93 pages, 81 articles pour «2012»

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93 pages

  • 6 photos en rapport avec devoxx-2012
    https://www.gaudry.be > Photo > Galerie
    [1] 16/09/2019 - Dernière modification le 04/10/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = devoxx-2012 | Niveau = 11

  • Portrait 20120211-1
    https://www.gaudry.be > Photo > Galerie
    [2] 11/02/2012 - Dernière modification le 11/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 12

  • Istanbul, Basilica Cistern
    https://www.gaudry.be > Photo > Galerie
    [3] 20/02/2012 - Dernière modification le 07/10/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia, the free encyclopedia - version 09Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque
    Mot clé = 2012 (titre ou description) | Niveau = 13

  • Istanbul, Topkapi palace - Imperial Council (Defterhāne)
    https://www.gaudry.be > Photo > Galerie
    [4] 22/02/2012 - Dernière modification le 22/09/2019 Defterhāne This picture shows the third chamber called Defterhāne. Imperial Council The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity. The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II. From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time. The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers: - The first chamber where the Imperial Council held its deliberations is the Kubbealtı. - The second chamber was occupied by the secretarial staff of the Imperial Divan. - In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive. On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check. In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol. Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions. From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan. All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour. Source: Wikipedia, the free encyclopedia - version 10Mar2012
    Mot clé = 2012 (titre ou description) | Niveau = 14

  • Istanbul, Topkapı Palace - Courtyard of the Concubines
    https://www.gaudry.be > Photo > Galerie
    [5] 22/02/2012 - Dernière modification le 23/09/2019 The Courtyard of the Sultan's Consorts and the Concubines (Kadın Efendiler Taşlığı / Cariye Taşlığı) was constructed at the same time as the courtyard of the eunuchs in the middle of the 16th century. It underwent restoration after the 1665 fire and is the smallest courtyard of the Harem. The porticoed courtyard is surrounded by baths (Cariye Hamamı), a laundry fountain, a laundry, dormitories, the apartments of the Sultan's chief consort and the apartments of the stewardesses (Kalfalar Dairesi). The three independent tiled apartments with fireplaces overlooking the Golden Horn were the quarters where the consorts of the Sultan lived. These constructions covered the site of the courtyard in the late 16th century. At the entrance to the quarters of the Queen Mother, wall frescoes from the late 18th century depict landscapes, reflecting the western influence. The staircase, called the "Forty Steps" (Kirkmerdiven), leads to the Hospital of the Harem (Harem Hastanesi), the dormitories of the concubines at the basement of the Harem and Harem Gardens. Source: Wikipedia, the free encyclopedia - version 26Feb2012
    Mot clé = 2012 (titre ou description) | Niveau = 15

  • Istanbul, Rüstem Paşa Camii
    https://www.gaudry.be > Photo > Galerie
    [6] 22/02/2012 - Dernière modification le 06/10/2019 The Rüstem Pasha Mosque (Turkish: ' Rüstempaşa Camii') is an Ottoman mosque located in Hasırcılar Çarşısı (Strawmat Weavers Market) in the Tahtakale neighborhood, of the Eminönü district of Istanbul, Turkey. History The Rüstem Pasha Mosque was designed by Ottoman imperial architect Mimar Sinan for Grand Vizier Damat Rüstem Pasha (husband of one of the daughters of Suleiman the Magnificent, Princess Mihrimah). Rüstem Pasha died in July 1561 and the mosque was built after his death from around 1561 until 1563. Architecture Exterior The mosque was built on a high terrace over a complex of vaulted shops, whose rents were intended to financially support the mosque complex. Narrow, twisting interior flights of steps in the corners give access to a spacious courtyard. The mosque has a double porch with five domed bays, from which projects a deep and low roof supported by a row of columns. Interior The Rüstem Pasha Mosque is famous for its large quantities of exquisite İznik tiles, set in a very wide variety of beautiful floral and geometric designs, which cover not only the façade of the porch but also the mihrab, minbar, walls, columns and on the façade of the porch outside. These tiles exhibit the early use of a tomato-red color that would become characteristic of İznik pottery. Some of the tiles, particularly those in a large panel under the portico to the left main entrance, are decorated with sage green and dark manganese purple that are characteristic of the earlier 'Damascus ware' coloring scheme. No other mosque in Istanbul makes such a lavish use of these tiles. The plan of the building is basically that of an octagon inscribed in a rectangle. The main dome rests on four semi-domes; not on the axes but in the diagonals of the building. The arches of the dome spring from four octagonal pillars— two on the north, two on the south— and from piers projecting from the east and west walls. To the north and south are galleries supported by pillars and by small marble columns between them. Source: Wikipedia, the free encyclopedia - version 25Feb2012 See also in my flickr albums: Hagia Sophia, Sultan Ahmed Mosque (Blue Mosque of Istanbul)
    Mot clé = 2012 (titre ou description) | Niveau = 16

  • Istanbul, Portrait 201202-8
    https://www.gaudry.be > Photo > Galerie
    [7] 22/02/2012 - Dernière modification le 07/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 17

  • Istanbul, Portrait 201202-5
    https://www.gaudry.be > Photo > Galerie
    [8] 22/02/2012 - Dernière modification le 07/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 18

  • Labyrinth School
    https://www.gaudry.be > Photo > Galerie
    [9] 03/10/2019 - Dernière modification le 12/10/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = 2012 (titre ou description) | Niveau = 19

  • Salle de gym
    https://www.gaudry.be > Photo > Galerie
    [10] 07/10/2019 - Dernière modification le 14/10/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = 2012 (titre ou description) | Niveau = 20

  • Balet du lac des cygnes, ou le chant du cygne?
    https://www.gaudry.be > Photo > Galerie
    [11] 03/09/2019 - Dernière modification le 27/09/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = 2012 (titre ou description) | Niveau = 21

  • Decay Close-up
    https://www.gaudry.be > Photo > Galerie
    [12] 05/10/2019 - Dernière modification le 13/10/2019 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = 2012 (titre ou description) | Niveau = 22

  • 2012_06_30_214400 - Visez la lune...
    https://www.gaudry.be > Photo > Galerie
    [13] 30/06/2012 - Dernière modification le 02/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 23

  • Rock Strangers
    https://www.gaudry.be > Photo > Galerie
    [14] 06/07/2012 - Dernière modification le 13/10/2019 Artist : Arne Quinze Beaufort04 is the fourth edition of the Triennial of Contemporary Art by the Sea in 2012.
    Mot clé = 2012 (titre ou description) | Niveau = 24

  • 2012_07_29_133953
    https://www.gaudry.be > Photo > Galerie
    [15] 29/07/2012 - Dernière modification le 12/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 25

  • EHEH 2012_08_25_153206
    https://www.gaudry.be > Photo > Galerie
    [16] 25/08/2012 - Dernière modification le 09/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 26

  • Glow tour 2012: Groupe LAPS
    https://www.gaudry.be > Photo > Galerie
    [17] 17/11/2012 - Dernière modification le 07/10/2019 Groupe LAPS - Keyframes GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Politiebureau Mathildelaan About the project: Groupe LAPS consists of six artists and designers with experience in film, lighting technology and multimedia applications. Together they developed Keyframes, a work on the intersection of film and sculpture. Dozens of human figures in various poses, made up of LED tubes, light up one by one. Because the figures show up one after another continuously, the suggestion of movement arouses. Each figure marks a moment in a nocturnal narrative or dance. The light images are accompanied by a soundtrack composed especially for this installation. Keyframes was designed in 2011 for the Fête des Lumières in Lyon, France and has traveled all over the world since. Before the work came to Eindhoven, it was exposed in Singapore and Jerusalem. www.groupe-laps.org More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 27

  • Eindhoven Glow 2012
    https://www.gaudry.be > Photo > Galerie
    [18] 17/11/2012 - Dernière modification le 11/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 28

  • Glow tour 2012: Richi Ferrero
    https://www.gaudry.be > Photo > Galerie
    [19] 17/11/2012 - Dernière modification le 06/10/2019 Richi Ferrero - Bwindi Light Masks GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Lichtplein About the project: On the Lichtplein forty identical African masks are installed. The masks originate from the Bwindi National Park in Uganda, near the border with Congo. Once the first tones are played, the masks slowly light up. Colorful light can be seen through the openings for eyes and mouth, but also on a large projection screen that is prepared behind the masks. Small changes in exposure have a great visual impact. The show resembles most a magical ritual. What we hear is the composition Legend of the Bulgarian women's choir Angelite in cooperation with the overtone singers Huun Huur Tu from the Russian republic of Tuva. What light, singing and traditional masks have in common is that all components play a role in religious ceremonies. In countries and cultures all around the world, they are seen as a connection between the earthly and the heavenly or the supernatural. In this performance Richi Ferrero connects their symbolism and expressiveness. www.richiferrero.it More information: www.gloweindhoven.nl It was my prefered animation, and the music was really amazing.
    Mot clé = 2012 (titre ou description) | Niveau = 29

  • Bouquets d'abat-jours
    https://www.gaudry.be > Photo > Galerie
    [20] 17/11/2012 - Dernière modification le 10/10/2019 Bouquets d'abat-jours - Bouquets from lampcovers (TILT) GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Wilhelminaplein About the project: TILT is a French collective focusing on the interplay of light, design and architecture. It realizes both temporary and permanent projects, always with the intention of making the audience look differently at the public space. The designs of TILT often are inspired by nature. Two years ago the collective presented luminous plants and trees on the 18 Septemberplein. This year the Wilhelminaplein is the setting for Bouquets d'abat-jours - bouquets of lampshades. These colorful bouquets are not made from flowers but from traditional lampshades. Although they are blown up to enormous proportions they keep reminding of the domesticity of the living room. The lamps kindly bend over the audience making the Wilheminaplein a pleasant place to stay. With their ever changing colors, they provide the square also a joyful and festive look. At the foot of the lamps people have the opportunity to take a break or to socialize. Adopted by Philips www.t-i-l-t.com More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 30

  • Néons - 2012_11_17_233630
    https://www.gaudry.be > Photo > Galerie
    [21] 17/11/2012 - Dernière modification le 07/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 31

  • Les Orpailleurs de Lumière - 2012_11_17_234451
    https://www.gaudry.be > Photo > Galerie
    [22] 17/11/2012 - Dernière modification le 27/09/2019 Les Orpailleurs de Lumière - Sleepless night in full light GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Catharinakerk About the project: The track "Night on the Bald Mountain" by Mussorgsky is the basis for the installation of Les Orpailleurs the Lumière. It is inspired by a story of Nikolai Gogol. He describes a village that is visited by the devil as the night falls. Nightmarish scenes follow one another until the clock strikes and the day breaks again. Like the story the music of Mussorgsky is exciting and disturbing. But after the bell sounds, the music changes into a leisurely pace, and it is quiet again. In Sleepless night in full light the devil is replaced by a conductor. He gets caught up in the rhythm of the music and sees visions: animated music notes, orchestra members who turn into monsters, flying instruments. The church seems to be haunted. Until the clock strikes and the conductor comes back to his senses. The sun rises and the church is shrouded in a magical light. Adopted by: CBS Outdoor www.lesorpailleursdelumiere.com More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 32

  • Les Orpailleurs de Lumière - 2012_11_17_234623
    https://www.gaudry.be > Photo > Galerie
    [23] 17/11/2012 - Dernière modification le 27/09/2019 Les Orpailleurs de Lumière - Sleepless night in full light GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Catharinakerk About the project: The track "Night on the Bald Mountain" by Mussorgsky is the basis for the installation of Les Orpailleurs the Lumière. It is inspired by a story of Nikolai Gogol. He describes a village that is visited by the devil as the night falls. Nightmarish scenes follow one another until the clock strikes and the day breaks again. Like the story the music of Mussorgsky is exciting and disturbing. But after the bell sounds, the music changes into a leisurely pace, and it is quiet again. In Sleepless night in full light the devil is replaced by a conductor. He gets caught up in the rhythm of the music and sees visions: animated music notes, orchestra members who turn into monsters, flying instruments. The church seems to be haunted. Until the clock strikes and the conductor comes back to his senses. The sun rises and the church is shrouded in a magical light. Adopted by: CBS Outdoor www.lesorpailleursdelumiere.com More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 33

  • Les Orpailleurs de Lumière - 2012_11_17_235446
    https://www.gaudry.be > Photo > Galerie
    [24] 17/11/2012 - Dernière modification le 27/09/2019
    Mot clé = 2012 (titre ou description) | Niveau = 34

  • Afterlight - 2012_11_18_000945
    https://www.gaudry.be > Photo > Galerie
    [25] 18/11/2012 - Dernière modification le 05/10/2019 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 35

  • Afterlight - 2012_11_18_001006
    https://www.gaudry.be > Photo > Galerie
    [26] 18/11/2012 - Dernière modification le 05/10/2019 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 36

  • Afterlight - 2012_11_18_001236
    https://www.gaudry.be > Photo > Galerie
    [27] 18/11/2012 - Dernière modification le 05/10/2019 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 37

  • Glow tour 2012: GLOW for Kids
    https://www.gaudry.be > Photo > Galerie
    [28] 18/11/2012 - Dernière modification le 06/10/2019 GLOW for Kids GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Karel Vermeerenplantsoen About the project: A thousand colorful lampshades that floated above the Markt last year, was the beginning of a new tradition. This year Eindhoven365 and CultuurStation have again invited students of primary schools to participate GLOW. About two thousand enthusiastic children planted a light flower in the Karel Vermeerenplantsoen. Each student has made its own LED flower as part of a beautiful bouquet. Together the young designers have created a fairy artwork, a field of light flowers. For CultuurStation GLOW is an opportunity to enthuse children for cultural activities in their own town. The children were challenged to show their most creative side and are now proud ambassadors of Eindhoven. www.cultuurstation.nl More information: www.gloweindhoven.nl
    Mot clé = 2012 (titre ou description) | Niveau = 38

  • 2012_11_29_162946 - Terril de Retinne
    https://www.gaudry.be > Photo > Galerie
    [29] 29/11/2012 - Dernière modification le 02/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 39

  • Liège, quartier de Saint-Laurent - 2012_12_07_083156
    https://www.gaudry.be > Photo > Galerie
    [30] 07/12/2012 - Dernière modification le 24/09/2019
    Mot clé = 2012 (titre ou description) | Niveau = 40

  • Storm rumbling on lost temple
    https://www.gaudry.be > Photo > Galerie
    [31] 30/04/2014 - Dernière modification le 05/10/2019 In 2011 there were still statues on the roof of the monument, but it was not possible to go inside. Since the monument was restored, and a new roof was laid, but the statues were never put back in place. The temple with the statues is visible here : http://www.gaudry.be/photos/260620121216151391701557.html
    Mot clé = 2012 (titre ou description) | Niveau = 41

  • 2012_06_30_214400 - Visez la lune...
    https://www.gaudry.be > Photo > Galerie
    [32] 05/05/2015 - Dernière modification le 02/10/2019
    Mot clé = 2012 (titre ou description) | Niveau = 42

  • 2015_07_04_120120
    https://www.gaudry.be > Photo > Galerie
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