvrons un lieu charmant. Par exemple, sur cette photo nous pouvons voir à gauche l'ancienne église Saint-Nicolas-aux-Mouches, ainsi que cette petite impasse empreinte de sérénité. La collégiale Sainte-Croix La collégiale Sainte-Croix, fondée et érigée entre 976 et 986 par l'évêque Notger, se situe à Liège place Verte, dans l'angle formé par la rue Sainte-Croix et la rue Haute-Sauvenière. Elle abrite la clef de Saint Hubert, autrefois dans le trésor de la Collégiale Saint-Pierre de Liège. Après la Révolution liégeoise, le chapitre de chanoines est supprimé en 1797, mais l'église est rendue au culte en 1802. Classée en 1936, elle est inscrite dans la liste du patrimoine exceptionnel de la Région wallonne. Source: Wikipedia
    Mot clé = Liège, cloîtres Sainte-Croix | Niveau = 62

  • [63] Liège, impasse Au Péri
    02/06/2019 La rue "au Péri" permet de rejoindre la citadelle par un escalier qui débute rue Pierreuse. Cette photo est prise depuis l'entrée de la première impasse étroite à gauche en montant vers la citadelle. Historique Lorsque, aux environs de l'an mille, Notger, le premier prince-évêque de Liège, fait bâtir la première enceinte fortifiée de la ville, les pierres sont extraites de carrières ouvertes le long de l'actuelle rue Pierreuse et plus particulièrement Au Péri. Jusqu'au XIXe siècle, après être bordée de quelques habitations jusqu'au pied de l'escalier — qui n'existait pas en tant que tel auparavant — , ce n'est plus qu'une tchèråvôye (« voie pour charrettes » en wallon) de desserve pour les vignoblesnote 1 et les vergers des différents ordres religieux installés au pied des Coteaux de la Citadelle jusqu'à rejoindre cette citadelle. Avec la révolution industrielle apparue pendant la seconde moitié du XIXe siècle et surtout grâce à la réalisation de la Montagne de Bueren en 1880, la rue se couvre de petites maisons pour ouvriers. Source : Wikipedia
    Mot clé = Liège, impasse Au Péri | Niveau = 63

  • [64] Montagne de Bueren
    08/06/2019 La montagne de Bueren est un escalier de la ville de Liège reliant le quartier Féronstrée et Hors-Château au Péri et à la citadelle traversant les Coteaux. Description De la rue Hors-Château, laissant, à droite, le couvent des Ursulines et, à gauche, l'impasse des Ursulines serpenter à flanc de coteau jusqu'aux Terrasses des Minimes, les 374 marches mènent Au-Péri puis à la citadelle. La rue mesure, en totalité, 260 mètres et les escaliers 194 mètres. La pente moyenne de l'escalier est de près de 28 %. L'ascension est fort heureusement facilitée par la présence, à intervalles réguliers, de paliers, où quelques bancs permettent de regarder à l'aise la ville qui, petit à petit, se révèle. On découvre d'abord la masse grise de l'îlot Saint-Georges, la haute silhouette de la cité administrative, puis la coulée miroitante de la Meuse sous le pont des Arches. Chaque année, le 1er samedi d'octobre, lors de la Nocturne des Coteaux de la Citadelle, l'escalier, plongé dans l'obscurité, se voit éclairé par 3 000 bougies présentant au public un spectacle chatoyant. Historique Ce nouveau chemin, établi au départ de l'impasse du Thier des Begards tennant sur Hors-Château, est terminé en 1880 à la suite d'une décision prise par le conseil communal en mars 1875. Il doit permettre un accès rapide de la garnison stationnée à la citadelle vers le centre de la ville en cas d'invasion ou de soulèvement populaire et, plus prosaïquement, interdiction est faite à cette garnison d'encore passer par la rue Pierreuse où sont établis nombre d'estaminets et où œuvrent des péripatéticiennes. Ces fonctions ne durent qu'une dizaine d'années, la citadelle étant déclassée en 1891. Source: Wikipedia
    Mot clé = Montagne de Bueren | Niveau = 64

  • [65] Camp News
    17/06/2019 Not a lot of informations, but it seems to means "Camp News". It was perhaps newspaper in the prisoneers camp. We can read the date: 1914. If you have more informations, or if I'm wrong, feel free to comment this photo.
    Mot clé = Camp News | Niveau = 65

  • [66] Cellulose acetate film (Sicherheitsfilm)
    17/05/2019 Cellulose acetate film, or safety film, is used in photography as a base material for photographic emulsions. It was introduced in the early 20th century by film manufacturers as a safe film base replacement for unstable and highly flammable nitrate film. Beginning with cellulose diacetate in 1909, this innovation continued with cellulose acetate propionate and cellulose acetate butyrate in the 1930s, and finally in the late 1940s, cellulose triacetate was introduced, alongside polyester bases. These less flammable substitutes for nitrate film were called safety film. The motion picture industry continued to use cellulose nitrate supports until the introduction of cellulose triacetate in 1948, which met the rigorous safety and performance standards set by the cinematographic industry. The chemical instability of cellulose nitrate material, unrecognized at the time of its introduction, has since become a major threat for film collections. Decay and the "vinegar syndrome" The first instance of cellulose triacetate degradation was reported to the Eastman Kodak Company within a decade of its introduction in 1948. The first report came from the Government of India, whose film was stored in hot, humid conditions. It was followed by further reports of degradation from collections stored in similar conditions. These observations resulted in continuing studies in the Kodak laboratories during the 1960s. Beginning in the 1980s, there was a great deal of focus upon film stability following frequent reports of cellulose triacetate degradation. This material releases acetic acid, the key ingredient in vinegar and responsible for its acidic smell. The problem became known as the "vinegar syndrome." Source: Wikipedia
    Mot clé = Cellulose acetate film (Sicherheitsfilm) | Niveau = 66

  • [67] The house of Pennywise the Dancing Clown
    17/05/2019 An abandoned amusement park, it's really something special just because a park is the animation, the sound, the crowd. When the sun rises and reveals the fairgrounds in the middle of the vegetation, we almost expect to see tumble Pennywise the Dancing Clown. If the night had passed without a hitch, it was otherwise in the morning we were caught buddy Seb and I by the guards who were doing their morning rounds with the dogs. We were forced to erase our memory cards, and were forcibly thrown out of the enclosure. Fortunately, there are recovery programs :-)
    Mot clé = The house of Pennywise the Dancing Clown | Niveau = 67

  • [68] Stefenie's church
    09/06/2019 This photo appears to have been taken during the day, but it was full dark. It was really not easy to make the framing and the focus was done on the hyperfocal. Opening more than ten minutes in Bulb mode, and sweep the walls with the flashlight. The inhabitants of this village must have thought that spirits hantainent church, or that she had been transformed into a nightclub, because of the light rays passing through the windows.
    Mot clé = Stefenie's church | Niveau = 68

  • [69] Stefenie's church
    09/06/2019 This photo appears to have been taken during the day, but it was full dark. It was really not easy to make the framing and the focus was done on the hyperfocal. Opening more than ten minutes in Bulb mode, and sweep the walls with the flashlight. The inhabitants of this village must have thought that spirits hantainent church, or that she had been transformed into a nightclub, because of the light rays passing through the windows.
    Mot clé = Stefenie's church | Niveau = 69

  • [70] Les trois belles tomates colorées
    23/05/2019 Quelqu'un m'a dit que mes photos ne transpiraient pas la joie alors qu'il y a tant de jolies choses à photographier (des fleurs, des plantes, etc.). Donc voici une photo de magnifiques tomates avec plein de jolies couleurs (tout au moins ce qui peut rester des tomates fin novembre).
    Mot clé = Les trois belles tomates colorées | Niveau = 70

  • [71] Tomate de novembre
    08/06/2019 Quelqu’un m'a dit que mes photos ne transpiraient pas la joie alors qu'il y a tant de jolies choses à photographier (des fleurs, des plantes, etc.). Donc voici une photo d'une magnifique tomate avec plein de jolies couleurs (tout au moins ce qui peut rester des tomates fin novembre).
    Mot clé = Tomate de novembre | Niveau = 71

  • [72] Storm rumbling on lost temple
    27/05/2019 In 2011 there were still statues on the roof of the monument, but it was not possible to go inside. Since the monument was restored, and a new roof was laid, but the statues were never put back in place. The temple with the statues is visible here : http://www.gaudry.be/photos/260620121216151391701557.html
    Mot clé = Storm rumbling on lost temple | Niveau = 72

  • [73] Nikon Vs iPhone
    11/06/2019 J'ai essayé de faire une pose longue, mais comme je n'avais pas de filtre ND j'ai bricolé un truc devant mon objectif. Le résultat est en dessous de tout (couleurs abominables malgré la balance des blancs, perte de netteté, etc.). Finalement, la photo du making-off que j'ai pris avec mon iPhone est de meilleure qualité. Comme quoi quand on est un mauvais photographe amateur comme moi, il vaut mieux se contenter de prendre des photos avec son GSM :-)
    Mot clé = Nikon Vs iPhone | Niveau = 73

  • [74] Démontage de l'iPhone 5s - les connecteurs de l'écran
    02/05/2019 Démontage de l'iPhone 5s Démontage car le bouton d'allumage de l'iPhone 5S restait enfoncé. Après remontage, l'écran restait noir, mais dans l'obscurité on constatait une faible luminescence sur le bord, donc l'iPhone était sous tension. En fait, lors du démontage de la plaque de protection des nappes de raccordement de l'écran (en haut à droite de la batterie sur la photo de gauche), il faut noter l'emplacement de chaque vis. Apple nous a joué un sale tour, car trois vis sur quatre sont aimantées, et les tailles différent très légèrement. Si chaque vis n'est pas à son emplacement exact, l'écran de l'iPhone 5S reste noir.
    Mot clé = Démontage de l'iPhone 5s - les connecteurs de l'écran | Niveau = 74

  • [75] Trois ans et demi après, et 2000 photos avec mon numérique
    27/04/2019
    Mot clé = Trois ans et demi après, et 2000 photos avec mon numérique | Niveau = 75

  • [76] AGFA CLACK
    16/06/2019 The Agfa Clack is a box camera produced by Agfa from 1954 to 1965. It was sold in North America as the Agfa Weekender. It is a simple camera which was aimed at the mass market. About 1.65 million were produced, more than all other Agfa box camera models combined. It uses 120 film, creating large 6x9 negatives that were usually contact printed (transferred directly from the negative onto photographic paper without enlarging). It has only one shutter speed, and, depending on model, either a single f/11 f-stop or a choice of two. Source: Wikipedia
    Mot clé = AGFA CLACK | Niveau = 76

  • [77] überheblich 2
    12/06/2019 Excavatrices géantes qui possèdent le record de poids en tant que véhicules terrestres (14877 tonnes). La roue qui permet l'excavation (à droite sur la photo) mesure 20 mètres de diamètre.
    Mot clé = überheblich 2 | Niveau = 77

  • [78] Le plaisir de la photo
    04/06/2019
    Mot clé = Le plaisir de la photo | Niveau = 78

  • [79] Alex Soto @ Devoxx2015... and the official photographer
    02/05/2019
    Mot clé = Alex Soto @ Devoxx2015... and the official photographer | Niveau = 79

  • [80] Coucher de soleil sur le Roque Cinchado
    18/05/2019 Le Roque Cinchado est un neck, une ancienne cheminée volcanique. La cheminée a disparu, mais le monolithe de basalte formé par la lave subsiste. Il se situe à plus ou moins 2100 mètres d'altitude au sud-est du sommet du Teide, dans la Caldeira de las Cañadas. Cette photo est prise au moment du retour d'une rando, en descendant de l'Alto de Guajara, et présente une silhouette plus esthétique de ce côté que du côté par lequel je l'ai photographié en montant le matin.
    Mot clé = Coucher de soleil sur le Roque Cinchado | Niveau = 80

  • [81] Chernobyl Diaries control room
    27/05/2019 I had seen this control room in the movie "Chernobyl Diaries" (a movie I did not like at all), and I dreamed of visiting it one day. It's been done since this summer. Until now, the abandoned place that had inspired me most, impressed, and made me dream, was the ECVB powerplant, with its titanic dimentions, a dark dead and silent world, where rusty hues barely hang the weak Rays of light, under a layer of ashes, asbestos, and dust. In total contrast to the dark and almost oppressive atmosphere of the ECVB, this control room is extremely bright and colorful thanks to this magnificent glass roof. It almost feels like a fairy tale ballroom, amidst laughter and music. The consoles in the control room are covered with a layer of dust that testifies to the years of abandonment (it has been closed since 2005), but the whole remains clean and clean. Thank you to my companions of this adventure, Sophie, Lise, and Jef, for their patience, their dynamism and my questionable music program during the many hours I was driving. J'avais vu cette salle de contrôle dans le film "Chernobyl Diaries" (un film que je n'ai pas aimé du tout), et je rêvais de la visiter un jour. C'est chose faite depuis cet été. Jusqu'à présent, le lieux abandonné qui m'avait le plus inspiré, impressionné, et fait rêver, était la centrale ECVB, avec ses dimensions titanesques, monde sombre, mort, et silencieux, où les teintes de rouille accrochent à peine les faibles rayons de lumière, sous une couche de cendres, d'amiante, et de poussière. En totale opposition à l'ambiance sombre et presque oppressante de l'ECVB, cette salle de contrôle est extrêmement lumineuse et colorée, grâce à cette magnifique verrière. On se croirait presque dans une salle de bal d'un conte féerique, au milieu des rires et de la musique. Les consoles de la salle de contrôle sont couvertes d'une couche de poussière qui témoigne des années d'abandon (elle est fermée depuis 2005), mais l'ensemble reste propre et net. Merci à mes compagnons de cette aventure, Sophie, Lise, et Jef, pour leur patience, leur dynamisme et ma programmation musicale douteuse pendant les nombreuses heures où je conduisais.
    Mot clé = Chernobyl Diaries control room | Niveau = 81

  • [82] Hängebrücke Fürgangen - Mühlebach
    20/05/2019 Inauguré en 2015, le pont suspendu "Goms Bridge" relie Fürgangen au village de Mühlebach. Le pont fait 1m40 de large sur une longueur de 280m, surplombant le jeune Rhône à 92m de hauteur. Les mouvements importants du pont peuvent impressionner les personnes sensibles ou sujettes au vertige (et rendent difficile la prise de photos à cause du risque de flou).
    Mot clé = Hängebrücke Fürgangen - Mühlebach | Niveau = 82

  • [83] Préparatifs pour le départ vers la Jordanie
    12/05/2019 Bientôt un nouvel article sur la Jordanie dans le blog www.gaudry.be/photo/
    Mot clé = Préparatifs pour le départ vers la Jordanie | Niveau = 83

  • [84] Sunset on the Phat Tich Pagoda
    27/05/2019 La pagode Phat Tich a été construite au 7ème siècle. En 1066, le roi Ly Thanh Tong (1054-1072) a commandé une tour de 40m de haut sur la partie sud du mont Lan Kha. En 1947, la pagode fut détruite par les impérialistes français et, depuis 1954, la pagode a été restaurée à plusieurs reprises. Cette photo est prise depuis l'esplanade sur laquelle repose la statue géante de Bouddha.
    Mot clé = Sunset on the Phat Tich Pagoda | Niveau = 84

  • [85] Phat Tich - Statue géante de Bouddha au sommet du mont Lan Kha
    24/04/2019 Cette statue de Bouddha fait 27m de haut et 3000 tonnes, ce qui en fait une des plus grandes statues de Bouddha du Sud Est de l'Asie. Cette photo est prise à main levée (je n'avais pas de pied photo avec moi) à très faible vitesse (1/10) pour garder une faible sensibilité.
    Mot clé = Phat Tich - Statue géante de Bouddha au sommet du mont Lan Kha | Niveau = 85

  • [86] Lever de soleil sur le pont Long Biên à Hanoï
    09/05/2019 Situé sur la ligne de chemin de fer qui relie Ho Chi Minh Ville à Hanoï, le pont Long Biên est une structure métallique de style Eiffel qui permet le franchissement du fleuve rouge à la sortie d'Hanoï. Construit 1902 (pendant l'indochine française), il aura souffert lors des bombardements lors de la guerre du Viêt Nam. La photo est prise depuis le pont Cầu Chương Dương lors du trajet vers Sapa et Lào Cai à la frontière Chinoise.
    Mot clé = Lever de soleil sur le pont Long Biên à Hanoï | Niveau = 86

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