1 définition, 41 pages, 20 articles pour «structure»

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1 définition

  • [1] TREE
    Commande DOS. Permet l’affichage de la structure. ATTENTION : Cette commande n’est plus……
    Catégories = Informatique, Matériel

41 pages

  • [1] Historique
    19/03/2002 L'historique du site, les différents styles, la structure de l'infobrol...
    Mot clé = chapitre | Niveau = 1

  • [2] Les structures en C
    21/01/2003
    Mot clé = structure-en-langage-c | Niveau = 1

  • [3] Documents supprimés
    19/03/2002 Cette page permet de conserver la structure du site quand un document est supprimé.
    Mot clé = structure | Niveau = 2

  • [4] Les arbres en C
    06/11/2003 Comment parcourir tous les éléments d’une structure en arbre?
    Mot clé = structure | Niveau = 2

  • [5] Structure des ordinateurs
    07/02/2004 Initiation à l'informatique : quels sont les différents éléments d’un ordinateur? L'architecture Von Neuman. Micro instructions. Langage machine. Niveaux de
    Mot clé = architecture | Niveau = 2

  • [6] Structures algorithmiques
    15/02/2004 Structures algorithmiques : séquence, sélection, itération, récursion
    Mot clé = structure | Niveau = 2

  • [7] trier des structures
    12/03/2003 Les tris en C (part 2): trier des structures par sélection.
    Mot clé = structure | Niveau = 2

  • [8] UIT-T série Y
    14/04/2004 Recommandations UIT-T série Y : Infrastructure mondiale de l'information et protocole internet
    Mot clé = structure | Niveau = 2

  • [9] Un programme en C
    19/03/2002 Analyse d’un fichier source, structure d’un programme en C.
    Mot clé = structure | Niveau = 2

  • [10] Von Neuman
    05/03/2005 L'architecture Von Neuman permet de comprendre les principes de base de l'architecture des ordinateurs modernes.
    Mot clé = acc | Niveau = 4

  • [11] Arbre syntaxique abstrait
    02/05/2010 L'arbre Syntaxique abstrait (AST pour abstract syntaxic tree)
    Mot clé = structure | Niveau = 5

  • [12] Les arbres
    02/11/2009 Les arbres en informatique
    Mot clé = structure | Niveau = 5

  • [13] Hiérarchie
    19/03/2002 Hiérarchie des objets, liens vers chaque objet.
    Mot clé = structure | Niveau = 9

  • [14] Les boucles for()
    19/03/2002 Structures de données : les boucles for(). Comparaison entre les boucles for() et while().
    Mot clé = structure | Niveau = 9

  • [15] Ardennes American Cemetery - flowers
    13/06/2019 The Ardennes American Cemetery and Memorial is home to the graves of 5,329 members of the United States military who died in World War II. It is one of fourteen cemeteries for American World War II dead on foreign soil, and is administered by the American Battle Monuments Commission. The ninety and a half acre cemetery and memorial is located in Neuville-en-Condroz, near the southeast edge of Neupré, Wallonia, Belgium. It is one of three American war cemeteries in Belgium, the other two being at Flanders Field and Henri-Chapelle. Layout and memorial The Ardennes American Cemetery is generally rectangular in shape. Its grave plots are arranged in the form of a Greek cross separated by two broad intersecting paths. At the east end of the traverse path is a bronze figure symbolizing American youth, designed by sculptor C. Paul Jennewein. The cemetery is surrounded on all sides by stands of trees. An approach drive leads to the memorial, a rectangular structure bearing on its south facade a massive American eagle with three figures symbolizing Justice, Liberty, and Truth and thirteen stars representing the United States. This facade was designed by C. Paul Jennewein. The facade on the far (north) end, which overlooks the burial area, bears the insignia in mosaic of the major United States units which operated in northwest Europe in World War II. Along the outside of the memorial are the "Tablets of the Missing", granite slabs on which are inscribed the names of 462 American missing (15 Navy and 447 Army and Army Air Forces) who gave their lives in the service of their country, but whose remains were never recovered or identified. Within the memorial are a chapel, three large wall maps composed of inlaid marble, marble panels depicting combat and supply activities and other ornamental features. From Wikipedia, the free encyclopedia
    Mot clé = Ardennes American Cemetery - flowers | Niveau = 11

  • [16] Ardennes American Cemetery and Memorial
    10/06/2019 Metadata Nikon D7000 ƒ/7.1 17.0 mm 1/25 s ISO 100 Size: 9824*3230 Processing Panorama, merge of 3 photos(left-right-center) with a 1/3 overlap Very bad distorsions on the bottom-left and bottom-right corners, but I like the cloudy sky. Context The Ardennes American Cemetery and Memorial is home to the graves of 5,329 members of the United States military who died in World War II. It is one of fourteen cemeteries for American World War II dead on foreign soil, and is administered by the American Battle Monuments Commission. The ninety and a half acre cemetery and memorial is located in Neuville-en-Condroz, near the southeast edge of Neupré, Wallonia, Belgium. It is one of three American war cemeteries in Belgium, the other two being at Flanders Field and Henri-Chapelle. Layout and memorial The Ardennes American Cemetery is generally rectangular in shape. Its grave plots are arranged in the form of a Greek cross separated by two broad intersecting paths. At the east end of the traverse path is a bronze figure symbolizing American youth, designed by sculptor C. Paul Jennewein. The cemetery is surrounded on all sides by stands of trees. An approach drive leads to the memorial, a rectangular structure bearing on its south facade a massive American eagle with three figures symbolizing Justice, Liberty, and Truth and thirteen stars representing the United States. This facade was designed by C. Paul Jennewein. The facade on the far (north) end, which overlooks the burial area, bears the insignia in mosaic of the major United States units which operated in northwest Europe in World War II. Along the outside of the memorial are the "Tablets of the Missing", granite slabs on which are inscribed the names of 462 American missing (15 Navy and 447 Army and Army Air Forces) who gave their lives in the service of their country, but whose remains were never recovered or identified. Within the memorial are a chapel, three large wall maps composed of inlaid marble, marble panels depicting combat and supply activities and other ornamental features. From Wikipedia, the free encyclopedia
    Mot clé = Ardennes American Cemetery and Memorial | Niveau = 12

  • [17] Ardennes American Cemetery - unknown
    13/06/2019 The Ardennes American Cemetery and Memorial is home to the graves of 5,329 members of the United States military who died in World War II. It is one of fourteen cemeteries for American World War II dead on foreign soil, and is administered by the American Battle Monuments Commission. The ninety and a half acre cemetery and memorial is located in Neuville-en-Condroz, near the southeast edge of Neupré, Wallonia, Belgium. It is one of three American war cemeteries in Belgium, the other two being at Flanders Field and Henri-Chapelle. Layout and memorial The Ardennes American Cemetery is generally rectangular in shape. Its grave plots are arranged in the form of a Greek cross separated by two broad intersecting paths. At the east end of the traverse path is a bronze figure symbolizing American youth, designed by sculptor C. Paul Jennewein. The cemetery is surrounded on all sides by stands of trees. An approach drive leads to the memorial, a rectangular structure bearing on its south facade a massive American eagle with three figures symbolizing Justice, Liberty, and Truth and thirteen stars representing the United States. This facade was designed by C. Paul Jennewein. The facade on the far (north) end, which overlooks the burial area, bears the insignia in mosaic of the major United States units which operated in northwest Europe in World War II. Along the outside of the memorial are the "Tablets of the Missing", granite slabs on which are inscribed the names of 462 American missing (15 Navy and 447 Army and Army Air Forces) who gave their lives in the service of their country, but whose remains were never recovered or identified. Within the memorial are a chapel, three large wall maps composed of inlaid marble, marble panels depicting combat and supply activities and other ornamental features. From Wikipedia, the free encyclopedia
    Mot clé = Ardennes American Cemetery - unknown | Niveau = 13

  • [18] ...WHERE...
    08/07/2019 ‘Transformatie’ en het fluisterbos GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e campus, bij gebouw Impuls About the project: Michel Suk has used theatrical and design techniques to arrive at Transformation. In this work of light art he gives center stage to personal formation and development. Characteristic of Transformation are the multiples of knowledge and continuous innovation, nurtured from a common source: Eindhoven University of Technology. This energy is enclosed and embedded in a steel tube and can only exit this tube through an organized structure in the metal. Only a purely pointed source of light unlocks and translates the structure in the metal into a circular projection. The result: a concentrically arranged light projection on the floor whose rings are not in contact with each other, but which do originate from the same source. To illustrate knowledge, the wood has been changed as if by magic into a whispering wood, where one hears whispers of mysterious scientific formulae. From Glow 2011 website.
    Mot clé = ...WHERE... | Niveau = 14

  • [19] ...WHERE INNOVATIONS...
    26/06/2019 ‘Transformatie’ en het fluisterbos GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e campus, bij gebouw Impuls About the project: Michel Suk has used theatrical and design techniques to arrive at Transformation. In this work of light art he gives center stage to personal formation and development. Characteristic of Transformation are the multiples of knowledge and continuous innovation, nurtured from a common source: Eindhoven University of Technology. This energy is enclosed and embedded in a steel tube and can only exit this tube through an organized structure in the metal. Only a purely pointed source of light unlocks and translates the structure in the metal into a circular projection. The result: a concentrically arranged light projection on the floor whose rings are not in contact with each other, but which do originate from the same source. To illustrate knowledge, the wood has been changed as if by magic into a whispering wood, where one hears whispers of mysterious scientific formulae. From Glow 2011 website.
    Mot clé = ...WHERE INNOVATIONS... | Niveau = 15

  • [20] Burning Van Abbe Museum - 1
    22/06/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 1 | Niveau = 16

  • [21] Burning Van Abbe Museum - 2
    22/06/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 2 | Niveau = 17

  • [22] Burning Van Abbe Museum - 4
    22/06/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 4 | Niveau = 18

  • [23] Burning Van Abbe Museum - 3
    22/06/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 3 | Niveau = 19

  • [24] Burning Van Abbe Museum - 5
    22/06/2019 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 5 | Niveau = 20

  • [25] Beauty of stagnation - 3
    25/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 3 | Niveau = 21

  • [26] Beauty of stagnation - 2
    25/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 2 | Niveau = 22

  • [27] Beauty of stagnation - 1
    25/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 1 | Niveau = 23

  • [28] Beauty of stagnation - 4
    25/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 4 | Niveau = 24

  • [29] La Grand Poste de Liège - L'union fait la force
    01/06/2019 La Grand Poste de Liège est un édifice public construit entre 1894 et 1905, rue de la Régence, au centre-ville de Liège, selon les plans de l'architecte Edmond Jamar. Cet édifice néogothique marie les techniques modernes en utilisant le métal dans la structure portante intérieure et les styles traditionnels. Il est doté d'une tourelle octogonale coiffée d'une flèche, de statues représentant des corps de métier, et de colonnes à chapiteaux figurés. Le bâtiment désaffecté est classé (façades et toitures) depuis fin 2002. Divers projets ont été étudiés pour sa reconversion. Le dernier projet qui date de 2009 transforme le bâtiment en hôtel et commerces. Source : Wikipedia
    Mot clé = La Grand Poste de Liège - L'union fait la force | Niveau = 25

  • [30] Istanbul, Basilica Cistern
    23/06/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia, the free encyclopedia - version 09Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque
    Mot clé = Istanbul, Basilica Cistern | Niveau = 26

  • [31] Istanbul, la citerne basilique
    19/06/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Istanbul, la citerne basilique | Niveau = 27

  • [32] Yerebatan Sarayı
    02/07/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Yerebatan Sarayı | Niveau = 28

  • [33] Des hommes comme vous et moi
    21/06/2019 The museum Ramioul: The museum is designed to encourage visitors not to look at prehistory from the outside but rather to make him live it by experiencing the sensations of prehistoric man. The exhibition collections refuses to privilege the public scholar, it aims instead to familiarize the visitor with prehistoric life itself rather than with the representation given by the Archaeology. The chronology is not the main theme of the course. The museum is structured according to themes of prehistoric life in order to create a genuine relationship between the daily life of the visitor and that of prehistoric man. For this purpose, the concept expographique refers to his daily life, in a participatory approach and a variety of scenic resources: interactive terminals, multimedia projections, reconstructions, facsimiles to handle, ... The cave Ramioul: The cave Ramioul is a treasure of natural heritage and archaeological Walloon. It is a listed site of the Walloon Region. Discoveries that were made and the beauty of its concretions make it unavoidable. Cave Ramioul extends to within one kilometer of the cave Engis which were discovered in 1829, the first Neanderthal fossils in the world. "Chercheurs de la Wallonie" fought for many years to preserve it, and it narrowly escaped the shots backhoe. Since its inception, Prehistoric - Museum of Prehistory in Wallonia, has made every effort to conserve, preserve and enhance this jewel stone and its biodiversity. The upper level of the cave has archaeological interest. The terrace was cleared in progressively different excavations. In October 1908, A. Vandebosch and her team of "Chercheurs de la Wallonie" discover the Neolithic ossuary of "triangular cave" that overlooks the terrace of the cave when masked by sediments. Shards of pottery, faunal remains, some stone tools and numerous body parts belonging to seven children and dated + / -2750 years BC have been unearthed. Continued excavations beneath the ossuary and the release of the entry in 1911, leading the researchers to explore the cave itself. It delivers the tools belonging to Palaeolithic industries as well as faunal remains of now extinct species (bear, lion, cave hyaena, wolf, woolly rhinoceros, mammoth). On the terrace, two archaeological layers were identified. The first was attributed to the Upper Palaeolithic to Aurigacien (+ / - 30000ans BC) and contains various tools slide and faunal remains consumed. The second oldest (+ / - 70000ans BC), contains tools and Middle Paleolithic characteristics attributed to Keilmessergruppen (Neanderthal). Cave Ramioul contributes to the dialogue between past and present. She is behind the Museum of Prehistory in Wallonia and participates in the ongoing dialogue established between the prehistoric sites of excavation, the archaeological material and the public. Source: www.ramioul.org
    Mot clé = Des hommes comme vous et moi | Niveau = 29

  • [34] Devoxx - Thucydides
    30/06/2019 To ATDD and beyond! Better Automated Acceptance Testing on the JVM by John Smart est Driven Development is a game changer for developers, but Automated Acceptance Testing (ATDD) is a game changer for the whole team! More than just a testing technique, Automated Acceptance Testing is both a collaboration tool and a vital step on the road to Continuous Delivery. In this talk, you will see a real-world demo applying practical ATDD techniques to real-world projects using JBehave, Selenium 2 and Thucydides. Learn how to write better and more maintainable automated acceptance tests, and see how a well-designed set of automated acceptance tests can also be a powerful documentation and reporting tool. See how tools like JBehave and Thucidides can help you structure your acceptance tests and generate powerful documentation, with narrative feature descriptions, screen shots, test coverage, and project progress reports. And learn how product owners use ATDD and Thucydides to drive, coordinate and document releases. Source: Devoxx
    Mot clé = Devoxx - Thucydides | Niveau = 30

  • [35] Afterlight - 2012_11_18_000945
    19/06/2019 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = Afterlight - 2012_11_18_000945 | Niveau = 31

  • [36] Afterlight - 2012_11_18_001006
    19/06/2019 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = Afterlight - 2012_11_18_001006 | Niveau = 32

  • [37] Afterlight - 2012_11_18_001236
    19/06/2019 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = Afterlight - 2012_11_18_001236 | Niveau = 33

  • [38] Olne autrefois 2013, wildemann
    19/06/2019 Le wildemann Le wildemann est un personnage folklorique typique de l'Allemagne centrale, associé au renouveau saisonnier. Il n'est pas exclu que cette figure folklorique soit pertinente pour Olne, mais a priori il pourrait s'agir d'une simple reproduction d'une illustration -ou d'un souvenir touristique- sans grand rapport avec l'identité d'Olne. L'important ici est de se souvenir que les entités culturelles ne sont pas des "Memes" à fondement naturaliste, mais qu'il faut les comprendre dans un système culturel local. Il serait intéressant de comprendre ce que les bonshommes de buis nous révèlent de la structure sociale. A l'exposition de Hanovre -près de la patrie du Wildemann- en 2000, le pavillon du WWF en offrait une interprétation écologique : L'Homme Vert Le "Green Man" ("feuillu" en fr.) est un autre symbole folklorique du renouveau printanier. C'est plutôt un personnage attaché aux champs et aux cultures qu'aux espaces sauvages. Il trouve de nombreuses incarnations locales qui vont de Cernunnos à Peter Pan. Et le Père Noel et Robin des Bois en sont d'autres figurations. Dans les campagnes anglaises, Jack-in-the-Green, le Roi de Mai est un personnage disposant de pouvoirs de fertilité et de régénération. Source: Identité Olnoise - Olne page 27
    Mot clé = Olne autrefois 2013, wildemann | Niveau = 34

  • [39] Dohány utcai zsinagóga
    25/06/2019 Dohány Street Synagogue The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga/nagy zsinagóga, Hebrew: בית הכנסת הגדול של בודפשט‎ bet hakneset hagadol šel budapešt), also known as The Great Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Europe and the fifth largest in the world. It seats 3,000 people and is a centre of Neolog Judaism. The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs". The interior design is partly by Frigyes Feszl. The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Holocaust memorial and the Jewish Museum, which was built on the site on which Theodore Herzl's house of birth once stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto. History Built in a residential area between 1854-1859 by the Neolog Jewish community of Pest according to the plans of Ludwig Förster, the monumental synagogue has a capacity of 2,964 seats (1,492 for men and 1,472 in the women's galleries) making it the largest in Europe and one of the largest working synagogue in the World, after the Belz Great Synagogue and the Beit Midrash of Ger in Jerusalem, the Breslov Uman Synagogue in Uman, Ukraine, Temple Emanu-el in New York City, and the Yetev Lev D'Satmar synagogue in New York City. The consecration of the synagogue took place on 6 September 1859. The synagogue was bombed by the Hungarian pro-Nazi Arrow Cross Party on 3 February 1939. Used as a base for German Radio and also as a stable during World War II, the building suffered some severe damage from aerial raids during the Nazi Occupation but especially during the Siege of Budapest. During the Communist era the damaged structure became again a prayer house for the much-diminished Jewish community. Its restoration started in 1991 and ended in 1998. The restoration was financed by the state and by private donations. Exterior The building is 75 metres (246 ft) long and 27 metres (89 ft) wide. The style of the Dohány Street Synagogue is Moorish but its design also features a mixture of Byzantine, Romantic and Gothic elements. Two onion-shaped domes sit on the twin octogonal towers at 43 metres (141 ft) height. A rose stained-glass window sits over the main entrance. Similarly to basilicas, the building consists of three spacious richly decorated aisles, two balconies and, unusually, an organ. Its ark contains various torah scrolls taken from other synagogues destroyed during the Holocaust. The Central Synagogue in Manhattan, New York City is a near-exact copy of the Dohány Street Synagogue.
    Mot clé = Dohány utcai zsinagóga | Niveau = 35

  • [40] A zsinagóga belseje
    29/06/2019 Dohány Street Synagogue The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga/nagy zsinagóga, Hebrew: בית הכנסת הגדול של בודפשט‎ bet hakneset hagadol šel budapešt), also known as The Great Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Europe and the fifth largest in the world. It seats 3,000 people and is a centre of Neolog Judaism. The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs". The interior design is partly by Frigyes Feszl. The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Holocaust memorial and the Jewish Museum, which was built on the site on which Theodore Herzl's house of birth once stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto. History Built in a residential area between 1854-1859 by the Neolog Jewish community of Pest according to the plans of Ludwig Förster, the monumental synagogue has a capacity of 2,964 seats (1,492 for men and 1,472 in the women's galleries) making it the largest in Europe and one of the largest working synagogue in the World, after the Belz Great Synagogue and the Beit Midrash of Ger in Jerusalem, the Breslov Uman Synagogue in Uman, Ukraine, Temple Emanu-el in New York City, and the Yetev Lev D'Satmar synagogue in New York City. The consecration of the synagogue took place on 6 September 1859. The synagogue was bombed by the Hungarian pro-Nazi Arrow Cross Party on 3 February 1939. Used as a base for German Radio and also as a stable during World War II, the building suffered some severe damage from aerial raids during the Nazi Occupation but especially during the Siege of Budapest. During the Communist era the damaged structure became again a prayer house for the much-diminished Jewish community. Its restoration started in 1991 and ended in 1998. The restoration was financed by the state and by private donations. Interior The torah-ark and the internal frescoes made of colored and golden geometric shapes are the works of the famous Hungarian romantic architect Frigyes Feszl. A single-span cast iron supports the 12-metre-wide (39 ft) nave. The seats on the ground-floor are for men, while the upper gallery, supported by steel ornamented poles, has seats for women. Franz Liszt and Camille Saint-Saëns played the original 5,000 pipe organ built in 1859. A new mechanical organ with 63 voices and 4 manuals was built in 1996 by the German firm Jehmlich Orgelbau Dresden GmbH. One of the most daring concerts in the Synagogue's history was in 2002, played by the legendary organ virtuoso Xaver Varnus. Four hours before the concert even standing places could hardly be found in the Synagogue, and 7,200 people were sitting and standing to listen to the legendary improvisor’s fiendish virtuosity.
    Mot clé = A zsinagóga belseje | Niveau = 36

  • [41] Lever de soleil sur le pont Long Biên à Hanoï
    01/06/2019 Situé sur la ligne de chemin de fer qui relie Ho Chi Minh Ville à Hanoï, le pont Long Biên est une structure métallique de style Eiffel qui permet le franchissement du fleuve rouge à la sortie d'Hanoï. Construit 1902 (pendant l'indochine française), il aura souffert lors des bombardements lors de la guerre du Viêt Nam. La photo est prise depuis le pont Cầu Chương Dương lors du trajet vers Sapa et Lào Cai à la frontière Chinoise.
    Mot clé = Lever de soleil sur le pont Long Biên à Hanoï | Niveau = 37

20 articles

  • [1] Wordpress, ajouter un fil d'Ariane (breadcrumb)
    01/01/2012 Comment ajouter un breadcrumb (fil d'Ariane) à Wordpress?

  • [2] Istanbul
    24/02/2012 Mes premières photos d'Istanbul. Byzance, Constantinople, Istanbul, un lieu de rencontre entre moderne et ancien, entre l'Orient et l'Occident, à cheval sur deux continents, est une ville magique qui enflamme l'imagination...

  • [3] Istanbul, la citerne basilique
    04/03/2014 Les photos et explications sur la citerne basilique à Istanbul

  • [4] La centrale électrique IM - Powerplant IM
    03/03/2015 Les décors rétro-futuristes des tours de refroidissement, les machines démesurées des centrales électriques, les salles de contrôle, tout un environnement qui m'attire énormément. Avec mon pote de photos, Seb, nous décidons de nous rendre dans ce lieu au nom de code "Powerplant IM"

  • [5] Les délires photo
    03/03/2015 Les puristes nous diront que la photographie est là pour montrer la réalité, figer un instant, et qu'il est tout à fait vain, vaniteux, et puéril de réaliser des mises en scène. Quelques fois, je pense qu'il est bon de se laisser prendre au jeu, et de spectateurs passer acteurs le temps d'un cliché.

  • [6] ECVB, musée EnergeiA
    19/03/2015 Le reportage photo du musée EnergeiA dans la centrale électrique ECVB de Langerbrugge, avant le passage des voleurs de cuivre et la démolition.

  • [7] Mécanismes d'horloge de clocher
    19/04/2015 Quelques photos de l'exposition sur les mécanismes d'horloge de clocher qui s'est tenue à la collégiale Saint-Barthélemy à Liège.

  • [8] ECVB - démolition
    18/05/2015 Les photos de la démolition de la centrale électrique ECVB

  • [9] L'université du Val Benoit
    05/06/2015 Historique et photos de l'université du Val Benoit.

  • [10] Karel Casier - Red the Cat
    17/08/2015 Soiron sur scène 2015, photos de Karel Kasier, qui a fait hurler le public de peur avec "Red the cat", avant de leur tordre le ventre à force de rire.

  • [11] La liberté de panorama en Belgique
    27/07/2016 Pouvons-nous photographier sans restriction les bâtiments publiques? La Belgique adopte la liberté de panorama qui permet de photographier certaines oeuvres qui étaient protégées.

  • [12] Le fort de Boncelles - Reportage et photos de l'intérieur
    28/10/2017 Photos de l'intérieur d'un des 12 forts de la ceinture défensive de Liège, le fort de Boncelles. Ce fort est abandonné et n'est pas ouvert au public.

  • [13] Photographier le coucher de soleil
    10/11/2017 Tutorial et astuces pour réussir des photos de coucher de soleil

  • [14] Urbex - Photographier les lieux abandonnés
    16/11/2017 Photos de lieux abandonnés en Belgique et ailleurs, Quand l'homme déserte les lieux, que deviennent-ils? Photos d'urbex (exploration urbaine). Attention: certaines images peuvent choquer.

  • [15] Eindhoven glow 2017
    19/11/2017 Eindhoven glow festival est un événement dédié à la lumière. Photos du glow 2017, et quelques photos de l'album Eindhoven glow des années précédentes.

  • [16] Vietnam & Cambodge 2018
    10/04/2018 Présentation de l'article en préparation: Un mois d'aventures au Vietnam et au Cambodge

  • [17] Vietnam - Ho Chi Minh City
    13/04/2018 Les photos et récits du passage à Ho Chi Minh City lors du voyage au Vietnam et au Cambodge en 2018

  • [18] Des caïmans dans la rizière
    21/04/2018 Quelques aventures dans les rizières au Vietnam

  • [19] Cambodge - les temples d'Angkor
    05/05/2018 Visite des temples d'Angkor au Cambodge

  • [20] Les hospices de Beaune
    24/04/2019 En (grande) vadrouille aux hospices de Beaune...

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Document créé le 13/03/2010, dernière modification le 26/10/2018
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