25 pages, 11 articles pour «steph»

Vous pouvez consulter la page d'explications relative au nuage de mots clés et aux techniques utilisées.

25 pages

  • [1] Contact - Auteur
    19/03/02 12:01 Description de l’auteur de l'infobrol, et moyens de contacts (mail, forum,...)
    Mot clé = 4bnqg&tr | Niveau = 4

  • [2] Infobrol (page d'accueil)
    02/01/04 22:32 Nouveautés, derniers messages du forum, les communications, les dernières astuces et actualités.
    Mot clé = steph | Niveau = 5

  • [3] 21 photos en rapport avec steph
    19/08/18 18:27 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = steph | Niveau = 11

  • [4] Citations de Stephen King
    25/08/18 18:27 Toutes les citations de Stephen King que j'apprécie particulièrement.
    Actuellement 1 citation.
    Mot clé = Stephen King | Niveau = 11

  • [5] Abandoned kitchen
    02/09/18 18:27 I tell you, when we first came up here I thought it was kinda scary. The Shining, Stephen King
    Mot clé = Abandoned kitchen | Niveau = 12

  • [6] Citations de Stephen Richards
    21/08/18 18:27 Toutes les citations de Stephen Richards que j'apprécie particulièrement.
    Actuellement 1 citation.
    Mot clé = Stephen Richards | Niveau = 12

  • [7] Burning Van Abbe Museum - 1
    23/08/18 18:27 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 1 | Niveau = 13

  • [8] Burning Van Abbe Museum - 2
    23/08/18 18:27 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 2 | Niveau = 14

  • [9] Burning Van Abbe Museum - 4
    23/08/18 18:27 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 4 | Niveau = 15

  • [10] Burning Van Abbe Museum - 3
    23/08/18 18:27 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 3 | Niveau = 16

  • [11] Burning Van Abbe Museum - 5
    23/08/18 18:27 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 5 | Niveau = 17

  • [12] Istanbul, Basilica Cistern
    24/08/18 18:27 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia, the free encyclopedia - version 09Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque
    Mot clé = Istanbul, Basilica Cistern | Niveau = 18

  • [13] Istanbul, la citerne basilique
    20/08/18 18:27 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Istanbul, la citerne basilique | Niveau = 19

  • [14] Yerebatan Sarayı
    02/09/18 18:27 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Yerebatan Sarayı | Niveau = 20

  • [15] Istanbul, Topkapi palace - Imperial Council (Defterhāne)
    24/07/18 18:27 Defterhāne This picture shows the third chamber called Defterhāne. Imperial Council The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity. The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II. From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time. The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers: - The first chamber where the Imperial Council held its deliberations is the Kubbealtı. - The second chamber was occupied by the secretarial staff of the Imperial Divan. - In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive. On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check. In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol. Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions. From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan. All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour. Source: Wikipedia, the free encyclopedia - version 10Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque Camera infos: Camera: Nikon D7000 Lens: Sigma 17-50mm f2.8 EX DC OS Exposure 0.05 sec (1/20) Aperture f/6.3 Focal Length 20 mm ISO Speed 100 Date: February 22, 2012 GPS Latitude 41 deg 0' 45.92" N GPS Longitude 28 deg 59' 1.72" E
    Mot clé = Istanbul, Topkapi palace - Imperial Council (Defterhāne) | Niveau = 21

  • [16] Istanbul, Rüstem Paşa Camii
    21/08/18 18:27 The Rüstem Pasha Mosque (Turkish: ' Rüstempaşa Camii') is an Ottoman mosque located in Hasırcılar Çarşısı (Strawmat Weavers Market) in the Tahtakale neighborhood, of the Eminönü district of Istanbul, Turkey. History The Rüstem Pasha Mosque was designed by Ottoman imperial architect Mimar Sinan for Grand Vizier Damat Rüstem Pasha (husband of one of the daughters of Suleiman the Magnificent, Princess Mihrimah). Rüstem Pasha died in July 1561 and the mosque was built after his death from around 1561 until 1563. Architecture Exterior The mosque was built on a high terrace over a complex of vaulted shops, whose rents were intended to financially support the mosque complex. Narrow, twisting interior flights of steps in the corners give access to a spacious courtyard. The mosque has a double porch with five domed bays, from which projects a deep and low roof supported by a row of columns. Interior The Rüstem Pasha Mosque is famous for its large quantities of exquisite İznik tiles, set in a very wide variety of beautiful floral and geometric designs, which cover not only the façade of the porch but also the mihrab, minbar, walls, columns and on the façade of the porch outside. These tiles exhibit the early use of a tomato-red color that would become characteristic of İznik pottery. Some of the tiles, particularly those in a large panel under the portico to the left main entrance, are decorated with sage green and dark manganese purple that are characteristic of the earlier 'Damascus ware' coloring scheme. No other mosque in Istanbul makes such a lavish use of these tiles. The plan of the building is basically that of an octagon inscribed in a rectangle. The main dome rests on four semi-domes; not on the axes but in the diagonals of the building. The arches of the dome spring from four octagonal pillars— two on the north, two on the south— and from piers projecting from the east and west walls. To the north and south are galleries supported by pillars and by small marble columns between them. Source: Wikipedia, the free encyclopedia - version 25Feb2012 See also in my flickr albums: Hagia Sophia, Sultan Ahmed Mosque (Blue Mosque of Istanbul)
    Mot clé = Istanbul, Rüstem Paşa Camii | Niveau = 22

  • [17] Cowpers HF6
    08/09/18 18:27 Cowpers Un cowper moderne consiste en cylindre vertical en acier de 6 à 9 m de diamètre et s'élevant à 20 à 35 m. Cette enceinte est remplie de briques réfractaires dont la nature dépend de leur rôle : on a des briques isolantes qui protègent la face interne du blindage du cowper, et des briques stockant et restituant la chaleur. Ces dernières servent à la construction du puits de combustion, où se déploie la flamme, et du rûchage, un empilement de briques perforées qui absorbe la chaleur des fumées. Le puits est souvent intégré dans le cylindre où il occupe environ un tiers de la section du four. Les plus gros cowpers sont dotés de puits externes qui permettent de mieux isoler la zone de combustion de celle d’accumulation/restitution de chaleur. La chauffe étant plus lente que le refroidissement, chaque haut fourneau est doté de trois, parfois quatre, cowpers passant alternativement dans chaque phase. En fonctionnement continu, un cowper restitue sa chaleur pendant environ 30 min, avant que le vent soit orienté vers le cowper qui vient de finir une réchauffe de 50 min (durée à laquelle il faut ajouter les phases d'inertage et de mise en pression, qui durent 10 min). Un cowper moderne peut réchauffer environ 1,4 tonne de vent à 1 200 °C, par tonne de fonte. Lorsqu’il restitue sa chaleur, c'est donc, pour un haut fourneau produisant 6 000 t de fonte par jour, un four d'une puissance d'environ 100 MW. La chauffe est effectuée par combustion d'une partie du gaz produit par le haut fourneau, qui doit être mélangé avec un gaz riche pour atteindre les températures souhaitées. Source: Wikipedia Modern cowper consists in vertical steel cylinder 6 to 9 m and a diameter amounting to from 20 to 35 m. This enclosure is filled with refractory bricks whose nature depends on their role has insulating bricks that protect the inner face of the shield cowper, and storing and reproducing bricks heat. The latter are used in the construction of wells combustion, where the flame spreads, and rûchage, a stack of perforated bricks which absorbs heat of the fumes. The well is often integrated into the cylinder where it occupies about one third of the furnace section. The biggest feature cowpers outer wells to better isolate the combustion zone of the accumulator / heat delivery. Heating is slower than cooling, each blast furnace has three, sometimes four, stoves passing alternately in each phase. In continuous operation, cowper restores its heat for about 30 minutes before the wind is facing cowper who just finished a 50-minute heats (time at which there are the phases inerting and pressurization, lasting 10 min). Modern cowper can warm wind of about 1.4 tons to 1200 ° C, per ton of pig iron. When the heat returns, so this is for a blast furnace producing 6000 t of pig iron per day, a furnace with a capacity of approximately 100 MW. The heater is powered by combustion of part of the product through the furnace, which must be mixed with the rich gas to achieve the desired gas temperature.
    Mot clé = Cowpers HF6 | Niveau = 23

  • [18] Devoxx - JavaFx devices - preparation
    13/08/18 18:27 JavaFX Bootstrap by Jim Weaver and Gerrit Grunwald Much of this session will draw upon the work in the Pro JavaFX 2 book that Jim Weaver co-authored, as well as the UI controls and gauges that Gerrit Grunwald created for the open source JFXtras project. Some of the areas that we'll cover are: Getting started with JavaFX Creating a user interface Using Scene Builder and FXML Using the JavaFX UI controls Creating custom UI controls Leveraging the strengths of JavaFX and HTML5 Overview of DataFX, calling web services Using Scenic View Using JavaFX APIs from Alternative JVM Languages Embedded Java/JavaFX on a Raspberry Pi Embedded Java/JavaFX on a BeagleBoard Wrap-up and additional Q&A During the session we'll have brief guest appearances by JavaFX developers such as Martin Gunnarson and Pär Sikö, Stephen Chin, Angela Caicedo, Jonathan Giles, Johan Vos, and Jasper Potts. We'll also be awarding ten copies of the Pro JavaFX 2 book to participative audience members. Source: Devoxx
    Mot clé = Devoxx - JavaFx devices - preparation | Niveau = 24

  • [19] Devoxx - JavaFX Bootstrap
    25/08/18 18:27 JavaFX Bootstrap by Jim Weaver and Gerrit Grunwald Much of this session will draw upon the work in the Pro JavaFX 2 book that Jim Weaver co-authored, as well as the UI controls and gauges that Gerrit Grunwald created for the open source JFXtras project. Some of the areas that we'll cover are: Getting started with JavaFX Creating a user interface Using Scene Builder and FXML Using the JavaFX UI controls Creating custom UI controls Leveraging the strengths of JavaFX and HTML5 Overview of DataFX, calling web services Using Scenic View Using JavaFX APIs from Alternative JVM Languages Embedded Java/JavaFX on a Raspberry Pi Embedded Java/JavaFX on a BeagleBoard Wrap-up and additional Q&A During the session we'll have brief guest appearances by JavaFX developers such as Martin Gunnarson and Pär Sikö, Stephen Chin, Angela Caicedo, Jonathan Giles, Johan Vos, and Jasper Potts. We'll also be awarding ten copies of the Pro JavaFX 2 book to participative audience members. Source: Devoxx
    Mot clé = Devoxx - JavaFX Bootstrap | Niveau = 25

  • [20] Montagne de Bueren
    01/09/18 18:27 La montagne de Bueren est un escalier de la ville de Liège reliant le quartier Féronstrée et Hors-Château au Péri et à la citadelle traversant les Coteaux. Description De la rue Hors-Château, laissant, à droite, le couvent des Ursulines et, à gauche, l'impasse des Ursulines serpenter à flanc de coteau jusqu'aux Terrasses des Minimes, les 374 marches mènent Au-Péri puis à la citadelle. La rue mesure, en totalité, 260 mètres et les escaliers 194 mètres. La pente moyenne de l'escalier est de près de 28 %. L'ascension est fort heureusement facilitée par la présence, à intervalles réguliers, de paliers, où quelques bancs permettent de regarder à l'aise la ville qui, petit à petit, se révèle. On découvre d'abord la masse grise de l'îlot Saint-Georges, la haute silhouette de la cité administrative, puis la coulée miroitante de la Meuse sous le pont des Arches. Chaque année, le 1er samedi d'octobre, lors de la Nocturne des Coteaux de la Citadelle, l'escalier, plongé dans l'obscurité, se voit éclairé par 3 000 bougies présentant au public un spectacle chatoyant. Historique Ce nouveau chemin, établi au départ de l'impasse du Thier des Begards tennant sur Hors-Château, est terminé en 1880 à la suite d'une décision prise par le conseil communal en mars 1875. Il doit permettre un accès rapide de la garnison stationnée à la citadelle vers le centre de la ville en cas d'invasion ou de soulèvement populaire et, plus prosaïquement, interdiction est faite à cette garnison d'encore passer par la rue Pierreuse où sont établis nombre d'estaminets et où œuvrent des péripatéticiennes. Ces fonctions ne durent qu'une dizaine d'années, la citadelle étant déclassée en 1891. Source: Wikipedia
    Mot clé = Montagne de Bueren | Niveau = 26

  • [21] Halászbástya
    05/09/18 18:27 Fisherman's Bastion The Halászbástya or Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II. From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill. Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896. The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths. A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life. It was featured as a Pit Stop on the sixth season of The Amazing Race. Source: Wikipedia
    Mot clé = Halászbástya | Niveau = 27

  • [22] Szent István-bazilika
    28/08/18 18:27 St. Stephen's Basilica St. Stephen's Basilica (Hungarian: Szent István-bazilika) is a Roman Catholic basilica in Budapest, Hungary. It is named in honour of Stephen, the first King of Hungary (c 975–1038), whose right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary. Source: Wikipedia
    Mot clé = Szent István-bazilika | Niveau = 28

  • [23] Szent István-bazilika
    28/08/18 18:27 St. Stephen's Basilica (Hungarian: Szent István-bazilika) is a Roman Catholic basilica in Budapest, Hungary. It is named in honour of Stephen, the first King of Hungary (c 975–1038), whose right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary. Source: Wikipedia
    Mot clé = Szent István-bazilika | Niveau = 29

  • [24] The house of Pennywise the Dancing Clown
    10/08/18 18:27 An abandoned amusement park, it's really something special just because a park is the animation, the sound, the crowd. When the sun rises and reveals the fairgrounds in the middle of the vegetation, we almost expect to see tumble Pennywise the Dancing Clown. If the night had passed without a hitch, it was otherwise in the morning we were caught buddy Seb and I by the guards who were doing their morning rounds with the dogs. We were forced to erase our memory cards, and were forcibly thrown out of the enclosure. Fortunately, there are recovery programs :-)
    Mot clé = The house of Pennywise the Dancing Clown | Niveau = 30

  • [25] Pleine lune juillet 2016
    26/08/18 18:27 "regarder la lune se lever sur la vaste terre endormie et pouvoir appeler quelqu'un à la fenêtre pour la contempler ensemble." Stephen King (800mm car utilisation du TC-1401)
    Mot clé = Pleine lune juillet 2016 | Niveau = 31

11 articles

 

Document créé le 13/03/10 02:52, dernière modification le 13/07/18 16:06
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