119 pages, 7 articles pour «ILD»

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119 pages

  • [1] AccessibleJListChild
    16/09/06 22:48 javax.swing.JList.AccessibleJList.AccessibleJListChild Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [2] AsyncBoxView.ChildLocator
    10/01/10 02:09 javax.swing.text.AsyncBoxView.ChildLocator
    Mot clé = ild | Niveau = 2

  • [3] AsyncBoxView.ChildLocator
    31/08/06 23:32 javax.swing.text.AsyncBoxView.ChildLocator Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [4] AsyncBoxView.ChildState
    01/09/06 01:10 javax.swing.text.AsyncBoxView.ChildState Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [5] BeanContextChild
    01/09/06 02:36 java.beans.beancontext.BeanContextChild Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [6] BeanContextChildComponentProxy
    06/12/06 22:06 java.beans.beancontext.BeanContextChildComponentProxy Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [7] BeanContextChildSupport
    26/09/06 00:36 java.beans.beancontext.BeanContextChildSupport Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [8] BeanContextServicesSupport.BCSSC
    07/12/06 21:48 java.beans.beancontext.BeanContextServicesSupport.BCSSChild Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [9] BeanContextSupport.BCSChild
    06/12/06 21:53 java.beans.beancontext.BeanContextSupport.BCSChild Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [10] CertPathBuilder
    31/08/06 03:53 java.security.cert.CertPathBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [11] CertPathBuilderException
    26/09/06 01:53 java.security.cert.CertPathBuilderException Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [12] CertPathBuilderResult
    01/09/06 02:49 java.security.cert.CertPathBuilderResult Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [13] CertPathBuilderSpi
    31/08/06 01:55 java.security.cert.CertPathBuilderSpi Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [14] DocumentBuilder
    31/08/06 00:47 javax.xml.parsers.DocumentBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [15] DocumentBuilderFactory
    16/09/06 21:43 javax.xml.parsers.DocumentBuilderFactory Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [16] InitialContextFactoryBuilder
    07/12/06 00:00 javax.naming.spi.InitialContextFactoryBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [17] KeyStore.Builder
    31/08/06 00:34 java.security.KeyStore.Builder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [18] KeyStoreBuilderParameters
    01/09/06 03:23 javax.net.ssl.KeyStoreBuilderParameters Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [19] List.AccessibleAWTList.Accessibl
    07/12/06 01:10 java.awt.List.AccessibleAWTList.AccessibleAWTListChild Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [20] MBeanServerBuilder
    31/08/06 03:36 javax.management.MBeanServerBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [21] ObjectFactoryBuilder
    30/08/06 20:01 javax.naming.spi.ObjectFactoryBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [22] Oracle Reports Builder
    06/02/10 18:41 Quelques captures d'écrans de la génération d'un rapport à l'aide d'Oracle Reports Builder
    Mot clé = ild | Niveau = 2

  • [23] PKIXBuilderParameters
    01/09/06 02:55 java.security.cert.PKIXBuilderParameters Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [24] PKIXCertPathBuilderResult
    07/12/06 03:22 java.security.cert.PKIXCertPathBuilderResult Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [25] ProcessBuilder
    15/09/06 21:24 java.lang.ProcessBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [26] StringBuilder
    15/07/06 07:09 StringBuilder Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [27] StringBuilder
    10/01/10 01:57 java.lang.StringBuilder
    Mot clé = ild | Niveau = 2

  • [28] WildcardType
    31/08/06 00:26 java.lang.reflect.WildcardType Les API Java 1.5 du site de sun. En anglais...
    Mot clé = ild | Niveau = 2

  • [29] 2 photos en rapport avec hildegard-von-bingen
    02/06/18 09:15 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = hildegard-von-bingen | Niveau = 11

  • [30] Citations de Oscar Wilde
    23/06/18 09:15 Toutes les citations de Oscar Wilde que j'apprécie particulièrement.
    Actuellement 4 citations.
    Mot clé = Oscar Wilde | Niveau = 11

  • [31] Evoluon
    10/07/18 09:15 Evoluon The Evoluon is a conference centre and former science museum erected by the electronics and electrical company Philips in Eindhoven, the Netherlands, in 1966. Since its construction, it has become a landmark and a symbol for the city. The building is unique due to its very futuristic design, resembling a landed flying saucer. It was designed by architect Louis Christiaan Kalff, while the exhibition was conceived by James Gardner. The building was based on an idea by Frits Philips, who originally made a sketch of the building on a paper napkin. Frits Philips wanted to give the people of Eindhoven a beautiful and educational gift to celebrate the 75th anniversary of the company that bears his family name. Its concrete dome is 77 meters (253 ft) in diameter and is held in place by 169 kilometers (105 mi) of rebar. In the 1960s and 70s it attracted large visitor numbers, since its interactive exhibitions were a new and unique concept in the Netherlands at that time. But when competing science museums opened in other cities, the number of visitors to the Evoluon declined every year. After several years of losing money, the original museum closed down in 1989 and the Evoluon was converted into a conference center, opening in 1998. The Evoluon is chiefly remembered in the UK from Bert Haanstra's wordless short film, titled simply Evoluon. Commissioned by Philips to publicise the museum, it was shown as a trade test colour film on the BBC from 1968 to 1972. From Wikipedia, the free encyclopedia.
    Mot clé = Evoluon | Niveau = 12

  • [32] La tour d'Eben-Ezer
    28/06/18 09:15 A Belgian self-built tower inspired by the bible and ancient civilizations. Eben-Ezer Tower is a tower-museum built by Robert Garcet to Eben-Emael (common Bassenge ), north of Liège. Its proportions are based on those of the New Jerusalem , according to John. According to its architect, Robert Garcet , each stone has a revelation and the figures speak for themselves. The building, 33 meters high on a square plan with turret corners, is constructed of large stones of flint on a deep well of 33 meters also. One of the leading manufacturer is Krawinckel Gilbert. Its seven floors are crowned by the four cherubim of the Apocalypse, scupted in stone: Taurus, northwest, man, south-west, Leo, southeast, and the Eagle, the northeast. At the base of the tower, a stone circle draws her twelve pillars between the bushes, each standing stone is distant from each other by 3.33 meters. As for the monumental staircase that runs down the hillside, he, too, the dimensions required by an ancient esoteric . In the Bible, Eben-Ezer is the Stone of help, the memorial stone set up by Samuel after a defeat of the Philistines, as a memorial of the aid received in connection with God (1 Sat 7:7 - 12), near Mizpah (Benjamin), near the western entrance to the pass of Beth-horon. The Tower of Eben-Ezer is a self-built castle constructed in the 1960s by a single man in the isolated Jeker valley of Belgium. The builder, Robert Garcet, was fascinated with the Bible, numerology and ancient civilizations. The entire seven-level tower is built of flint, and according to Garcet, was designed using ancient mystical measurements. On the top of the tower are four giant biblical animals, and the interior is full of Garcet's biblical, archaeological, paleontological and geological art. Even more curious is that although the tower only looks ancient, it sits on top of a vast network of truly ancient tunnels. Garcet claims to have discovered over a hundred "new" fossilized creatures and a 70-million year-old village in the labyrinth of tunnels under the tower! Unfortunately, the village was destroyed by a mining explosion before it could be studied. A new educational space called the Geospadium takes the visitor on a tour of the history and use of the flint stone. From Wikipedia, the free encyclopedia, and Atlas Oscura.
    Mot clé = La tour d'Eben-Ezer | Niveau = 13

  • [33] JF Kennedylaan
    03/07/18 09:15 This building is a landmark at the head of the JF Kennedylaan. It is an exciting construction of glass and steel. From the outside, the construction is noticeable because the walls are made of glass from floor to ceiling. The tension is further increased because the upper part of the tower is wider than the lower part. The façade itself consists of a double skin: an outer skin of glass and then 60 inches wide ventilated cavity and finally the inner skin of double glazing. Source: Mimoa
    Mot clé = JF Kennedylaan | Niveau = 14

  • [34] La tour 3
    08/07/18 09:15 The coils, brakes and the engine of the mine shaft No. 3, initially planned as "machine en tête" disposition, are located into another building.
    Mot clé = La tour 3 | Niveau = 15

  • [35] Plan room
    08/07/18 09:15 Pinky: 'What are we doing tonight?' Brain: 'The same thing we do every night, binky boy; try to take over the world!' Minus : « Dis, Cortex, tu veux faire quoi cette nuit ?» Cortex : « La même chose que chaque nuit, Minus. Tenter de conquérir le monde !» The past times… Build in the beginning of the 20th century, the domain contained the power station, administrative buildings, official residences and green spaces. The powerplant was build to use coal,oil & gas as fuel. The electricity production was put to stop in 2001, and the production of steam and hot water for district heating belonged now to the past, after the build of a new powerplant. A small active part of this almost untouched power station still gives everyday power to some surrounded industries. Since part of the power plant is always active, there are guards and blue-collar workers who work in this place. So the buildings are relatively protected from human degradations. Thus, ECVB (AKA CEFB for Centrales Électriques des Flandres et du Brabant) is a fairly unique in terms of abandoned industry. However, recently copper thieves are there and destroy this splendid place. … to the present time Until now, the only damage here is the result of nature’s efforts to reclaim its territory. Moss infected the turbines and machinery, plants and grass grew from edges of the rusty metalwork. There are turbines, exhaust pipes, gauges, control rooms, pretty much everything you would expect for an industry urbex. The boilers, turbines, electrical systems and the equipment are still more or less intact, preserved. Besides some rust and peeling paint the station is covered with dust and asbestos. It is enough to a very small effort of imagination to see the blue-collar workers working in this old power plant. A unique feeling I particularly like these places haunted by gigantic rusted metal monsters which lead us in the post-apocalyptic universe of comic-strip of Simon Dufleuve or games such as imaginary landscapes Fallout3 or Resident Evil.
    Mot clé = Plan room | Niveau = 16

  • [36] Resident Evil: Green Herbs
    21/06/18 09:15 Green Herbs The base herb. Heals a small amount of health. It will restore health by one rating (yellow caution to Fine, etc.). It can be combined with any of the other herbs, though only three herbs of any type can be combined at once. When the user is in danger or critical health level, a single green herb by itself will be much more effective than it would be otherwise sending the user back to Yellow Caution. ECVB The past times… Build in the beginning of the 20th century, the domain contained the power station, administrative buildings, official residences and green spaces. The powerplant was build to use coal,oil & gas as fuel. The electricity production was put to stop in 2001, and the production of steam and hot water for district heating belonged now to the past, after the build of a new powerplant. A small active part of this almost untouched power station still gives everyday power to some surrounded industries. Since part of the power plant is always active, there are guards and blue-collar workers who work in this place. So the buildings are relatively protected from human degradations. Thus, ECVB (AKA CEFB for Centrales Électriques des Flandres et du Brabant) is a fairly unique in terms of abandoned industry. However, recently copper thieves are there and destroy this splendid place. … to the present time Until now, the only damage here is the result of nature’s efforts to reclaim its territory. Moss infected the turbines and machinery, plants and grass grew from edges of the rusty metalwork. There are turbines, exhaust pipes, gauges, control rooms, pretty much everything you would expect for an industry urbex. The boilers, turbines, electrical systems and the equipment are still more or less intact, preserved. Besides some rust and peeling paint the station is covered with dust and asbestos. It is enough to a very small effort of imagination to see the blue-collar workers working in this old power plant. A unique feeling I particularly like these places haunted by gigantic rusted metal monsters which lead us in the post-apocalyptic universe of comic-strip of Simon Dufleuve or games such as imaginary landscapes Fallout3 or Resident Evil.
    Mot clé = Resident Evil: Green Herbs | Niveau = 17

  • [37] Evoluon by night
    01/07/18 09:15 Evoluon The Evoluon is a conference centre and former science museum erected by the electronics and electrical company Philips in Eindhoven, the Netherlands, in 1966. Since its construction, it has become a landmark and a symbol for the city. The building is unique due to its very futuristic design, resembling a landed flying saucer. It was designed by architect Louis Christiaan Kalff, while the exhibition was conceived by James Gardner. The building was based on an idea by Frits Philips, who originally made a sketch of the building on a paper napkin. Frits Philips wanted to give the people of Eindhoven a beautiful and educational gift to celebrate the 75th anniversary of the company that bears his family name. Its concrete dome is 77 meters (253 ft) in diameter and is held in place by 169 kilometers (105 mi) of rebar. In the 1960s and 70s it attracted large visitor numbers, since its interactive exhibitions were a new and unique concept in the Netherlands at that time. But when competing science museums opened in other cities, the number of visitors to the Evoluon declined every year. After several years of losing money, the original museum closed down in 1989 and the Evoluon was converted into a conference center, opening in 1998. The Evoluon is chiefly remembered in the UK from Bert Haanstra's wordless short film, titled simply Evoluon. Commissioned by Philips to publicise the museum, it was shown as a trade test colour film on the BBC from 1968 to 1972. From Wikipedia, the free encyclopedia.
    Mot clé = Evoluon by night | Niveau = 18

  • [38] Test road on the roof - back side
    14/06/18 09:15 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Test road on the roof - back side | Niveau = 19

  • [39] Test road on the roof - street side
    12/06/18 09:15 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Test road on the roof - street side | Niveau = 20

  • [40] Garage Imperia - voiture abandonnée - avant
    03/06/18 09:15 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Garage Imperia - voiture abandonnée - avant | Niveau = 21

  • [41] Garage Imperia - voiture abandonnée - arrière
    31/05/18 09:15 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Garage Imperia - voiture abandonnée - arrière | Niveau = 22

  • [42] Usine Impéria, l'entrée moyenâgeuse
    09/06/18 09:15 Imperia Impéria was a Belgian automobile manufactured from 1906 until 1948. Products of the Ateliers Piedboeuf of Liège, the first cars were designed by the German Paul Henze. These were fours of 3, 4.9, and 9.9 liters. /.../ Impéria produced a monobloc 12 hp (8.9 kW) in 1909; in 1910 the company merged with Springuel. The factory producing Impéria-Abadals from about 1916; in 1921, it built three ohc 5·6-liter straight-eights. These were quickly replaced by an ephemeral ohc 3-liter 32-valve four which was capable of going 90 mph (140 km/h). This was followed by an 1100 cc side-valve 11/22 hp four designed by Couchard, one of the first cars ever built with a sunroof. Its engine rotated counter-clockwise, and its transmission brake also served as a servo for those on the front wheels. In 1937 a six of 1624 cc appeared; this had been available in three-carburettor Super Sports form from 1930. Over the course of four years Impéria took over three other Belgian car manufacturers: Métallurgique (1927), Excelsior (1929), and Nagant (1931). From 1934 until the company folded it built mainly front-wheel-drive Adlers with Belgian-made coachwork. The company merged with Minerva in 1934, but they split in 1939. After 1948 Impéria assembled Adlers and Standard Vanguards under license. After Standard decided to set up a new factory in Belgium, the factory was left without work and had to close doors in 1957. In 1925, the company hired Louis de Monge as chief research engineer. Some of his work included torsion bar suspension and automatic transmissions. De Monge left in 1937 to join Ettore Bugatti for whom he would design the Bugatti 100P racer plane. In addition to its production in Belgium, Impéria made a number of cars in Great Britain; these were assembled at a factory in Maidenhead. Rooftop test track Around and on top of the factory buildings, there was a test track over 1km long. The track was built in 1928. The test drivers used the roads of the village, a road with a lot of bends. Speeding and high revving engines made the population mad and they were no longer willing to support the factory. The only solution was to build a test track within the factory and using the football field of the local football club. The ring started within the factory, then over the roof which gave a track of about one kilometre. Only Fiat had a similar track. This little test track became an attraction in the region. A little causeway allowed people to climb onto the nearside hill to watch the spectacle of car testing over the factories roofs. And now Now most of the buildings are occupied by a firm of construction, and a few sheds and batiments are so ruined that the roof risks to collapse. There are still two vehicles (under the dust and the building materials), among which one may be an Imperia model. From Wikipedia, the free encyclopedia.
    Mot clé = Usine Impéria, l'entrée moyenâgeuse | Niveau = 23

  • [43] Glow for Kids
    04/07/18 09:15 GLOW for Kids GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Market Square About the project: In collaboration with CultuurStation, the mediator between culture and education in Eindhoven, students of primary schools in Eindhoven and its environs were invited to design their own light. The response was overwhelming. About thousand students showed their creativity and decorated their own lampshades. The required lights were provided by the Lichtjesroute Eindhoven. Volunteers from the Scouting Dr. Albert Schweitzer helped to connect and install the creations. The result is a great piece of artwork that seems to float above the Market Square. An event like GLOW is an excellent opportunity to make children aware of the importance of renewable energy. Therefore the Environmental Education Center (MEC) gladly joined this initiative. With special education material of the MEC, teachers focused on smart and responsible use of light From Glow 2011 website.
    Mot clé = Glow for Kids | Niveau = 24

  • [44] Burning Van Abbe Museum - 1
    20/06/18 09:15 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 1 | Niveau = 25

  • [45] Burning Van Abbe Museum - 2
    20/06/18 09:15 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 2 | Niveau = 26

  • [46] Burning Van Abbe Museum - 4
    20/06/18 09:15 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 4 | Niveau = 27

  • [47] Burning Van Abbe Museum - 3
    20/06/18 09:15 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 3 | Niveau = 28

  • [48] Burning Van Abbe Museum - 5
    20/06/18 09:15 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = Burning Van Abbe Museum - 5 | Niveau = 29

  • [49] Fireflies - 1
    04/07/18 09:15 Fireflies (Tamar Frank) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: De Effenaar About the project: The pond at the Effenaar is filled with blue fog and populated by fireflies. The insects are hidden in the reeds and communicate through pulses of light. Sometimes the swarm pulsate synchronous, making strong light concentrations. In Fireflies the audience controls the behavior of the fireflies. It is as if the visitors upset the insects so that they fly off a little further and quietly resume their original pulse. With this installation Tamar Frank reinforces the contrast between the clean lines of the Effenaar and surrounding concrete buildings and the flourishing vegetation in the pond. She changes the area around the platform in an artificial natural park, in the midst of the city. This enlargement of the reality reminisces of the eerie, swampy areas that we know from adventure movies and comics. From Glow 2011 website.
    Mot clé = Fireflies - 1 | Niveau = 30

  • [50] Fireflies - 2
    04/07/18 09:15 Fireflies (Tamar Frank) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: De Effenaar About the project: The pond at the Effenaar is filled with blue fog and populated by fireflies. The insects are hidden in the reeds and communicate through pulses of light. Sometimes the swarm pulsate synchronous, making strong light concentrations. In Fireflies the audience controls the behavior of the fireflies. It is as if the visitors upset the insects so that they fly off a little further and quietly resume their original pulse. With this installation Tamar Frank reinforces the contrast between the clean lines of the Effenaar and surrounding concrete buildings and the flourishing vegetation in the pond. She changes the area around the platform in an artificial natural park, in the midst of the city. This enlargement of the reality reminisces of the eerie, swampy areas that we know from adventure movies and comics. From Glow 2011 website.
    Mot clé = Fireflies - 2 | Niveau = 31

  • [51] Beauty of stagnation - 3
    23/06/18 09:15 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 3 | Niveau = 32

  • [52] Beauty of stagnation - 2
    23/06/18 09:15 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 2 | Niveau = 33

  • [53] Beauty of stagnation - 1
    23/06/18 09:15 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 1 | Niveau = 34

  • [54] Beauty of stagnation - 4
    23/06/18 09:15 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 4 | Niveau = 35

  • [55] Suspended bridge
    01/07/18 09:15 Liège-Guillemins railway station History In 1838, only three years after the first continental railway, a line linking Brussels and Ans, in the northern suburbs of Liège, was opened. The first train station of Liège-Guillemins was inaugurated in May 1842, linking the valley to the upper Ans station. In 1843, the first international railway connection was born, linking Liège to Aachen and Cologne. The station was modernized and improved in 1882 and in 1905 for the World Fair in Liège. This station was replaced in 1958 by a modern (for that time) one that was used until June 2009, a few months before the opening of the new Calatrava designed station. New station The new station by the architect Santiago Calatrava was officially opened on September 18, 2009 with a show by Franco Dragone. It has 9 tracks and 5 platforms (three of 450m and two of 350m). All the tracks around the station have been modernized to allow high speed arrival and departure. The new station is made of steel, glass and white concrete. It includes a monumental arch, 200 metres long and 35 metres high. The building costs were € 312 million. From Wikipedia, the free encyclopedia
    Mot clé = Suspended bridge | Niveau = 36

  • [56] Le dôme
    09/07/18 09:15 Liège-Guillemins railway station History In 1838, only three years after the first continental railway, a line linking Brussels and Ans, in the northern suburbs of Liège, was opened. The first train station of Liège-Guillemins was inaugurated in May 1842, linking the valley to the upper Ans station. In 1843, the first international railway connection was born, linking Liège to Aachen and Cologne. The station was modernized and improved in 1882 and in 1905 for the World Fair in Liège. This station was replaced in 1958 by a modern (for that time) one that was used until June 2009, a few months before the opening of the new Calatrava designed station. New station The new station by the architect Santiago Calatrava was officially opened on September 18, 2009 with a show by Franco Dragone. It has 9 tracks and 5 platforms (three of 450m and two of 350m). All the tracks around the station have been modernized to allow high speed arrival and departure. The new station is made of steel, glass and white concrete. It includes a monumental arch, 200 metres long and 35 metres high. The building costs were € 312 million. From Wikipedia, the free encyclopedia
    Mot clé = Le dôme | Niveau = 37

  • [57] Sortie de parking
    30/06/18 09:15 Liège-Guillemins railway station History In 1838, only three years after the first continental railway, a line linking Brussels and Ans, in the northern suburbs of Liège, was opened. The first train station of Liège-Guillemins was inaugurated in May 1842, linking the valley to the upper Ans station. In 1843, the first international railway connection was born, linking Liège to Aachen and Cologne. The station was modernized and improved in 1882 and in 1905 for the World Fair in Liège. This station was replaced in 1958 by a modern (for that time) one that was used until June 2009, a few months before the opening of the new Calatrava designed station. New station The new station by the architect Santiago Calatrava was officially opened on September 18, 2009 with a show by Franco Dragone. It has 9 tracks and 5 platforms (three of 450m and two of 350m). All the tracks around the station have been modernized to allow high speed arrival and departure. The new station is made of steel, glass and white concrete. It includes a monumental arch, 200 metres long and 35 metres high. The building costs were € 312 million. From Wikipedia, the free encyclopedia
    Mot clé = Sortie de parking | Niveau = 38

  • [58] Passage
    10/07/18 09:15 Liège-Guillemins railway station History In 1838, only three years after the first continental railway, a line linking Brussels and Ans, in the northern suburbs of Liège, was opened. The first train station of Liège-Guillemins was inaugurated in May 1842, linking the valley to the upper Ans station. In 1843, the first international railway connection was born, linking Liège to Aachen and Cologne. The station was modernized and improved in 1882 and in 1905 for the World Fair in Liège. This station was replaced in 1958 by a modern (for that time) one that was used until June 2009, a few months before the opening of the new Calatrava designed station. New station The new station by the architect Santiago Calatrava was officially opened on September 18, 2009 with a show by Franco Dragone. It has 9 tracks and 5 platforms (three of 450m and two of 350m). All the tracks around the station have been modernized to allow high speed arrival and departure. The new station is made of steel, glass and white concrete. It includes a monumental arch, 200 metres long and 35 metres high. The building costs were € 312 million. From Wikipedia, the free encyclopedia
    Mot clé = Passage | Niveau = 39

  • [59] Les quais
    08/07/18 09:15 Liège-Guillemins railway station History In 1838, only three years after the first continental railway, a line linking Brussels and Ans, in the northern suburbs of Liège, was opened. The first train station of Liège-Guillemins was inaugurated in May 1842, linking the valley to the upper Ans station. In 1843, the first international railway connection was born, linking Liège to Aachen and Cologne. The station was modernized and improved in 1882 and in 1905 for the World Fair in Liège. This station was replaced in 1958 by a modern (for that time) one that was used until June 2009, a few months before the opening of the new Calatrava designed station. New station The new station by the architect Santiago Calatrava was officially opened on September 18, 2009 with a show by Franco Dragone. It has 9 tracks and 5 platforms (three of 450m and two of 350m). All the tracks around the station have been modernized to allow high speed arrival and departure. The new station is made of steel, glass and white concrete. It includes a monumental arch, 200 metres long and 35 metres high. The building costs were € 312 million. From Wikipedia, the free encyclopedia
    Mot clé = Les quais | Niveau = 40

  • [60] The smile of a child is warmer than the sun
    04/06/18 09:15 We took advantage of the snow to do some racing sleds. It's really pleasant to see my daughter having as much fun.
    Mot clé = The smile of a child is warmer than the sun | Niveau = 41

  • [61] Istanbul, Basilica Cistern
    21/06/18 09:15 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia, the free encyclopedia - version 09Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque
    Mot clé = Istanbul, Basilica Cistern | Niveau = 42

  • [62] Istanbul, la citerne basilique
    17/06/18 09:15 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Istanbul, la citerne basilique | Niveau = 43

  • [63] Yerebatan Sarayı
    30/06/18 09:15 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Yerebatan Sarayı | Niveau = 44

  • [64] Istanbul, Topkapi palace - Imperial Council (Defterhāne)
    21/05/18 09:15 Defterhāne This picture shows the third chamber called Defterhāne. Imperial Council The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity. The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II. From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time. The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers: - The first chamber where the Imperial Council held its deliberations is the Kubbealtı. - The second chamber was occupied by the secretarial staff of the Imperial Divan. - In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive. On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check. In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol. Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions. From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan. All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour. Source: Wikipedia, the free encyclopedia - version 10Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque Camera infos: Camera: Nikon D7000 Lens: Sigma 17-50mm f2.8 EX DC OS Exposure 0.05 sec (1/20) Aperture f/6.3 Focal Length 20 mm ISO Speed 100 Date: February 22, 2012 GPS Latitude 41 deg 0' 45.92" N GPS Longitude 28 deg 59' 1.72" E
    Mot clé = Istanbul, Topkapi palace - Imperial Council (Defterhāne) | Niveau = 45

  • [65] Istanbul, Rüstem Paşa Camii
    18/06/18 09:15 The Rüstem Pasha Mosque (Turkish: ' Rüstempaşa Camii') is an Ottoman mosque located in Hasırcılar Çarşısı (Strawmat Weavers Market) in the Tahtakale neighborhood, of the Eminönü district of Istanbul, Turkey. History The Rüstem Pasha Mosque was designed by Ottoman imperial architect Mimar Sinan for Grand Vizier Damat Rüstem Pasha (husband of one of the daughters of Suleiman the Magnificent, Princess Mihrimah). Rüstem Pasha died in July 1561 and the mosque was built after his death from around 1561 until 1563. Architecture Exterior The mosque was built on a high terrace over a complex of vaulted shops, whose rents were intended to financially support the mosque complex. Narrow, twisting interior flights of steps in the corners give access to a spacious courtyard. The mosque has a double porch with five domed bays, from which projects a deep and low roof supported by a row of columns. Interior The Rüstem Pasha Mosque is famous for its large quantities of exquisite İznik tiles, set in a very wide variety of beautiful floral and geometric designs, which cover not only the façade of the porch but also the mihrab, minbar, walls, columns and on the façade of the porch outside. These tiles exhibit the early use of a tomato-red color that would become characteristic of İznik pottery. Some of the tiles, particularly those in a large panel under the portico to the left main entrance, are decorated with sage green and dark manganese purple that are characteristic of the earlier 'Damascus ware' coloring scheme. No other mosque in Istanbul makes such a lavish use of these tiles. The plan of the building is basically that of an octagon inscribed in a rectangle. The main dome rests on four semi-domes; not on the axes but in the diagonals of the building. The arches of the dome spring from four octagonal pillars— two on the north, two on the south— and from piers projecting from the east and west walls. To the north and south are galleries supported by pillars and by small marble columns between them. Source: Wikipedia, the free encyclopedia - version 25Feb2012 See also in my flickr albums: Hagia Sophia, Sultan Ahmed Mosque (Blue Mosque of Istanbul)
    Mot clé = Istanbul, Rüstem Paşa Camii | Niveau = 46

  • [66] Tannery Schotte, main hall
    21/06/18 09:15 Built during the 1920’s the family owned tannery of Schotte specialized in Chrome tanning to transform hides into leather for shoes and handbags. For its time this was a revolutionary process of tanning leather (albeit a contemporary environmentalists nightmare because the soil is now contaminated with heavy metals) which proved to be considerably faster than the more traditional method of vegetable tanning and rendered the leather more pliable after the treatment. The company went bankrupt in 1997. The building is almost completely demolished at the time of our visit, and soon the site will be remediated to make way for a new project.
    Mot clé = Tannery Schotte, main hall | Niveau = 47

  • [67] Grand Hôtel d'Ardolaz, les partitions de Dragan Zmadjevic
    20/05/18 09:15 The story: "The questions came crowding in me: Who was this strange music lover, amateur works of Dragan? And why did he behave so so weird?" In the village of Ardolaz somewhere in the Valais Alps, Sir Melvin Woodworth is in pursuit of a remember, the shadow of his brother Dragan, pianist in the middle of the mountains. He heards one night a melody played on the piano of the decrepit abandoned hotel. An avalanche is going to destroy the village and the population is evacuated. Alone in the abandoned village, he must understand the past to build the future. Source: COSEY, A la recherche de Peter Pan, Editions du Lombard, 1984, "histoires et légendes" The abandoned hotel The Montesano, Arveyes hotel perched on the plateau of Villars, has seen the beautiful world. Built in 1914, the property is responsible for the care of tuberculosis patients, but it soon turns into a hotel. In 1925, he spent 20 to 60 rooms. In the 60s, the hotel became famous for its theme evenings, nights like Brazilian, jazz, African ... the main lounge and bar welcome the stars but also the regional dish. The fate of this hotel goes dark in the late 90s, when it is landing in the hands of the Cantonal Bank of Vaud (BCV). It therefore passes from hand to hand, without finding an owner willing to take the huge renovation that the building needs. Gradually, the squatters invaded the stage. One night a caravan from even smoke in the parking lot. The town, for safety reasons, access is looping. "But we went there as in a mill," says an inhabitant of Villars. Disappears furniture: objects of significant size, requiring the organization. Many people are certain that organized gangs are at work. A bay window is thus carried away, like pieces of flooring. One evening in April 2008, at 3 am, the alarm is raised. The rundown is on fire. It will take just over 12 hours to ensure that the fire is under control. The property is destroyed and the population does not believe in accidents. It was demolished a few months later. L'histoire : «Les questions se pressaient en moi : Qui était cet étrange mélomane, amateur des oeuvres de Dragan ? Et pourquoi se comportait-il de façon si bizarre ?» Dans le village de d'Ardolaz au beau milieu des Alpes valaisannes, Sir Melvin Woodworth est à la poursuite d'un souvenir, de l'ombre de son frère Dragan, pianiste échoué au beau milieu des montagnes. Il surprend une nuit une mélodie jouée sur le piano décrépi de l'hôtel abandonné. Une avalanche menace de détruire le village et la population est évacuée. Seul dans le village abandonné, il doit comprendre le passé pour affronter l'avenir. Source: COSEY, A la recherche de Peter Pan, Editions du Lombard, 1984, "histoires et légendes" L'hôtel abandonné Le Montesano, hôtel perché à Arveyes, sur le plateau de Villars, a vu défiler du beau monde. Construit en 1914, l'établissement est à l'origine destiné au soin des tuberculeux, mais il se transforme rapidement en hôtel. En 1925, il passe de 20 à 60 chambres. Dans les années 60, l'hôtel devient réputé pour ses soirées à thème, comme les nuits brésiliennes, jazz, africaines... le grand salon et le bar accueillent des stars mais aussi le gratin régional. Le destin de cet hôtel s'assombrit à la fin des années 90, lorsqu'il attérit dans les mains de la Banque Cantonale Vaudoise (BCV). Il passe dès lors de mains en mains, sans trouver de propriétaire désireux d'assumer les immenses travaux de rénovation dont la bâtisse a besoin. Petit à petit, les squatteurs envahissent les étages. Un soir, une caravane part même en fumée, sur le parking. La commune, par souci de sécurité, fait boucler l'accès. «Mais on y entrait comme dans un moulin», raconte un habitant de Villars. Du mobilier disparait: des objets de taille conséquente, nécessitant de l'organisation. Nombreux sont ceux qui sont certains que des bandes organisées sont à l'oeuvre. Une baie vitrée est ainsi emportée, tout comme des morceaux de parquet. Un soir d'avril 2008, à 3 h du matin, l'alerte est donnée. L'hôtel délabré est en feu. Il faudra un peu plus de 12 heures pour s'assurer que le sinistre est maîtrisé. L'établissement est détruit et la population ne croit pas à un accident. Il sera démoli quelques mois plus tard.
    Mot clé = Grand Hôtel d'Ardolaz, les partitions de Dragan Zmadjevic | Niveau = 48

  • [68] Labyrinth School
    01/07/18 09:15 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Labyrinth School | Niveau = 49

  • [69] Salle de gym
    05/07/18 09:15 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Salle de gym | Niveau = 50

  • [70] Balet du lac des cygnes, ou le chant du cygne?
    01/06/18 09:15 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Balet du lac des cygnes, ou le chant du cygne? | Niveau = 51

  • [71] Decay Close-up
    03/07/18 09:15 School abandoned since 2008, it owes its nickname among his urbexeurs a tangle of corridors through which it seems to get lost. At the time of our visit (March 2012), many buildings were already demolished, but fortunately we were able to photograph one of the gyms, and some of these endless corridors.
    Mot clé = Decay Close-up | Niveau = 52

  • [72] Saint Jean-Baptiste de La Salle - Monastère du Roi
    27/05/18 09:15 Saint Jean-Baptiste de La Salle or John Baptist de La Salle (30 April 1651 – 7 April 1719) was a priest, educational reformer, and founder of Institute of the Brothers of the Christian Schools. He is a saint of the Roman Catholic church and the patron saint of teachers. He dedicated much of his life for the education of poor children in France; in doing so, he started many lasting educational practices. He is considered the founder of the first Catholic schools. Source: Wikipedia, the free encyclopedia
    Mot clé = Saint Jean-Baptiste de La Salle - Monastère du Roi | Niveau = 53

  • [73] Le doudou de Léa
    30/06/18 09:15 "When the child was a child, it was the time of these questions. Why am I me, and why not you? Why am I here, and why not there? When did time begin, and where does space end? Isn't life under the sun just a dream? Isn't what I see, hear, and smell just the mirage of a world before the world? Does evil actually exist, and are there people who are really evil? How can it be that I, who am I, wasn't before I was, and that sometime I, the one I am, no longer will be the one I am?" Der Himmel über Berlin
    Mot clé = Le doudou de Léa | Niveau = 54

  • [74] Des hommes comme vous et moi
    19/06/18 09:15 The museum Ramioul: The museum is designed to encourage visitors not to look at prehistory from the outside but rather to make him live it by experiencing the sensations of prehistoric man. The exhibition collections refuses to privilege the public scholar, it aims instead to familiarize the visitor with prehistoric life itself rather than with the representation given by the Archaeology. The chronology is not the main theme of the course. The museum is structured according to themes of prehistoric life in order to create a genuine relationship between the daily life of the visitor and that of prehistoric man. For this purpose, the concept expographique refers to his daily life, in a participatory approach and a variety of scenic resources: interactive terminals, multimedia projections, reconstructions, facsimiles to handle, ... The cave Ramioul: The cave Ramioul is a treasure of natural heritage and archaeological Walloon. It is a listed site of the Walloon Region. Discoveries that were made and the beauty of its concretions make it unavoidable. Cave Ramioul extends to within one kilometer of the cave Engis which were discovered in 1829, the first Neanderthal fossils in the world. "Chercheurs de la Wallonie" fought for many years to preserve it, and it narrowly escaped the shots backhoe. Since its inception, Prehistoric - Museum of Prehistory in Wallonia, has made every effort to conserve, preserve and enhance this jewel stone and its biodiversity. The upper level of the cave has archaeological interest. The terrace was cleared in progressively different excavations. In October 1908, A. Vandebosch and her team of "Chercheurs de la Wallonie" discover the Neolithic ossuary of "triangular cave" that overlooks the terrace of the cave when masked by sediments. Shards of pottery, faunal remains, some stone tools and numerous body parts belonging to seven children and dated + / -2750 years BC have been unearthed. Continued excavations beneath the ossuary and the release of the entry in 1911, leading the researchers to explore the cave itself. It delivers the tools belonging to Palaeolithic industries as well as faunal remains of now extinct species (bear, lion, cave hyaena, wolf, woolly rhinoceros, mammoth). On the terrace, two archaeological layers were identified. The first was attributed to the Upper Palaeolithic to Aurigacien (+ / - 30000ans BC) and contains various tools slide and faunal remains consumed. The second oldest (+ / - 70000ans BC), contains tools and Middle Paleolithic characteristics attributed to Keilmessergruppen (Neanderthal). Cave Ramioul contributes to the dialogue between past and present. She is behind the Museum of Prehistory in Wallonia and participates in the ongoing dialogue established between the prehistoric sites of excavation, the archaeological material and the public. Source: www.ramioul.org
    Mot clé = Des hommes comme vous et moi | Niveau = 55

  • [75] John Cockerill's tribute
    23/06/18 09:15 John Cockerill (3 August 1790 – 9 June 1840) was a British born entrepreneur. He was born at Haslingden, Lancashire, England, and was brought by his father William Cockerill to Belgium where he continued the family tradition of building wool processing machinery, and founded an ironworks, and mechanical engineering company John Cockerill & Cie. (English: John Cockerill & Company) Biography John Cockerill was born in Haslingden, Lancashire. At the age of twelve he was brought to Verviers, Belgium by his father William Cockerill who had made a success as a machine builder there; in 1807, aged 17, he and his brother Charles James took the management of a factory in Liege. His father William retired in 1813 leaving the management of his business to his sons. In September 1813 he married Jeanne Frédérique Pastor, the same day her sister Caroline married Charles James Cockerill. After the victory over Napoleon at the Battle of Waterloo in 1815, the Prussian Minister of Finance, Peter Beuth invited the Cockerill brothers to set up a woollens factory in Berlin. In 1814 the brothers bought the former palace of the Prince Bishops of Liege at Seraing, the chateaux became the headquarters, and the ground behind the factory site (founded 1817); it was to become a vertically integrated iron foundry and machine manufacturing factory. William I of the Netherlands was joint owner of the plant. The machine manufacturing plant was added in 1819, and in 1826 (begun 1823) a coke fired blast furnace. By 1840 the plant had sixteen steam engines of total power 900 hp (670 kW) in continual work, and employed 3000 persons. In 1823 his brother Charles James retired,[9] having been bought out by John in 1822. After the Belgian Revolution of 1830 the new Kingdom of Belgium claimed the property of William I, and in 1835 John Cockerill made himself the sole owner of the works. He also was a founder of the Bank de Belgique, in 1835. During John Cockerill's lifetime, the factories produced not only spinning engines and steel, but steam engines (including air-blowers, traction engines, and engines for ships); in 1835 Belgiums first steam locomotive Le Belge was made. He also had interests in collierys and mines, as well as factories producing cloth, linen and paper. In 1838/9 military tensions between Belgium and the Netherlands caused a rush on the banks for hard currency; as a result of the crisis John Cockerill's company became bankrupt. With debts of 26 million francs on assets of 15 million, he travelled to St. Petersburg to make arrangements with Nicholas I of Russia with the hope of raising funds. On his return he contracted typhoid and died in Warsaw on 19 June 1840, leaving no heirs. From Wikipedia, the free encyclopedia
    Mot clé = John Cockerill's tribute | Niveau = 56

  • [76] JF Kennedylaan
    03/07/18 09:15 This building is a landmark at the head of the JF Kennedylaan. It is an exciting construction of glass and steel. From the outside, the construction is noticeable because the walls are made of glass from floor to ceiling. The tension is further increased because the upper part of the tower is wider than the lower part. The façade itself consists of a double skin: an outer skin of glass and then 60 inches wide ventilated cavity and finally the inner skin of double glazing. Source: Mimoa
    Mot clé = JF Kennedylaan | Niveau = 57

  • [77] When you're born in the gutter you end up in the port
    25/05/18 09:15 Once upon a time there was an inventor so gifted that he could create life. A truly remarkable man. Since he had no wife or children he decided to create them in his laboratory. He started with wife and fas into the most beautiful princess in the world. Alas, a wicked genetic fairy cast a spell on the inventor so much so that the princess was only knee height or less. He then cloned six children in his own image, faithful, hardworking. They were so alike no one could tell them apart. But fate tricked him again, giving them all sleeping sickness. Craving someone to talk to he grew in a fish-tank a poor migraine-ridden brain. And then at last he created his masterpiece more intelligent then the most intelligent man on Earth. L'oncle Irvin: But alas the inventor made a serious mistake. While his creation was intelligent he never ever had a dream. You can't image how his sadness made him quickly he grow old. The City of Lost Children
    Mot clé = When you're born in the gutter you end up in the port | Niveau = 58

  • [78] Clane Linn
    07/07/18 09:15 12,000 A.D. The Earth, after the atomic holocaust, had reverted to a strange kind of barbarism, where men could build space ships but could not communicate except by the most primitive means. Alien invaders had been sighted at the edge of the galaxy - but no one took action. Only one man, the wizard of Linn could save the decadent empire and with his mysterious powers, prevent the Earth's destruction.
    Mot clé = Clane Linn | Niveau = 59

  • [79] Devoxx - JavaFx devices - preparation
    10/06/18 09:15 JavaFX Bootstrap by Jim Weaver and Gerrit Grunwald Much of this session will draw upon the work in the Pro JavaFX 2 book that Jim Weaver co-authored, as well as the UI controls and gauges that Gerrit Grunwald created for the open source JFXtras project. Some of the areas that we'll cover are: Getting started with JavaFX Creating a user interface Using Scene Builder and FXML Using the JavaFX UI controls Creating custom UI controls Leveraging the strengths of JavaFX and HTML5 Overview of DataFX, calling web services Using Scenic View Using JavaFX APIs from Alternative JVM Languages Embedded Java/JavaFX on a Raspberry Pi Embedded Java/JavaFX on a BeagleBoard Wrap-up and additional Q&A During the session we'll have brief guest appearances by JavaFX developers such as Martin Gunnarson and Pär Sikö, Stephen Chin, Angela Caicedo, Jonathan Giles, Johan Vos, and Jasper Potts. We'll also be awarding ten copies of the Pro JavaFX 2 book to participative audience members. Source: Devoxx
    Mot clé = Devoxx - JavaFx devices - preparation | Niveau = 60

  • [80] Devoxx - JavaFX Bootstrap
    22/06/18 09:15 JavaFX Bootstrap by Jim Weaver and Gerrit Grunwald Much of this session will draw upon the work in the Pro JavaFX 2 book that Jim Weaver co-authored, as well as the UI controls and gauges that Gerrit Grunwald created for the open source JFXtras project. Some of the areas that we'll cover are: Getting started with JavaFX Creating a user interface Using Scene Builder and FXML Using the JavaFX UI controls Creating custom UI controls Leveraging the strengths of JavaFX and HTML5 Overview of DataFX, calling web services Using Scenic View Using JavaFX APIs from Alternative JVM Languages Embedded Java/JavaFX on a Raspberry Pi Embedded Java/JavaFX on a BeagleBoard Wrap-up and additional Q&A During the session we'll have brief guest appearances by JavaFX developers such as Martin Gunnarson and Pär Sikö, Stephen Chin, Angela Caicedo, Jonathan Giles, Johan Vos, and Jasper Potts. We'll also be awarding ten copies of the Pro JavaFX 2 book to participative audience members. Source: Devoxx
    Mot clé = Devoxx - JavaFX Bootstrap | Niveau = 61

  • [81] Glow tour 2012: Groupe LAPS
    20/06/18 09:15 Groupe LAPS - Keyframes GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Politiebureau Mathildelaan About the project: Groupe LAPS consists of six artists and designers with experience in film, lighting technology and multimedia applications. Together they developed Keyframes, a work on the intersection of film and sculpture. Dozens of human figures in various poses, made up of LED tubes, light up one by one. Because the figures show up one after another continuously, the suggestion of movement arouses. Each figure marks a moment in a nocturnal narrative or dance. The light images are accompanied by a soundtrack composed especially for this installation. Keyframes was designed in 2011 for the Fête des Lumières in Lyon, France and has traveled all over the world since. Before the work came to Eindhoven, it was exposed in Singapore and Jerusalem. www.groupe-laps.org More information: www.gloweindhoven.nl
    Mot clé = Glow tour 2012: Groupe LAPS | Niveau = 62

  • [82] Afterlight - 2012_11_18_000945
    17/06/18 09:15 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = Afterlight - 2012_11_18_000945 | Niveau = 63

  • [83] Afterlight - 2012_11_18_001006
    17/06/18 09:15 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = Afterlight - 2012_11_18_001006 | Niveau = 64

  • [84] Afterlight - 2012_11_18_001236
    17/06/18 09:15 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = Afterlight - 2012_11_18_001236 | Niveau = 65

  • [85] Glow tour 2012: GLOW for Kids
    18/06/18 09:15 GLOW for Kids GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Karel Vermeerenplantsoen About the project: A thousand colorful lampshades that floated above the Markt last year, was the beginning of a new tradition. This year Eindhoven365 and CultuurStation have again invited students of primary schools to participate GLOW. About two thousand enthusiastic children planted a light flower in the Karel Vermeerenplantsoen. Each student has made its own LED flower as part of a beautiful bouquet. Together the young designers have created a fairy artwork, a field of light flowers. For CultuurStation GLOW is an opportunity to enthuse children for cultural activities in their own town. The children were challenged to show their most creative side and are now proud ambassadors of Eindhoven. www.cultuurstation.nl More information: www.gloweindhoven.nl
    Mot clé = Glow tour 2012: GLOW for Kids | Niveau = 66

  • [86] Mémorial Interallié et l'église du Sacré-Cœur
    28/05/18 09:15 The Allied Memorial is a memorial built after the First World War. The memorial consists of the Church of the Sacré-Cœur as a religious building and a tower as a civil monument. The tower was designed as a skyscraper 75 meters high, which was an architectural challenge at the time of construction. It rises 135 meters above the level of the Meuse (186 meters above sea level). Source: La Régie des Bâtiments.
    Mot clé = Mémorial Interallié et l'église du Sacré-Cœur | Niveau = 67

  • [87] Olne autrefois 2013, wildemann
    17/06/18 09:15 Le wildemann Le wildemann est un personnage folklorique typique de l'Allemagne centrale, associé au renouveau saisonnier. Il n'est pas exclu que cette figure folklorique soit pertinente pour Olne, mais a priori il pourrait s'agir d'une simple reproduction d'une illustration -ou d'un souvenir touristique- sans grand rapport avec l'identité d'Olne. L'important ici est de se souvenir que les entités culturelles ne sont pas des "Memes" à fondement naturaliste, mais qu'il faut les comprendre dans un système culturel local. Il serait intéressant de comprendre ce que les bonshommes de buis nous révèlent de la structure sociale. A l'exposition de Hanovre -près de la patrie du Wildemann- en 2000, le pavillon du WWF en offrait une interprétation écologique : L'Homme Vert Le "Green Man" ("feuillu" en fr.) est un autre symbole folklorique du renouveau printanier. C'est plutôt un personnage attaché aux champs et aux cultures qu'aux espaces sauvages. Il trouve de nombreuses incarnations locales qui vont de Cernunnos à Peter Pan. Et le Père Noel et Robin des Bois en sont d'autres figurations. Dans les campagnes anglaises, Jack-in-the-Green, le Roi de Mai est un personnage disposant de pouvoirs de fertilité et de régénération. Source: Identité Olnoise - Olne page 27
    Mot clé = Olne autrefois 2013, wildemann | Niveau = 68

  • [88] MTV - Magyar Televízió
    23/06/18 09:15 MTV trademark suit Magyar Televízió, who has a trademark on the initials MTV registered with the Hungarian copyright office, sued the American MTV Music Television network for trademark infringement when MTV Music Television launched a Hungarian-language channel in 2007. The suit is still ongoing. Location The Hungarian Television's central building was located in the heart of Budapest on Szabadság tér (Freedom Square), across the Hungarian National Bank (Magyar Nemzeti Bank), the U.S. Embassy, and near to the Parliament. The building gave room to the Stock Exchange before the war. It is sold now and MTV has moved to the outskirts of Budapest to a purpose-built modern building. Source: Wikipedia
    Mot clé = MTV - Magyar Televízió | Niveau = 69

  • [89] Halászbástya
    03/07/18 09:15 Fisherman's Bastion The Halászbástya or Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II. From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill. Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896. The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths. A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life. It was featured as a Pit Stop on the sixth season of The Amazing Race. Source: Wikipedia
    Mot clé = Halászbástya | Niveau = 70

  • [90] Szent István-bazilika
    25/06/18 09:15 St. Stephen's Basilica St. Stephen's Basilica (Hungarian: Szent István-bazilika) is a Roman Catholic basilica in Budapest, Hungary. It is named in honour of Stephen, the first King of Hungary (c 975–1038), whose right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary. Source: Wikipedia
    Mot clé = Szent István-bazilika | Niveau = 71

  • [91] In Memoriam
    06/07/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = In Memoriam | Niveau = 72

  • [92] Wanderbuch, Jewish Museum 2
    20/06/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = Wanderbuch, Jewish Museum 2 | Niveau = 73

  • [93] Wanderbuch, Jewish Museum 3
    20/06/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = Wanderbuch, Jewish Museum 3 | Niveau = 74

  • [94] Hirdetmény - Jewish Museum 4
    18/06/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = Hirdetmény - Jewish Museum 4 | Niveau = 75

  • [95] Jewish Museum 5
    02/07/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = Jewish Museum 5 | Niveau = 76

  • [96] Jewish Museum 6
    02/07/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = Jewish Museum 6 | Niveau = 77

  • [97] Jewish Museum 7
    02/07/18 09:15 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = Jewish Museum 7 | Niveau = 78

  • [98] Dohány utcai zsinagóga
    23/06/18 09:15 Dohány Street Synagogue The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga/nagy zsinagóga, Hebrew: בית הכנסת הגדול של בודפשט‎ bet hakneset hagadol šel budapešt), also known as The Great Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Europe and the fifth largest in the world. It seats 3,000 people and is a centre of Neolog Judaism. The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs". The interior design is partly by Frigyes Feszl. The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Holocaust memorial and the Jewish Museum, which was built on the site on which Theodore Herzl's house of birth once stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto. History Built in a residential area between 1854-1859 by the Neolog Jewish community of Pest according to the plans of Ludwig Förster, the monumental synagogue has a capacity of 2,964 seats (1,492 for men and 1,472 in the women's galleries) making it the largest in Europe and one of the largest working synagogue in the World, after the Belz Great Synagogue and the Beit Midrash of Ger in Jerusalem, the Breslov Uman Synagogue in Uman, Ukraine, Temple Emanu-el in New York City, and the Yetev Lev D'Satmar synagogue in New York City. The consecration of the synagogue took place on 6 September 1859. The synagogue was bombed by the Hungarian pro-Nazi Arrow Cross Party on 3 February 1939. Used as a base for German Radio and also as a stable during World War II, the building suffered some severe damage from aerial raids during the Nazi Occupation but especially during the Siege of Budapest. During the Communist era the damaged structure became again a prayer house for the much-diminished Jewish community. Its restoration started in 1991 and ended in 1998. The restoration was financed by the state and by private donations. Exterior The building is 75 metres (246 ft) long and 27 metres (89 ft) wide. The style of the Dohány Street Synagogue is Moorish but its design also features a mixture of Byzantine, Romantic and Gothic elements. Two onion-shaped domes sit on the twin octogonal towers at 43 metres (141 ft) height. A rose stained-glass window sits over the main entrance. Similarly to basilicas, the building consists of three spacious richly decorated aisles, two balconies and, unusually, an organ. Its ark contains various torah scrolls taken from other synagogues destroyed during the Holocaust. The Central Synagogue in Manhattan, New York City is a near-exact copy of the Dohány Street Synagogue.
    Mot clé = Dohány utcai zsinagóga | Niveau = 79

  • [99] A zsinagóga belseje
    27/06/18 09:15 Dohány Street Synagogue The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga/nagy zsinagóga, Hebrew: בית הכנסת הגדול של בודפשט‎ bet hakneset hagadol šel budapešt), also known as The Great Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Europe and the fifth largest in the world. It seats 3,000 people and is a centre of Neolog Judaism. The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs". The interior design is partly by Frigyes Feszl. The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Holocaust memorial and the Jewish Museum, which was built on the site on which Theodore Herzl's house of birth once stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto. History Built in a residential area between 1854-1859 by the Neolog Jewish community of Pest according to the plans of Ludwig Förster, the monumental synagogue has a capacity of 2,964 seats (1,492 for men and 1,472 in the women's galleries) making it the largest in Europe and one of the largest working synagogue in the World, after the Belz Great Synagogue and the Beit Midrash of Ger in Jerusalem, the Breslov Uman Synagogue in Uman, Ukraine, Temple Emanu-el in New York City, and the Yetev Lev D'Satmar synagogue in New York City. The consecration of the synagogue took place on 6 September 1859. The synagogue was bombed by the Hungarian pro-Nazi Arrow Cross Party on 3 February 1939. Used as a base for German Radio and also as a stable during World War II, the building suffered some severe damage from aerial raids during the Nazi Occupation but especially during the Siege of Budapest. During the Communist era the damaged structure became again a prayer house for the much-diminished Jewish community. Its restoration started in 1991 and ended in 1998. The restoration was financed by the state and by private donations. Interior The torah-ark and the internal frescoes made of colored and golden geometric shapes are the works of the famous Hungarian romantic architect Frigyes Feszl. A single-span cast iron supports the 12-metre-wide (39 ft) nave. The seats on the ground-floor are for men, while the upper gallery, supported by steel ornamented poles, has seats for women. Franz Liszt and Camille Saint-Saëns played the original 5,000 pipe organ built in 1859. A new mechanical organ with 63 voices and 4 manuals was built in 1996 by the German firm Jehmlich Orgelbau Dresden GmbH. One of the most daring concerts in the Synagogue's history was in 2002, played by the legendary organ virtuoso Xaver Varnus. Four hours before the concert even standing places could hardly be found in the Synagogue, and 7,200 people were sitting and standing to listen to the legendary improvisor’s fiendish virtuosity.
    Mot clé = A zsinagóga belseje | Niveau = 80

  • [100] The building of the Hungarian National Museum
    02/06/18 09:15
    Mot clé = The building of the Hungarian National Museum | Niveau = 81

  • [101] Szent István-bazilika
    25/06/18 09:15 St. Stephen's Basilica (Hungarian: Szent István-bazilika) is a Roman Catholic basilica in Budapest, Hungary. It is named in honour of Stephen, the first King of Hungary (c 975–1038), whose right hand is housed in the reliquary. It was the sixth largest church building in Hungary before 1920. Today, it is the third largest church building in present-day Hungary. Source: Wikipedia
    Mot clé = Szent István-bazilika | Niveau = 82

  • [102] Budapest: Vajdahunyad vára
    20/06/18 09:15 Vajdahunyad Castle Vajdahunyad Castle (Hungarian: Vajdahunyad vára) is a castle in the City Park of Budapest, Hungary. It was built between 1896 and 1908 as part of the Millennial Exhibition which celebrated the 1000 years of Hungary since the Hungarian Conquest of the Carpathian Basin in 895. The castle was designed by Ignác Alpár to feature copies of several landmark buildings from different parts the Kingdom of Hungary, especially the Hunyad Castle in Transylvania (now in Romania). As the castle contains parts of buildings from various time periods, it displays different architectural styles: Romanesque, Gothic, Renaissance and Baroque. Originally it was made from cardboard and wood, but it became so popular that it was rebuilt from stone and brick between 1904 and 1908. Today it houses the Agricultural Museum of Hungary, the biggest agricultural museum in Europe. The statue of Anonymus is also displayed in the castle court. Anonymus lived in the 12th century (his true identity is unknown, but he was a notary of Béla III of Hungary), who wrote the chronicle Gesta Hungarorum (Deeds of the Hungarians). The castle also contains a statue of Béla Lugosi. Source: Wikipedia
    Mot clé = Budapest: Vajdahunyad vára | Niveau = 83

  • [103] Magyar Állami Operaház [8mm version]
    09/06/18 09:15 Hungarian State Opera House The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. It is home to the Budapest Opera Ball, a society event dating back to 1886. Before the closure of "Népszínház" in Budapest, it was the second largest opera building in Budapest. Today it is the largest Opera building in Budapest and Hungary. History Designed by Miklós Ybl, a major figure of 19th century Hungarian architecture, the construction lasted from 1875 to 1884 and was funded by the city of Budapest and by Emperor Franz Joseph of Austria-Hungary. The Hungarian Royal Opera House (as it was known then) opened to the public on the September 27, 1884. Many important artists were guests here including Gustav Mahler the composer who was director in Budapest from 1887 to 1891 and Otto Klemperer who was music director for three years from 1947 to 1950. In the 1970s the state of the building prompted the Hungarian State to order a major renovation which eventually began in 1980 and lasted till 1984. The reopening was held exactly 100 years after the original opening, on the September 27, 1984. Overview It is a richly-decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world. The auditorium holds 1261 seats. It is horseshoe shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since, the Budapest Opera House is still among the best in terms of the acoustics. In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also founder of the Budapest Philharmonic Orchestra. Each year the season lasts from September to the end of June and besides opera performances the Opera House is home to the Hungarian National Ballet. The secondary building of the Hungarian State Opera is Erkel theatre. It is a much larger building that also hosts opera and ballet performances during the opera season. There are guided tours in the building in six languages (English, German, Spanish, French, Italian and Hungarian) almost every day. Features Facade: The decoration of the symmetrical façade follows a musical theme. In niches on either side of the main entrance there are figures of two of Hungary's most prominent composers, Ferenc Erkel and Franz Liszt. Both were sculpted by Alajos Stróbl. Murals: The vaulted ceiling of the foyer is covered in magnificent murals by Bertalan Székely and Mór Than. They depict the nine Muses. Foyer: The foyer, with its marble columns, gilded vaulted ceiling, murals and chandeliers, gives the State Opera House a feeling of opulence and grandeur. Main Entrance: Wrought-iron lamps illuminate the wide stone staircase and the main entrance. Main Staircase: Going to the opera was a great social occasion in the 19th century. A vast, sweeping staircase was an important element of the opera house as it allowed ladies to show off their new gowns. Interior, Hungarian State Opera House Chandelier: The mail hall is decorated with a bronze chandelier the weighs 3050 kg! It illuminates a magnificent fresco by Károly Lotz, of the Greek gods on Olympus. Central Stage: This proscenium arch stage employed the most modern technology of the time. It featured a revolving stage and metal hydraulic machinery. Royal Box: The royal box is located centrally in the three-storey circle. It is decorated with sculptures symbolizing the four operatic voices - soprano, alto, tenor and bass. Source: Wikipedia
    Mot clé = Magyar Állami Operaház [8mm version] | Niveau = 84

  • [104] Magyar Állami Operaház [16mm version]
    08/06/18 09:15 Hungarian State Opera House The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. It is home to the Budapest Opera Ball, a society event dating back to 1886. Before the closure of "Népszínház" in Budapest, it was the second largest opera building in Budapest. Today it is the largest Opera building in Budapest and Hungary. History Designed by Miklós Ybl, a major figure of 19th century Hungarian architecture, the construction lasted from 1875 to 1884 and was funded by the city of Budapest and by Emperor Franz Joseph of Austria-Hungary. The Hungarian Royal Opera House (as it was known then) opened to the public on the September 27, 1884. Many important artists were guests here including Gustav Mahler the composer who was director in Budapest from 1887 to 1891 and Otto Klemperer who was music director for three years from 1947 to 1950. In the 1970s the state of the building prompted the Hungarian State to order a major renovation which eventually began in 1980 and lasted till 1984. The reopening was held exactly 100 years after the original opening, on the September 27, 1984. Overview It is a richly-decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world. The auditorium holds 1261 seats. It is horseshoe shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since, the Budapest Opera House is still among the best in terms of the acoustics. In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also founder of the Budapest Philharmonic Orchestra. Each year the season lasts from September to the end of June and besides opera performances the Opera House is home to the Hungarian National Ballet. The secondary building of the Hungarian State Opera is Erkel theatre. It is a much larger building that also hosts opera and ballet performances during the opera season. There are guided tours in the building in six languages (English, German, Spanish, French, Italian and Hungarian) almost every day. Features Facade: The decoration of the symmetrical façade follows a musical theme. In niches on either side of the main entrance there are figures of two of Hungary's most prominent composers, Ferenc Erkel and Franz Liszt. Both were sculpted by Alajos Stróbl. Murals: The vaulted ceiling of the foyer is covered in magnificent murals by Bertalan Székely and Mór Than. They depict the nine Muses. Foyer: The foyer, with its marble columns, gilded vaulted ceiling, murals and chandeliers, gives the State Opera House a feeling of opulence and grandeur. Main Entrance: Wrought-iron lamps illuminate the wide stone staircase and the main entrance. Main Staircase: Going to the opera was a great social occasion in the 19th century. A vast, sweeping staircase was an important element of the opera house as it allowed ladies to show off their new gowns. Interior, Hungarian State Opera House Chandelier: The mail hall is decorated with a bronze chandelier the weighs 3050 kg! It illuminates a magnificent fresco by Károly Lotz, of the Greek gods on Olympus. Central Stage: This proscenium arch stage employed the most modern technology of the time. It featured a revolving stage and metal hydraulic machinery. Royal Box: The royal box is located centrally in the three-storey circle. It is decorated with sculptures symbolizing the four operatic voices - soprano, alto, tenor and bass. Source: Wikipedia Camera Nikon D7000 Exposure 0.003 sec (1/400) Aperture f/5.6 Focal Length 16 mm ISO Speed 100
    Mot clé = Magyar Állami Operaház [16mm version] | Niveau = 85

  • [105]
    17/07/18 09:15 Hungarian Parliament Building The Hungarian Parliament Building (Hungarian: Országház, which translates to House of the Country or House of the Nation) is the seat of the National Assembly of Hungary, one of Europe's oldest legislative buildings, a notable landmark of Hungary and a popular tourist destination of Budapest. It lies in Lajos Kossuth Square, on the bank of the Danube. It is currently the largest building in Hungary and still the tallest building in Budapest. History Budapest was united from three cities in 1873 and seven years later the diet resolved to establish a new, representative Parliament Building, expressing the sovereignty of the nation. An international competition was held, and Imre Steindl emerged as the victor; the plans of two other competitors were later also realized in the form of the Ethnographical Museum and the Hungarian Ministry of Agriculture, both of which face the Parliament Building. Construction from the winning plan was started in 1885 and the building was inaugurated on the 1000th anniversary of the country in 1896, and completed in 1904. (The architect of the building went blind before its completion.) About one thousand people were involved in construction, during which 40 million bricks, half a million precious stones and 40 kilograms (88 lb) of gold were used. After World War II the diet became single-chambered and today the government uses only a small portion of the building. During the communist regime a red star perched on the top of the dome, but was removed in 1990. Mátyás Szűrös declared the Hungarian Republic from the balcony facing Lajos Kossuth Square on 23 October 1989. Source: Wikipedia
    Mot clé = | Niveau = 86

  • [106]
    17/07/18 09:15 Hungarian Parliament Building The Hungarian Parliament Building (Hungarian: Országház, which translates to House of the Country or House of the Nation) is the seat of the National Assembly of Hungary, one of Europe's oldest legislative buildings, a notable landmark of Hungary and a popular tourist destination of Budapest. It lies in Lajos Kossuth Square, on the bank of the Danube. It is currently the largest building in Hungary and still the tallest building in Budapest. History Budapest was united from three cities in 1873 and seven years later the diet resolved to establish a new, representative Parliament Building, expressing the sovereignty of the nation. An international competition was held, and Imre Steindl emerged as the victor; the plans of two other competitors were later also realized in the form of the Ethnographical Museum and the Hungarian Ministry of Agriculture, both of which face the Parliament Building. Construction from the winning plan was started in 1885 and the building was inaugurated on the 1000th anniversary of the country in 1896, and completed in 1904. (The architect of the building went blind before its completion.) About one thousand people were involved in construction, during which 40 million bricks, half a million precious stones and 40 kilograms (88 lb) of gold were used. After World War II the diet became single-chambered and today the government uses only a small portion of the building. During the communist regime a red star perched on the top of the dome, but was removed in 1990. Mátyás Szűrös declared the Hungarian Republic from the balcony facing Lajos Kossuth Square on 23 October 1989. Source: Wikipedia
    Mot clé = | Niveau = 87

  • [107] Liège, la nocturne des coteaux - St Martin
    04/06/18 09:15 For the last 20 years... On the first Saturday in October... A short stroll away from the Place Saint-Lambert... At the heart of the oldest quarters of the city... Liège by night.... On the slopes... For one enchanting evening Liège reveals itself as you have never seen it before. During the Nocturne, backstreets, courtyards, steps, terraces, pathways, fields and orchards are accessible for all to see. Subtle lighting, music, entertainment and an atmosphere of celebration await at every turn. With their 60 monuments, 5 listed sites, and 28 ha of well preserved green spaces, the Coteaux de la Citadelle, the slopes of the citadel, are a unique reminder of the ancient landscape of Liège. On a mild October evening, a unique opportunity to wander and discover these little known walks softly lit up by over 15,000 candles and other lights. Musical and theatrical events take place throughout the evening, and many places open their doors to the rest of the world. Every year an increasing number of heritage lovers, curious visitors, and people looking for that very special atmosphere, discover the Nocturne’s magic. Whether a loyal nocturne visitor or newly attracted to the concept, this is a chance for everyone to enter a place of magic and surprises, a backstage to the city of Liège. Source : www.lanocturnedescoteaux.eu
    Mot clé = Liège, la nocturne des coteaux - St Martin | Niveau = 88

  • [108] Liège, la nocturne des coteaux
    16/06/18 09:15 Test failed at 3200 iso, 1/30 f2.8... bad choice, I shoud use higher iso! I hate night shoots, but one day I will success ;-) For the last 20 years... On the first Saturday in October... A short stroll away from the Place Saint-Lambert... At the heart of the oldest quarters of the city... Liège by night.... On the slopes... For one enchanting evening Liège reveals itself as you have never seen it before. During the Nocturne, backstreets, courtyards, steps, terraces, pathways, fields and orchards are accessible for all to see. Subtle lighting, music, entertainment and an atmosphere of celebration await at every turn. With their 60 monuments, 5 listed sites, and 28 ha of well preserved green spaces, the Coteaux de la Citadelle, the slopes of the citadel, are a unique reminder of the ancient landscape of Liège. On a mild October evening, a unique opportunity to wander and discover these little known walks softly lit up by over 15,000 candles and other lights. Musical and theatrical events take place throughout the evening, and many places open their doors to the rest of the world. Every year an increasing number of heritage lovers, curious visitors, and people looking for that very special atmosphere, discover the Nocturne’s magic. Whether a loyal nocturne visitor or newly attracted to the concept, this is a chance for everyone to enter a place of magic and surprises, a backstage to the city of Liège. Source : www.lanocturnedescoteaux.eu
    Mot clé = Liège, la nocturne des coteaux | Niveau = 89

  • [109] Eindhoven glow 2013 - Porté par le vent
    07/06/18 09:15 Le bal des Luminéoles GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Porté par le vent Location: Willemstraat, lichtstraat About the project: The French Porté par le vent (carried by the wind) designs poetic creations that float in the sky. During GLOW we can admire some of their creatures. With their long tails and fan-like wings they look a bit like birds or fish. They remain at height by using a little helium and are visible in the night due to soft colored light. The magical creatures have found a pleasant living environment in the city. Above the Willemstraat they dance a nocturnal ballet. It's like they have just left the shelter of the tall buildings to show themselves to the public for a while in their full glory. Source: gloweindhoven
    Mot clé = Eindhoven glow 2013 - Porté par le vent | Niveau = 90

  • [110] Eindhoven glow 2013 - Pop into the Puppet Theatre
    29/05/18 09:15 Pop into the Puppet Theatre GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Jolanda Tielens Location: Oude muur de Effenaar About the project: The arched windows of this old building are covered with canvas. A reminder that behind this façade there was once a canvas factory. Seen from the street, the cloth appears to be lit with a white light, but from the rear it’s obvious that the white light is actually a composite of red, green and blue. When someone walks into the pools of light from these spotlights, their shadow dissolves into spangles of colour. You realise that you can actually paint with light on this virginal white canvas. The people on the street enjoy a shadow theatre that, thanks to the arched décor, brings to mind old-fashioned puppet theatres. The spontaneous scenes played out here couldn’t be more at home; just a stone’s throw away is De Effenaar, a pop venue. Jolanda Tielens is fascinated by the capacity of light to affect our perceptions of a space and direct our behaviour. This is precisely what the artist is exploring with her light projections. Sometimes Tielens opts for inconspicuous lighting and sometimes, such as here, light is centre stage. Source: gloweindhoven
    Mot clé = Eindhoven glow 2013 - Pop into the Puppet Theatre | Niveau = 91

  • [111] Eindhoven glow 2013 - CHROMOLITHE (v2)
    09/06/18 09:15 CHROMOLITHE GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Patrice Warrener Location: Villa De Laak, Dommelhoef About the project: French-born Patrice Warrener has become world famous for the way in which he illuminates buildings. From Belgium to Singapore, from Japan to the United Arab Emirates: everywhere he goes, he turns the world into a book of fairy-tale images. Warrener uses projectors able to project coloured light onto the facades of buildings with enormous precision. The tiniest architectural details are highlighted and bathed in such a bright colour that they appear freshly painted. In 1989, Warrener filed, and obtained, a patent for the technique He has worked on the method ever since, refining it to create spectacles, each more vibrant and imposing than the last, in each place he visits. For GLOW, he puts Villa de Laak in the limelight. In the glow of his illumination, the monumental buildings lining the Nachtegaallaan almost look like sugared almonds. The surrounding gardens are also lit up. The buildings constantly change colour, to the accompaniment of evocative sounds Source: gloweindhoven
    Mot clé = Eindhoven glow 2013 - CHROMOLITHE (v2) | Niveau = 92

  • [112] Eindhoven glow 2013 - CHROMOLITHE (v1)
    09/06/18 09:15 CHROMOLITHE GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Patrice Warrener Location: Villa De Laak, Dommelhoef About the project: French-born Patrice Warrener has become world famous for the way in which he illuminates buildings. From Belgium to Singapore, from Japan to the United Arab Emirates: everywhere he goes, he turns the world into a book of fairy-tale images. Warrener uses projectors able to project coloured light onto the facades of buildings with enormous precision. The tiniest architectural details are highlighted and bathed in such a bright colour that they appear freshly painted. In 1989, Warrener filed, and obtained, a patent for the technique He has worked on the method ever since, refining it to create spectacles, each more vibrant and imposing than the last, in each place he visits. For GLOW, he puts Villa de Laak in the limelight. In the glow of his illumination, the monumental buildings lining the Nachtegaallaan almost look like sugared almonds. The surrounding gardens are also lit up. The buildings constantly change colour, to the accompaniment of evocative sounds Source: gloweindhoven
    Mot clé = Eindhoven glow 2013 - CHROMOLITHE (v1) | Niveau = 93

  • [113] Devoxx 2014 - Easily Creating Beautiful Web Apps with Polymer and Paper Elements.
    27/04/18 09:15 Easily Creating Beautiful Web Apps with Polymer and Paper Elements. Web Components usher in a new era of web development based on encapsulated and interoperable custom elements that extend HTML itself. Built atop these new standards, Polymer makes it easier and faster to create anything from a button to a complete application across desktop, mobile, and beyond. In this talk, you'll learn how to build your own HTML elements and use Google's new material design elements. Create beautiful sites and apps with a unified look and feel for mobile, desktop, and everything in between. Source: DEVOXX. A demonstration that had only one default: giving me more desire to work with these components
    Mot clé = Devoxx 2014 - Easily Creating Beautiful Web Apps with Polymer and Paper Elements. | Niveau = 94

  • [114] Devoxx 2015
    06/07/18 09:15 The Devoxx family welcomes annually 10.500 Devoxxians spread across Antwerp, Paris, London, Krakow and Casablanca. In addition Devoxx4Kids brings coding magic to 5,000+ children through chapters all over the world. Devoxx Belgium 2015 is from Mon. 9th until Fri. 13th November. Website : www.devoxx.be/
    Mot clé = Devoxx 2015 | Niveau = 95

  • [115] Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris
    07/05/18 09:15 Depuis que j'avais acheté le CD "Canticles of Ecstasy" il y a une vingtaine d'années, je suis immédiatement tombé sous le charme. Quelle joie de pouvoir écouter ce dimanche une superbe interprétation de Hildegard Von Bingen par Mora Vocis. Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris avant le concert « Histoires de souffles, chants poétiques autour de l’œuvre de Hildegard von Bingen » PROLOGUE Physica : L’Air PROGRAMME Caritas abundat HILDEGARD VON BINGEN (1098-1179) Caritas abundat KLAUS HUBER (CH, 1924) Lettre 160 : L’abbesse Hazzecha à Hildegard (1161) O splendidissima gemma HILDEGARD VON BINGEN Hodie aperuit HILDEGARD VON BINGEN Lettre 159r : Hildegard à l’abbesse Hazzecha (1160-1161) O vivens fons HILDEGARD VON BINGEN O cruor sanguinis DAVID ESKENAZY (FR, 1977) / texte de HILDEGARD Lettre 102 : Le moine Guibert à Hildegard (1175) O quam mirabilis est HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) Favus distillans HILDEGARD VON BINGEN O sapientia SOPHIE LACAZE (FR, 1963) / texte de HILDEGARD Ave generosa HILDEGARD VON BINGEN Et lux perpetua KLAUS HUBER O pulchrae facies HILDEGARD VON BINGEN O viridissima virga HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) O quam pretiosa est HILDEGARD VON BINGEN O quam mirabilis est IVAN MOODY (GB, 1964) / texte de HILDEGARD O pastor animarum HILDEGARD VON BINGEN Lettre 319 : Hildegard à Berthe, Reine de Grèce (1146-1160) O nobilissima viriditas HILDEGARD VON BINGEN Lettre 108a : Guibert de Gembloux aux Sœurs de l’Abbaye du Rupertsberg (1176) Cum processit HILDEGARD VON BINGEN De Sancto Spiritu PETR EBEN (CZ, 1929-2007) Mora Vocis - voix solistes au féminin Kelly Landerkin | Caroline Marçot | Annie Paris | Hélène Richer Els Janssens-Vanmunster, direction artistique
    Mot clé = Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris | Niveau = 96

  • [116] Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris
    07/05/18 09:15 Depuis que j'avais acheté le CD "Canticles of Ecstasy" il y a une vingtaine d'années, je suis immédiatement tombé sous le charme. Quelle joie de pouvoir écouter ce dimanche une superbe interprétation de Hildegard Von Bingen par Mora Vocis. Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris avant le concert « Histoires de souffles, chants poétiques autour de l’œuvre de Hildegard von Bingen » PROLOGUE Physica : L’Air PROGRAMME Caritas abundat HILDEGARD VON BINGEN (1098-1179) Caritas abundat KLAUS HUBER (CH, 1924) Lettre 160 : L’abbesse Hazzecha à Hildegard (1161) O splendidissima gemma HILDEGARD VON BINGEN Hodie aperuit HILDEGARD VON BINGEN Lettre 159r : Hildegard à l’abbesse Hazzecha (1160-1161) O vivens fons HILDEGARD VON BINGEN O cruor sanguinis DAVID ESKENAZY (FR, 1977) / texte de HILDEGARD Lettre 102 : Le moine Guibert à Hildegard (1175) O quam mirabilis est HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) Favus distillans HILDEGARD VON BINGEN O sapientia SOPHIE LACAZE (FR, 1963) / texte de HILDEGARD Ave generosa HILDEGARD VON BINGEN Et lux perpetua KLAUS HUBER O pulchrae facies HILDEGARD VON BINGEN O viridissima virga HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) O quam pretiosa est HILDEGARD VON BINGEN O quam mirabilis est IVAN MOODY (GB, 1964) / texte de HILDEGARD O pastor animarum HILDEGARD VON BINGEN Lettre 319 : Hildegard à Berthe, Reine de Grèce (1146-1160) O nobilissima viriditas HILDEGARD VON BINGEN Lettre 108a : Guibert de Gembloux aux Sœurs de l’Abbaye du Rupertsberg (1176) Cum processit HILDEGARD VON BINGEN De Sancto Spiritu PETR EBEN (CZ, 1929-2007) Mora Vocis - voix solistes au féminin Kelly Landerkin | Caroline Marçot | Annie Paris | Hélène Richer Els Janssens-Vanmunster, direction artistique
    Mot clé = Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris | Niveau = 97

  • [117] La Cruz de Hilda - Mascadalen (Camino de las Barreras)
    24/05/18 09:15
    Mot clé = La Cruz de Hilda - Mascadalen (Camino de las Barreras) | Niveau = 98

  • [118] Eindhoven glow 2017_11_18_224514
    15/06/18 09:15 ‘Bilder und Klänge erzählen Geschichten...’ Stefan Keim, culture journalist. GLOWING is an urban light and sound installation that plays with all the senses. The festival route leads through the Expeditiestraat and in doing so through an urban-industrial layout of streets. Both the special atmosphere and the architectural character of the Expeditiestraat, divided into three by the crossbeams, defines the spatial appearance of the scene. The sun, as the origin of life. Fire, as the source of warmth and culture. These two-strong emotional and associative basic principles form the conceptual approach for this production. The public become one with the entire scene in this spectacle, that stirs all the senses and provides a physical explanation of art and nature. The audience transverse a kind of tunnel, one side of which is covered with black molton, and provides a view of a fiery scene. All the walls form a kind of sea of flames. This fire has no beginning and no end, solely infinitely glowing flames, acoustically supported by music with subsonic effects. Source: www.gloweindhoven.nl
    Mot clé = Eindhoven glow 2017_11_18_224514 | Niveau = 99

  • [119] Eindhoven glow 2017_11_18_231303
    15/06/18 09:15 ‘Shine like the Whole Universe is Yours’ - Rumi ‘Shine like the Whole Universe is Yours’ is the name of a verse by Rumi (1207 – 1273), a Persian poet, mystic and philosopher. You can be who you are and show what you believe. The Fatih Mosque shows that you can be yourself in many different ways. Sometimes subdued and sometimes extravagant. Sometimes the interior is highlighted and the building seems smaller, and sometimes the building takes pride of place in all its glory. ‘Shine like the Whole Universe is Yours’. Source: www.gloweindhoven.nl
    Mot clé = Eindhoven glow 2017_11_18_231303 | Niveau = 100

7 articles

  • [1] Ajouter une sitemap dans un Wordpress
    01/01/12 01:53 Comment ajouter une table des matières, un sitemap dans un site Wordpress?

  • [2] Olne sous la neige
    24/01/15 23:06 Photos hivernales dans les environs de Olne

  • [3] Photos de nous sous la neige
    22/02/15 01:30 Quelques photos de famille dans la neige en 2012 et 2015

  • [4] La Berlue ou Le Masculin Singulier
    20/06/15 05:46 Quelques photos de "La Berlue ou Le Masculin Singulier", écrite par Jean-Jacques Bricaire et Maurice Lasaygues, et jouée par le théâtre de l'If de Verviers (Catherine Ledent, Jonathan Gysen, Roland Martin, Alain Rahier et Monique Godefroid, mis en scène par Arthur Godefroid).

  • [5] Mora Vocis à l'OPRL
    29/11/15 21:40 Une rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris, de l'ensemble Mora Vocis, nous plonge dans l'univers passionnant de Hidegard von Bingen. Je découvre plein d'anecdotes sur la vie de cette abbesse en avance sur son époque. Vous pouvez écouter des morceaux de musique de Mora Vocis.

  • [6] Rando Tenerife
    15/11/17 06:13 Photos de rando à Ténérife

  • [7] Coup de coeur - Ma_Co2013
    04/02/18 02:00 Mon coup de coeur du jour:  les photos de tournages de Ma_Co2013

 

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