3 définitions, 80 pages, 54 articles pour «osi»

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3 définitions

80 pages

  • Position Flex Bison
    https://www.gaudry.be > Programmation > Compilateur
    [1] 02/05/2010 - Dernière modification le 28/10/2018 Position d'un symbole terminal avec flex et bison
    Mot clé = yy_user_action | Niveau = 1

  • AlphaComposite
    https://www.gaudry.be > Programmation > API Java
    [2] 16/09/2006 - Dernière modification le 13/08/2020 java.awt.AlphaComposite Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • ClassLoaderRepository
    https://www.gaudry.be > Programmation > API Java
    [3] 07/12/2006 - Dernière modification le 13/08/2020 javax.management.loading.ClassLoaderRepository Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • Composite
    https://www.gaudry.be > Programmation > API Java
    [4] 30/08/2006 - Dernière modification le 13/08/2020 java.awt.Composite Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeContext
    https://www.gaudry.be > Programmation > API Java
    [5] 30/08/2006 - Dernière modification le 13/08/2020 java.awt.CompositeContext Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeData
    https://www.gaudry.be > Programmation > API Java
    [6] 31/08/2006 - Dernière modification le 13/08/2020 javax.management.openmbean.CompositeData Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeDataSupport
    https://www.gaudry.be > Programmation > API Java
    [7] 06/12/2006 - Dernière modification le 13/08/2020 javax.management.openmbean.CompositeDataSupport Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeELResolver
    https://www.gaudry.be > Programmation > API Java
    [8] 05/12/2007 - Dernière modification le 13/08/2020 javax.el.CompositeELResolver Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeName
    https://www.gaudry.be > Programmation > API Java
    [9] 15/09/2006 - Dernière modification le 13/08/2020 javax.naming.CompositeName Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeName
    https://www.gaudry.be > Programmation > API Java
    [10] 09/01/2010 - Dernière modification le 13/08/2020 javax.naming.CompositeName
    Mot clé = osi | Niveau = 2

  • CompositeType
    https://www.gaudry.be > Programmation > API Java
    [11] 01/09/2006 - Dernière modification le 13/08/2020 javax.management.openmbean.CompositeType Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • CompositeView
    https://www.gaudry.be > Programmation > API Java
    [12] 16/09/2006 - Dernière modification le 13/08/2020 javax.swing.text.CompositeView Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • ContentDisposition
    https://www.gaudry.be > Programmation > API Java
    [13] 14/04/2008 - Dernière modification le 13/08/2020 javax.mail.internet.ContentDisposition
    Mot clé = osi | Niveau = 2

  • Couche application
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [14] 28/01/2004 - Dernière modification le 26/10/2018 Couche 7 ( application ) du modèle OSI
    Mot clé = osi | Niveau = 2

  • Couche liaison
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [15] 20/01/2004 - Dernière modification le 26/10/2018 La couche liaison du modèle OSI et les adaptations apportées par IEEE pour les réseaux locaux (MAC et LLC).
    Mot clé = osi | Niveau = 2

  • Couche physique.
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [16] 14/07/2003 - Dernière modification le 26/10/2018 La couche physique du modèle OSI.
    Mot clé = osi | Niveau = 2

  • Couche présentation
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [17] 28/01/2004 - Dernière modification le 26/10/2018 Couche 6 ( présentation ) du modèle OSI
    Mot clé = osi | Niveau = 2

  • Couche réseau
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [18] 28/01/2004 - Dernière modification le 26/10/2018 Couche 3 ( réseau ) du modèle OSI
    Mot clé = osi | Niveau = 2

  • Couche session
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [19] 28/01/2004 - Dernière modification le 26/10/2018 Couche 5 ( session ) du modèle OSI
    Mot clé = osi | Niveau = 2

  • Couche transport
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [20] 28/01/2004 - Dernière modification le 26/10/2018 Couche 4 ( transport ) du modèle OSI
    Mot clé = osi | Niveau = 2

  • DefaultLoaderRepository
    https://www.gaudry.be > Programmation > API Java
    [21] 16/09/2006 - Dernière modification le 13/08/2020 javax.management.loading.DefaultLoaderRepository Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • DefaultLoaderRepository
    https://www.gaudry.be > Programmation > API Java
    [22] 30/08/2006 - Dernière modification le 13/08/2020 javax.management.DefaultLoaderRepository Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • FieldPosition
    https://www.gaudry.be > Programmation > API Java
    [23] 29/08/2006 - Dernière modification le 13/08/2020 java.text.FieldPosition Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • FieldPosition
    https://www.gaudry.be > Programmation > API Java
    [24] 09/01/2010 - Dernière modification le 13/08/2020 java.text.FieldPosition
    Mot clé = osi | Niveau = 2

  • Modèle OSI.
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [25] 04/03/2003 - Dernière modification le 26/10/2018 Architecture des réseaux : le modèle OSI.
    Mot clé = osi | Niveau = 2

  • Modèles OSI&TCP/IP
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [26] 25/01/2004 - Dernière modification le 26/10/2018 Le modèle à 4 couches TCP/IP et la comparaison avec le modèle OSI
    Mot clé = osi | Niveau = 2

  • Optimiser le code HTML
    https://www.gaudry.be > Programmation > Web
    [27] 09/12/2003 - Dernière modification le 26/10/2018 Optimiser le temps de réponse par la suppression du code inutile
    Mot clé = osi | Niveau = 2

  • ParsePosition
    https://www.gaudry.be > Programmation > API Java
    [28] 29/08/2006 - Dernière modification le 13/08/2020 java.text.ParsePosition Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • Position
    https://www.gaudry.be > Programmation > API Java
    [29] 30/08/2006 - Dernière modification le 13/08/2020 javax.swing.text.Position Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • Position.Bias
    https://www.gaudry.be > Programmation > API Java
    [30] 31/08/2006 - Dernière modification le 13/08/2020 javax.swing.text.Position.Bias Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • Relations de classes
    https://www.gaudry.be > Généralités > Analyse
    [31] 11/06/2010 - Dernière modification le 07/03/2020 UML les relations de classes (associations, agrégations, compositions, généralisations/spécialisations, etc.)
    Mot clé = osi | Niveau = 2

  • RepositoryIdHelper
    https://www.gaudry.be > Programmation > API Java
    [32] 31/08/2006 - Dernière modification le 13/08/2020 org.omg.CORBA.RepositoryIdHelper Les API Java 1.5 du site de sun. En anglais...
    Mot clé = osi | Niveau = 2

  • Unités de données.
    https://www.gaudry.be > Les réseaux > Modèle OSI
    [33] 04/03/2003 - Dernière modification le 26/10/2018 Unités de données dans le modèle OSI selon UIT-T X.200.
    Mot clé = osi | Niveau = 2

  • Niveaux des graphes
    https://www.gaudry.be > Généralités > Graphes
    [34] 03/01/2010 - Dernière modification le 26/10/2018 Algorithme de décomposition en niveaux, Niveaux inverses et anti-niveaux
    Mot clé = algorithme | Niveau = 5

  • 28 photos en rapport avec exposition
    https://www.gaudry.be > Photo > Galerie
    [35] 08/07/2020 - Dernière modification le 26/07/2020 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = exposition | Niveau = 11

  • 10 photos en rapport avec exposition-dali
    https://www.gaudry.be > Photo > Galerie
    [36] 03/07/2020 - Dernière modification le 24/07/2020 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = exposition-dali | Niveau = 12

  • La tour d'Eben-Ezer
    https://www.gaudry.be > Photo > Galerie
    [37] 21/07/2011 - Dernière modification le 02/08/2020 A Belgian self-built tower inspired by the bible and ancient civilizations. Eben-Ezer Tower is a tower-museum built by Robert Garcet to Eben-Emael (common Bassenge ), north of Liège. Its proportions are based on those of the New Jerusalem , according to John. According to its architect, Robert Garcet , each stone has a revelation and the figures speak for themselves. The building, 33 meters high on a square plan with turret corners, is constructed of large stones of flint on a deep well of 33 meters also. One of the leading manufacturer is Krawinckel Gilbert. Its seven floors are crowned by the four cherubim of the Apocalypse, scupted in stone: Taurus, northwest, man, south-west, Leo, southeast, and the Eagle, the northeast. At the base of the tower, a stone circle draws her twelve pillars between the bushes, each standing stone is distant from each other by 3.33 meters. As for the monumental staircase that runs down the hillside, he, too, the dimensions required by an ancient esoteric . In the Bible, Eben-Ezer is the Stone of help, the memorial stone set up by Samuel after a defeat of the Philistines, as a memorial of the aid received in connection with God (1 Sat 7:7 - 12), near Mizpah (Benjamin), near the western entrance to the pass of Beth-horon. The Tower of Eben-Ezer is a self-built castle constructed in the 1960s by a single man in the isolated Jeker valley of Belgium. The builder, Robert Garcet, was fascinated with the Bible, numerology and ancient civilizations. The entire seven-level tower is built of flint, and according to Garcet, was designed using ancient mystical measurements. On the top of the tower are four giant biblical animals, and the interior is full of Garcet's biblical, archaeological, paleontological and geological art. Even more curious is that although the tower only looks ancient, it sits on top of a vast network of truly ancient tunnels. Garcet claims to have discovered over a hundred "new" fossilized creatures and a 70-million year-old village in the labyrinth of tunnels under the tower! Unfortunately, the village was destroyed by a mining explosion before it could be studied. A new educational space called the Geospadium takes the visitor on a tour of the history and use of the flint stone. From Wikipedia, the free encyclopedia, and Atlas Oscura.
    Mot clé = osi (titre ou description) | Niveau = 13

  • La tour 3
    https://www.gaudry.be > Photo > Galerie
    [38] 01/08/2020 - Dernière modification le 07/08/2020 The coils, brakes and the engine of the mine shaft No. 3, initially planned as "machine en tête" disposition, are located into another building.
    Mot clé = osi (titre ou description) | Niveau = 14

  • Un des deux moteurs de la machine d'extraction du puits n°1
    https://www.gaudry.be > Photo > Galerie
    [39] 11/06/2020 - Dernière modification le 13/07/2020 The continuous engines are mounted on a single tree (although the engines are electrical insulation), one at the end(placed opposite the machinist) indicates the position of the cages.
    Mot clé = osi (titre ou description) | Niveau = 15

  • ECVB, le nouveau côtoie le vieux
    https://www.gaudry.be > Photo > Galerie
    [40] 08/07/2020 - Dernière modification le 26/07/2020 A gauche, la partie plus récente de l'usine était toujours en exploitation au moment de la prise de vue. J'ai été frappé par la dichotomie entre d'une part cette partie nouvelle aux tuyaux étincelants, et d'autre part l'amas sombre de rouille de la partie abandonnée de la centrale. La photo est prise sans trépied; l'appareil étant maintenu contre un poteau en espérant que ce soit suffisant pour éviter le flou de bouger lors de cette exposition moyennement longue (1 seconde). Malgré une sensibilité de ISO 500, la partie de droite était très sombre et il a fallu retravailler la luminosité de cette partie à posteriori (ce qui engendre une perte de détails). Le lieu étant démoli et assaini, la confidentialité du titre, de la description, et de la localisation sont à présent réglés sur "public".
    Mot clé = osi (titre ou description) | Niveau = 16

  • Evoluon by night
    https://www.gaudry.be > Photo > Galerie
    [41] 20/09/2011 - Dernière modification le 04/08/2020 Evoluon The Evoluon is a conference centre and former science museum erected by the electronics and electrical company Philips in Eindhoven, the Netherlands, in 1966. Since its construction, it has become a landmark and a symbol for the city. The building is unique due to its very futuristic design, resembling a landed flying saucer. It was designed by architect Louis Christiaan Kalff, while the exhibition was conceived by James Gardner. The building was based on an idea by Frits Philips, who originally made a sketch of the building on a paper napkin. Frits Philips wanted to give the people of Eindhoven a beautiful and educational gift to celebrate the 75th anniversary of the company that bears his family name. Its concrete dome is 77 meters (253 ft) in diameter and is held in place by 169 kilometers (105 mi) of rebar. In the 1960s and 70s it attracted large visitor numbers, since its interactive exhibitions were a new and unique concept in the Netherlands at that time. But when competing science museums opened in other cities, the number of visitors to the Evoluon declined every year. After several years of losing money, the original museum closed down in 1989 and the Evoluon was converted into a conference center, opening in 1998. The Evoluon is chiefly remembered in the UK from Bert Haanstra's wordless short film, titled simply Evoluon. Commissioned by Philips to publicise the museum, it was shown as a trade test colour film on the BBC from 1968 to 1972. From Wikipedia, the free encyclopedia.
    Mot clé = osi (titre ou description) | Niveau = 17

  • Composition automnale 1
    https://www.gaudry.be > Photo > Galerie
    [42] 02/11/2011 - Dernière modification le 31/07/2020
    Mot clé = osi (titre ou description) | Niveau = 18

  • Composition automnale 2
    https://www.gaudry.be > Photo > Galerie
    [43] 02/11/2011 - Dernière modification le 31/07/2020
    Mot clé = osi (titre ou description) | Niveau = 19

  • Composition automnale 3
    https://www.gaudry.be > Photo > Galerie
    [44] 02/11/2011 - Dernière modification le 31/07/2020
    Mot clé = osi (titre ou description) | Niveau = 20

  • Burning Van Abbe Museum - 1
    https://www.gaudry.be > Photo > Galerie
    [45] 09/11/2011 - Dernière modification le 29/07/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = osi (titre ou description) | Niveau = 21

  • Burning Van Abbe Museum - 2
    https://www.gaudry.be > Photo > Galerie
    [46] 09/11/2011 - Dernière modification le 29/07/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = osi (titre ou description) | Niveau = 22

  • Burning Van Abbe Museum - 4
    https://www.gaudry.be > Photo > Galerie
    [47] 09/11/2011 - Dernière modification le 29/07/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = osi (titre ou description) | Niveau = 23

  • Burning Van Abbe Museum - 3
    https://www.gaudry.be > Photo > Galerie
    [48] 09/11/2011 - Dernière modification le 29/07/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = osi (titre ou description) | Niveau = 24

  • Burning Van Abbe Museum - 5
    https://www.gaudry.be > Photo > Galerie
    [49] 09/11/2011 - Dernière modification le 29/07/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = osi (titre ou description) | Niveau = 25

  • Beauty of stagnation - 3
    https://www.gaudry.be > Photo > Galerie
    [50] 09/11/2011 - Dernière modification le 31/07/2020 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = osi (titre ou description) | Niveau = 26

  • Beauty of stagnation - 2
    https://www.gaudry.be > Photo > Galerie
    [51] 09/11/2011 - Dernière modification le 31/07/2020 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = osi (titre ou description) | Niveau = 27

  • Beauty of stagnation - 1
    https://www.gaudry.be > Photo > Galerie
    [52] 09/11/2011 - Dernière modification le 31/07/2020 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = osi (titre ou description) | Niveau = 28

  • Beauty of stagnation - 4
    https://www.gaudry.be > Photo > Galerie
    [53] 09/11/2011 - Dernière modification le 31/07/2020 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = osi (titre ou description) | Niveau = 29

  • Fonte et osier
    https://www.gaudry.be > Photo > Galerie
    [54] 27/07/2020 - Dernière modification le 05/08/2020
    Mot clé = osi (titre ou description) | Niveau = 30

  • Position défensive, mitrailleuse .30
    https://www.gaudry.be > Photo > Galerie
    [55] 11/12/2011 - Dernière modification le 24/07/2020
    Mot clé = osi (titre ou description) | Niveau = 31

  • Position défensive, mitrailleuse .30 - vintage
    https://www.gaudry.be > Photo > Galerie
    [56] 11/12/2011 - Dernière modification le 19/07/2020
    Mot clé = osi (titre ou description) | Niveau = 32

  • Grand Hôtel d'Ardolaz, les partitions de Dragan Zmadjevic
    https://www.gaudry.be > Photo > Galerie
    [57] 13/06/2020 - Dernière modification le 14/07/2020 The story: "The questions came crowding in me: Who was this strange music lover, amateur works of Dragan? And why did he behave so so weird?" In the village of Ardolaz somewhere in the Valais Alps, Sir Melvin Woodworth is in pursuit of a remember, the shadow of his brother Dragan, pianist in the middle of the mountains. He heards one night a melody played on the piano of the decrepit abandoned hotel. An avalanche is going to destroy the village and the population is evacuated. Alone in the abandoned village, he must understand the past to build the future. Source: COSEY, A la recherche de Peter Pan, Editions du Lombard, 1984, "histoires et légendes" The abandoned hotel The Montesano, Arveyes hotel perched on the plateau of Villars, has seen the beautiful world. Built in 1914, the property is responsible for the care of tuberculosis patients, but it soon turns into a hotel. In 1925, he spent 20 to 60 rooms. In the 60s, the hotel became famous for its theme evenings, nights like Brazilian, jazz, African ... the main lounge and bar welcome the stars but also the regional dish. The fate of this hotel goes dark in the late 90s, when it is landing in the hands of the Cantonal Bank of Vaud (BCV). It therefore passes from hand to hand, without finding an owner willing to take the huge renovation that the building needs. Gradually, the squatters invaded the stage. One night a caravan from even smoke in the parking lot. The town, for safety reasons, access is looping. "But we went there as in a mill," says an inhabitant of Villars. Disappears furniture: objects of significant size, requiring the organization. Many people are certain that organized gangs are at work. A bay window is thus carried away, like pieces of flooring. One evening in April 2008, at 3 am, the alarm is raised. The rundown is on fire. It will take just over 12 hours to ensure that the fire is under control. The property is destroyed and the population does not believe in accidents. It was demolished a few months later. L'histoire : «Les questions se pressaient en moi : Qui était cet étrange mélomane, amateur des oeuvres de Dragan ? Et pourquoi se comportait-il de façon si bizarre ?» Dans le village de d'Ardolaz au beau milieu des Alpes valaisannes, Sir Melvin Woodworth est à la poursuite d'un souvenir, de l'ombre de son frère Dragan, pianiste échoué au beau milieu des montagnes. Il surprend une nuit une mélodie jouée sur le piano décrépi de l'hôtel abandonné. Une avalanche menace de détruire le village et la population est évacuée. Seul dans le village abandonné, il doit comprendre le passé pour affronter l'avenir. Source: COSEY, A la recherche de Peter Pan, Editions du Lombard, 1984, "histoires et légendes" L'hôtel abandonné Le Montesano, hôtel perché à Arveyes, sur le plateau de Villars, a vu défiler du beau monde. Construit en 1914, l'établissement est à l'origine destiné au soin des tuberculeux, mais il se transforme rapidement en hôtel. En 1925, il passe de 20 à 60 chambres. Dans les années 60, l'hôtel devient réputé pour ses soirées à thème, comme les nuits brésiliennes, jazz, africaines... le grand salon et le bar accueillent des stars mais aussi le gratin régional. Le destin de cet hôtel s'assombrit à la fin des années 90, lorsqu'il attérit dans les mains de la Banque Cantonale Vaudoise (BCV). Il passe dès lors de mains en mains, sans trouver de propriétaire désireux d'assumer les immenses travaux de rénovation dont la bâtisse a besoin. Petit à petit, les squatteurs envahissent les étages. Un soir, une caravane part même en fumée, sur le parking. La commune, par souci de sécurité, fait boucler l'accès. «Mais on y entrait comme dans un moulin», raconte un habitant de Villars. Du mobilier disparait: des objets de taille conséquente, nécessitant de l'organisation. Nombreux sont ceux qui sont certains que des bandes organisées sont à l'oeuvre. Une baie vitrée est ainsi emportée, tout comme des morceaux de parquet. Un soir d'avril 2008, à 3 h du matin, l'alerte est donnée. L'hôtel délabré est en feu. Il faudra un peu plus de 12 heures pour s'assurer que le sinistre est maîtrisé. L'établissement est détruit et la population ne croit pas à un accident. Il sera démoli quelques mois plus tard.
    Mot clé = osi (titre ou description) | Niveau = 33

  • ECVB - tuyaux de la salle des turbines
    https://www.gaudry.be > Photo > Galerie
    [58] 03/07/2020 - Dernière modification le 24/07/2020 Encore une vue d'ensemble de la grande salle des turbines de l'ECVB. Pour cette photo je me suis positionné à la limite de la fosse, sous la grue pont, dos à la grosse turbine. Le lieu étant démoli et assaini, la confidentialité du titre, de la description, et de la localisation sont à présent réglés sur "public".
    Mot clé = osi (titre ou description) | Niveau = 34

  • Autoportrait Steampunk dans la rouille des gigantesques chaudières Cockerill
    https://www.gaudry.be > Photo > Galerie
    [59] 24/05/2020 - Dernière modification le 04/07/2020 En voyant ma taille au milieu de cet amas de métal rouillé, on se rend mieux compte des dimensions colossales de ces chaudières... J'utilise une petite télécommande à ondes pour déclencher l'appareil photo (une fois les réglages effectués et le temps de grimper sur la position souhaitée). L'appareil est fixé sur un vieux trépied un peu fragile (prévu pour un zenit qui pèse nettement moins que ce D7000). Le lieu étant démoli et assaini, la confidentialité du titre, de la description, et de la localisation sont à présent réglés sur "public".
    Mot clé = osi (titre ou description) | Niveau = 35

  • Glow tour 2012: Richi Ferrero
    https://www.gaudry.be > Photo > Galerie
    [60] 17/11/2012 - Dernière modification le 28/07/2020 Richi Ferrero - Bwindi Light Masks GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Lichtplein About the project: On the Lichtplein forty identical African masks are installed. The masks originate from the Bwindi National Park in Uganda, near the border with Congo. Once the first tones are played, the masks slowly light up. Colorful light can be seen through the openings for eyes and mouth, but also on a large projection screen that is prepared behind the masks. Small changes in exposure have a great visual impact. The show resembles most a magical ritual. What we hear is the composition Legend of the Bulgarian women's choir Angelite in cooperation with the overtone singers Huun Huur Tu from the Russian republic of Tuva. What light, singing and traditional masks have in common is that all components play a role in religious ceremonies. In countries and cultures all around the world, they are seen as a connection between the earthly and the heavenly or the supernatural. In this performance Richi Ferrero connects their symbolism and expressiveness. www.richiferrero.it More information: www.gloweindhoven.nl It was my prefered animation, and the music was really amazing.
    Mot clé = osi (titre ou description) | Niveau = 36

  • Olne autrefois 2013, wildemann
    https://www.gaudry.be > Photo > Galerie
    [61] 30/06/2013 - Dernière modification le 28/07/2020 Le wildemann Le wildemann est un personnage folklorique typique de l'Allemagne centrale, associé au renouveau saisonnier. Il n'est pas exclu que cette figure folklorique soit pertinente pour Olne, mais a priori il pourrait s'agir d'une simple reproduction d'une illustration -ou d'un souvenir touristique- sans grand rapport avec l'identité d'Olne. L'important ici est de se souvenir que les entités culturelles ne sont pas des "Memes" à fondement naturaliste, mais qu'il faut les comprendre dans un système culturel local. Il serait intéressant de comprendre ce que les bonshommes de buis nous révèlent de la structure sociale. A l'exposition de Hanovre -près de la patrie du Wildemann- en 2000, le pavillon du WWF en offrait une interprétation écologique : L'Homme Vert Le "Green Man" ("feuillu" en fr.) est un autre symbole folklorique du renouveau printanier. C'est plutôt un personnage attaché aux champs et aux cultures qu'aux espaces sauvages. Il trouve de nombreuses incarnations locales qui vont de Cernunnos à Peter Pan. Et le Père Noel et Robin des Bois en sont d'autres figurations. Dans les campagnes anglaises, Jack-in-the-Green, le Roi de Mai est un personnage disposant de pouvoirs de fertilité et de régénération. Source: Identité Olnoise - Olne page 27
    Mot clé = osi (titre ou description) | Niveau = 37

  • Jagdpanzer Kanone Jpz 4-53
    https://www.gaudry.be > Photo > Galerie
    [62] 15/07/2020 - Dernière modification le 30/07/2020 Kanonenjagdpanzer The Kanonenjagdpanzer 4 - 5 (also known as Jagdpanzer Kanone 90mm, or tank destroyer, gun) was a German Cold War tank destroyer equipped with a 90mm anti-tank gun from obsolete M47 Patton tanks. Its design was very similar to that of the World War II Jagdpanzer IV. History The first prototypes of the Kanonenjagdpanzer were built in 1960 by Hanomag and Henschel for West Germany and by MOWAG for Switzerland. Hanomag and Henschel continued to produce prototypes, until between 1966 and 1967, 770 were built for the Bundeswehr, 385 by Hanomag and 385 by Henschel. Eighty of them were delivered to Belgium from April 1975 onward. When the Soviets began deploying their T-64 and T-72 main battle tanks, the 90 mm gun wasn't capable of ensuring long-range combat and the Kanonenjagdpanzer became obsolete. Although the producers claimed it could be rearmed with a 105 mm gun, between 1983 and 1985, 163 of these tank destroyers were converted into Raketenjagdpanzer Jaguar 2 anti-tank guided missile carriers by removing the gun, adding a roof-mounted TOW missile launcher and fastening further spaced and perforated armour on the hull. Some others were refitted by removing the main gun into artillery observation vehicles, so called Beobachtungspanzer, which served most particularly in the mortar units. Some Kanonenjagdpanzer remained into service with the Heimatschutztruppe until 1990. Design The Kanonenjagdpanzer was a highly mobile vehicle, its survivability based on its mobility and its low profile. Its hull consisted of welded steel, which had a maximum thickness of only 50 mm. It carried a crew of four, a commander, driver, gunner and a loader. Since the Kanonenjagdpanzer followed the casemate design of most World War II tank destroyers, the gun was fixed within the casemate, located a little right from the center. The 90 mm gun could only traverse 15° to the sides and elevate from -8° to +15°. It carried 51 90 mm rounds for the main gun and 4000 7,62 mm rounds for the two MG3s. The Kanonenjagdpanzer had NBC protection and night-fighting ability. Source : Wikipedia In the left background, we can see a GFM cloche made by Cockerill in the year 1935. It was a fixed and non-retractable firing position made of a 20 tons thick iron casting which shielded its occupant. GFM is an acronym for Guetteur et Fusil-Mitrailleur, (lookout and rifle-machine-gunner), which describes its purpose as a lookout and firing position for light weapons.
    Mot clé = osi (titre ou description) | Niveau = 38

  • A zsinagóga belseje
    https://www.gaudry.be > Photo > Galerie
    [63] 04/08/2013 - Dernière modification le 02/08/2020 Dohány Street Synagogue The Dohány Street Synagogue (Hungarian: Dohány utcai zsinagóga/nagy zsinagóga, Hebrew: בית הכנסת הגדול של בודפשט‎ bet hakneset hagadol šel budapešt), also known as The Great Synagogue or Tabakgasse Synagogue, is located in Erzsébetváros, the 7th district of Budapest. It is the largest synagogue in Europe and the fifth largest in the world. It seats 3,000 people and is a centre of Neolog Judaism. The synagogue was built between 1854 and 1859 in the Moorish Revival style, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs". The interior design is partly by Frigyes Feszl. The Dohány Street Synagogue complex consists of the Great Synagogue, the Heroes' Temple, the graveyard, the Holocaust memorial and the Jewish Museum, which was built on the site on which Theodore Herzl's house of birth once stood. Dohány Street itself, a leafy street in the city center, carries strong Holocaust connotations as it constituted the border of the Budapest Ghetto. History Built in a residential area between 1854-1859 by the Neolog Jewish community of Pest according to the plans of Ludwig Förster, the monumental synagogue has a capacity of 2,964 seats (1,492 for men and 1,472 in the women's galleries) making it the largest in Europe and one of the largest working synagogue in the World, after the Belz Great Synagogue and the Beit Midrash of Ger in Jerusalem, the Breslov Uman Synagogue in Uman, Ukraine, Temple Emanu-el in New York City, and the Yetev Lev D'Satmar synagogue in New York City. The consecration of the synagogue took place on 6 September 1859. The synagogue was bombed by the Hungarian pro-Nazi Arrow Cross Party on 3 February 1939. Used as a base for German Radio and also as a stable during World War II, the building suffered some severe damage from aerial raids during the Nazi Occupation but especially during the Siege of Budapest. During the Communist era the damaged structure became again a prayer house for the much-diminished Jewish community. Its restoration started in 1991 and ended in 1998. The restoration was financed by the state and by private donations. Interior The torah-ark and the internal frescoes made of colored and golden geometric shapes are the works of the famous Hungarian romantic architect Frigyes Feszl. A single-span cast iron supports the 12-metre-wide (39 ft) nave. The seats on the ground-floor are for men, while the upper gallery, supported by steel ornamented poles, has seats for women. Franz Liszt and Camille Saint-Saëns played the original 5,000 pipe organ built in 1859. A new mechanical organ with 63 voices and 4 manuals was built in 1996 by the German firm Jehmlich Orgelbau Dresden GmbH. One of the most daring concerts in the Synagogue's history was in 2002, played by the legendary organ virtuoso Xaver Varnus. Four hours before the concert even standing places could hardly be found in the Synagogue, and 7,200 people were sitting and standing to listen to the legendary improvisor’s fiendish virtuosity.
    Mot clé = osi (titre ou description) | Niveau = 39

  • Budapest: Vajdahunyad vára
    https://www.gaudry.be > Photo > Galerie
    [64] 05/08/2013 - Dernière modification le 29/07/2020 Vajdahunyad Castle Vajdahunyad Castle (Hungarian: Vajdahunyad vára) is a castle in the City Park of Budapest, Hungary. It was built between 1896 and 1908 as part of the Millennial Exhibition which celebrated the 1000 years of Hungary since the Hungarian Conquest of the Carpathian Basin in 895. The castle was designed by Ignác Alpár to feature copies of several landmark buildings from different parts the Kingdom of Hungary, especially the Hunyad Castle in Transylvania (now in Romania). As the castle contains parts of buildings from various time periods, it displays different architectural styles: Romanesque, Gothic, Renaissance and Baroque. Originally it was made from cardboard and wood, but it became so popular that it was rebuilt from stone and brick between 1904 and 1908. Today it houses the Agricultural Museum of Hungary, the biggest agricultural museum in Europe. The statue of Anonymus is also displayed in the castle court. Anonymus lived in the 12th century (his true identity is unknown, but he was a notary of Béla III of Hungary), who wrote the chronicle Gesta Hungarorum (Deeds of the Hungarians). The castle also contains a statue of Béla Lugosi. Source: Wikipedia
    Mot clé = osi (titre ou description) | Niveau = 40

  • Bizalmam az ősi erényben
    https://www.gaudry.be > Photo > Galerie
    [65] 06/08/2013 - Dernière modification le 30/07/2020
    Mot clé = osi (titre ou description) | Niveau = 41

  • Curiosité ou gourmandise?
    https://www.gaudry.be > Photo > Galerie
    [66] 30/08/2013 - Dernière modification le 30/07/2020 Attiré par les petits bouts de pain cramique que je lui lance, Mr Renard s'approche de plus en plus, mais reste sur ses gardes...
    Mot clé = osi (titre ou description) | Niveau = 42

  • Eindhoven glow 2013 - Ivo Schoofs
    https://www.gaudry.be > Photo > Galerie
    [67] 16/11/2013 - Dernière modification le 26/07/2020 Large Pendulum Wave GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Ivo Schoofs Location: Stationsplein About the project: Think maths and physics are boring? The Large Pendulum Wave proves the opposite! This installation – almost seven metres high – is proof that mathematical and physical principles are able to generate superbly lyrical images. Large Pendulum Wave consists of a frame to which fifteen pendulums are attached, each culminating in an illuminated sphere. The pendulums are of different lengths, generating random patterns. Continuous waves become groups of pendulums ‘dancing’ at different tempos, which eventually descend into an apparent chaos. A little later, and the spheres suddenly seem to resume an orderly, harmonious pattern. Not only the movement of the spheres, but the colour of their light, changes with an extraordinary sequencing. Together, the movements offer a dazzling spectacle. Ivo Schoofs and his team aim to bring science closer to the general public, with installations based on familiar phenomena and that are a delight to the eye. Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 43

  • Eindhoven Philips stadion
    https://www.gaudry.be > Photo > Galerie
    [68] 16/11/2013 - Dernière modification le 30/07/2020 Clashlight GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Noralie Location: Philips stadion About the project: This year, the Philips Sport Association celebrates its centenary. That, coupled with this year’s theme ‘Urban Playground’, is a great excuse to pay tribute to the football stadium by including it in the light art route. Clashlight visualises the identity of the Philips Stadium. When you think of football stadiums words like harmony, competition, power, winning, struggle and pride always come to mind. The typical sounds of the Philips Stadium are fused into a composition. We hear the cheering of supporters, the train racing by and the reverberations of a concert by Guus Meeuwis. The Philips Stadium is, moreover, the only Stadium that has its ‘roots’ in light. So, inevitably, lamps and light are the stars of this show. The result is a multidisciplinary experience that blows away the public and shakes the complex to its foundations. Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 44

  • Eindhoven glow 2013 - Noralie 1
    https://www.gaudry.be > Photo > Galerie
    [69] 16/11/2013 - Dernière modification le 27/07/2020 Clashlight GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Noralie Location: Philips stadion About the project: This year, the Philips Sport Association celebrates its centenary. That, coupled with this year’s theme ‘Urban Playground’, is a great excuse to pay tribute to the football stadium by including it in the light art route. Clashlight visualises the identity of the Philips Stadium. When you think of football stadiums words like harmony, competition, power, winning, struggle and pride always come to mind. The typical sounds of the Philips Stadium are fused into a composition. We hear the cheering of supporters, the train racing by and the reverberations of a concert by Guus Meeuwis. The Philips Stadium is, moreover, the only Stadium that has its ‘roots’ in light. So, inevitably, lamps and light are the stars of this show. The result is a multidisciplinary experience that blows away the public and shakes the complex to its foundations. Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 45

  • Eindhoven glow 2013 - Noralie 2
    https://www.gaudry.be > Photo > Galerie
    [70] 16/11/2013 - Dernière modification le 27/07/2020 Clashlight GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Noralie Location: Philips stadion About the project: This year, the Philips Sport Association celebrates its centenary. That, coupled with this year’s theme ‘Urban Playground’, is a great excuse to pay tribute to the football stadium by including it in the light art route. Clashlight visualises the identity of the Philips Stadium. When you think of football stadiums words like harmony, competition, power, winning, struggle and pride always come to mind. The typical sounds of the Philips Stadium are fused into a composition. We hear the cheering of supporters, the train racing by and the reverberations of a concert by Guus Meeuwis. The Philips Stadium is, moreover, the only Stadium that has its ‘roots’ in light. So, inevitably, lamps and light are the stars of this show. The result is a multidisciplinary experience that blows away the public and shakes the complex to its foundations. Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 46

  • Eindhoven glow 2013 - Pop into the Puppet Theatre
    https://www.gaudry.be > Photo > Galerie
    [71] 16/11/2013 - Dernière modification le 18/07/2020 Pop into the Puppet Theatre GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Jolanda Tielens Location: Oude muur de Effenaar About the project: The arched windows of this old building are covered with canvas. A reminder that behind this façade there was once a canvas factory. Seen from the street, the cloth appears to be lit with a white light, but from the rear it’s obvious that the white light is actually a composite of red, green and blue. When someone walks into the pools of light from these spotlights, their shadow dissolves into spangles of colour. You realise that you can actually paint with light on this virginal white canvas. The people on the street enjoy a shadow theatre that, thanks to the arched décor, brings to mind old-fashioned puppet theatres. The spontaneous scenes played out here couldn’t be more at home; just a stone’s throw away is De Effenaar, a pop venue. Jolanda Tielens is fascinated by the capacity of light to affect our perceptions of a space and direct our behaviour. This is precisely what the artist is exploring with her light projections. Sometimes Tielens opts for inconspicuous lighting and sometimes, such as here, light is centre stage. Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 47

  • Eindhoven glow 2013 - CHROMOLITHE (v2)
    https://www.gaudry.be > Photo > Galerie
    [72] 16/11/2013 - Dernière modification le 24/07/2020 CHROMOLITHE GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Patrice Warrener Location: Villa De Laak, Dommelhoef About the project: French-born Patrice Warrener has become world famous for the way in which he illuminates buildings. From Belgium to Singapore, from Japan to the United Arab Emirates: everywhere he goes, he turns the world into a book of fairy-tale images. Warrener uses projectors able to project coloured light onto the facades of buildings with enormous precision. The tiniest architectural details are highlighted and bathed in such a bright colour that they appear freshly painted. In 1989, Warrener filed, and obtained, a patent for the technique He has worked on the method ever since, refining it to create spectacles, each more vibrant and imposing than the last, in each place he visits. For GLOW, he puts Villa de Laak in the limelight. In the glow of his illumination, the monumental buildings lining the Nachtegaallaan almost look like sugared almonds. The surrounding gardens are also lit up. The buildings constantly change colour, to the accompaniment of evocative sounds Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 48

  • Eindhoven glow 2013 - CHROMOLITHE (v1)
    https://www.gaudry.be > Photo > Galerie
    [73] 16/11/2013 - Dernière modification le 24/07/2020 CHROMOLITHE GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Patrice Warrener Location: Villa De Laak, Dommelhoef About the project: French-born Patrice Warrener has become world famous for the way in which he illuminates buildings. From Belgium to Singapore, from Japan to the United Arab Emirates: everywhere he goes, he turns the world into a book of fairy-tale images. Warrener uses projectors able to project coloured light onto the facades of buildings with enormous precision. The tiniest architectural details are highlighted and bathed in such a bright colour that they appear freshly painted. In 1989, Warrener filed, and obtained, a patent for the technique He has worked on the method ever since, refining it to create spectacles, each more vibrant and imposing than the last, in each place he visits. For GLOW, he puts Villa de Laak in the limelight. In the glow of his illumination, the monumental buildings lining the Nachtegaallaan almost look like sugared almonds. The surrounding gardens are also lit up. The buildings constantly change colour, to the accompaniment of evocative sounds Source: gloweindhoven
    Mot clé = osi (titre ou description) | Niveau = 49

  • Storm rumbling on lost temple
    https://www.gaudry.be > Photo > Galerie
    [74] 30/04/2014 - Dernière modification le 28/07/2020 Le belvédère de Wégimont, un endroit que j'apprécie et qui se trouve juste à côté de chez moi. Il s'agit d'un montage, avec la photo du belvédère tôt le matin, et d'un ciel d'orage un autre jour. J'ai toute une série de clichés de ciels particuliers, mais dont je sais au moment de prendre la photo qu'il ne s'agira que d'élément de composition car à part le ciel la scène est totalement nulle (parfois un bout de toit de mon abri de jardin :-) ). En 2011, la toiture était garnie de statues qui ont à présent disparu depuis la rénovation du bâtiment. Il est possible de voir les statues sur cette photo: statues du belvédère de Wégimont
    Mot clé = osi (titre ou description) | Niveau = 50

  • Liège, le pont de Fragnée
    https://www.gaudry.be > Photo > Galerie
    [75] 26/07/2014 - Dernière modification le 29/07/2020 Le pont de Fragnée est un pont de la ville de Liège traversant la Meuse au niveau de son confluent avec l'Ourthe, et au départ de la Dérivation. La partie enjambant l'Ourthe est dénommée pont de Fétinne. Le pont fut construit de 1901 à 1904 pour l'Exposition universelle de 1905, dans l'esprit du pont Alexandre-III de Paris. Histoire Le pont de Fragnée échappa au premier conflit mondial, mais il fut victime de la seconde invasion allemande. Après la guerre, on le reconstruisit en respectant les plans d'origine. Les travaux de reconstruction se terminèrent le 4 novembre 1948. On a profité de la reconstruction pour élargir le tablier du pont, portant sa largeur de 16 mètres à 17,20 mètres. Point de passage privilégié sur la Meuse, le pont de Fragnée connaît un trafic moyen journalier d'environ 30 000 véhicules. Au mois d'août 1993, on a donc entrepris la réfection de la voirie et l'enlèvement des rails de tramway. De nos jours, le pont de Fragnée a retrouvé, après de nombreux travaux et l'aménagement des abords, toute sa splendeur du début de siècle. Le trafic de transit entre le nord et le sud de la ville emprunte désormais depuis juin 2000 l'autoroute via le pont de Liège. Décoration L'architecte liégeois Paul Demany (1859-1912) fut chargé de la décoration des becs de piles, des pylônes et de leurs socles, des balcons et des murs en retour. Il dirigea également la réalisation des ouvrages en bronze coulé, éléments utilitaires (garde-corps, candélabres) et statues constituant le décor allégorique du pont, exécutées par le sculpteur wallon Victor Rousseau (1865-1954). À chacune des deux entrées du pont, deux pylônes de granit sont surmontés d'une « Renommée ». De chaque côté du fleuve, deux figures allégoriques en bronze adossées à ces pylônes. Elles symbolisent le « Vieux fleuve » et le « Nouveau fleuve ». À l'occasion de cette rénovation, les quatre Renommées de bronze ont été recouvertes d'or fin, de même que les médaillons mythologiques des garde-corps bordant le pont. Huit statues de tritons figurent sur les piédestaux surmontant les becs de pile et sur ceux ponctuant les murs en retour. Magnifiquement éclairé la nuit, le pont scintille de reflets bleutés et violets. Source: Wikipedia
    Mot clé = osi (titre ou description) | Niveau = 51

  • Vaillante habitante de Taganana
    https://www.gaudry.be > Photo > Galerie
    [76] 17/03/2016 - Dernière modification le 27/07/2020 Au bout d'une route sinueuse au milieu de la laurisylve exubérante du bout du nord-est de l'ile, Taganana est un hameau situé dans le parc rural de l’Anaga (Santa Cruz de Tenerife). Ses maisonnettes au charme d'antan dans d'étroites ruelles donnent un cachet incroyable à ce village accroché au massif rocheux. Cette vaillante habitante arpente d'un pas encore très sur les chemins extrêmement pentus du coin, et je ne peux donc me permettre de paraitre essoufflé en lui souhaitant une bonne journée. En totale opposition au centre désertique et lunaire de Tenerife, ici la végétation est luxuriante (dragonnier, laurier, tilleul). On croirait à certains moments revenus à l'époque tertiaire en marchant dans ces superbes forêts thermophiles. En plus , une chance incroyable, il avait beaucoup plu les semaines précédentes, mais pas une goute de pluie ne s'est permise de gêner la rando.
    Mot clé = osi (titre ou description) | Niveau = 52

  • Coccinelle verte - le Surréalisme, c'est moi... Exposition Dali
    https://www.gaudry.be > Photo > Galerie
    [77] 16/05/2016 - Dernière modification le 11/07/2020
    Mot clé = osi (titre ou description) | Niveau = 53

  • Chernobyl Diaries control room
    https://www.gaudry.be > Photo > Galerie
    [78] 02/09/2016 - Dernière modification le 28/07/2020 I had seen this control room in the movie "Chernobyl Diaries" (a movie I did not like at all), and I dreamed of visiting it one day. It's been done since this summer. Until now, the abandoned place that had inspired me most, impressed, and made me dream, was the ECVB powerplant, with its titanic dimentions, a dark dead and silent world, where rusty hues barely hang the weak Rays of light, under a layer of ashes, asbestos, and dust. In total contrast to the dark and almost oppressive atmosphere of the ECVB, this control room is extremely bright and colorful thanks to this magnificent glass roof. It almost feels like a fairy tale ballroom, amidst laughter and music. The consoles in the control room are covered with a layer of dust that testifies to the years of abandonment (it has been closed since 2005), but the whole remains clean and clean. Thank you to my companions of this adventure, Sophie, Lise, and Jef, for their patience, their dynamism and my questionable music program during the many hours I was driving. J'avais vu cette salle de contrôle dans le film "Chernobyl Diaries" (un film que je n'ai pas aimé du tout), et je rêvais de la visiter un jour. C'est chose faite depuis cet été. Jusqu'à présent, le lieux abandonné qui m'avait le plus inspiré, impressionné, et fait rêver, était la centrale ECVB, avec ses dimensions titanesques, monde sombre, mort, et silencieux, où les teintes de rouille accrochent à peine les faibles rayons de lumière, sous une couche de cendres, d'amiante, et de poussière. En totale opposition à l'ambiance sombre et presque oppressante de l'ECVB, cette salle de contrôle est extrêmement lumineuse et colorée, grâce à cette magnifique verrière. On se croirait presque dans une salle de bal d'un conte féerique, au milieu des rires et de la musique. Les consoles de la salle de contrôle sont couvertes d'une couche de poussière qui témoigne des années d'abandon (elle est fermée depuis 2005), mais l'ensemble reste propre et net. Merci à mes compagnons de cette aventure, Sophie, Lise, et Jef, pour leur patience, leur dynamisme et ma programmation musicale douteuse pendant les nombreuses heures où je conduisais.
    Mot clé = osi (titre ou description) | Niveau = 54

  • F-104A Starfighter (Royal Jordanian Air Force)
    https://www.gaudry.be > Photo > Galerie
    [79] 03/09/2017 - Dernière modification le 20/07/2020 Sur ce modèle, la disposition de l'aile de queue divisée laisse à penser qu'il s'agit d'un des avions utilisé comme leurre et posté à la frontière Syrienne, pour les faire passer pour des Mirage F1 (il est d'ailleurs impossible de l'identifier car le camouflage et les marquages ne sont plus présents). Ce F-104A Starfighter monté sur colonne a été aperçu à côté de l'autoroute entre Jerash et Ajloun, en Jordanie. La Royal Jordanian Air Force souhaitait 36 Lockheed F-104 Starfighters de l'USAF depuis 1966. Entre 1969 et 1973, elle a reçu 22 avions Lockheed F-104A Starfighter et 4 avions Lockheed F-104B Starfighter. Ils étaient basés à la King Hassan Air Force Base (Amman). Après le remplacement par des Northrop F-5E et F-5F, certains Starfighter F-104 ont été utilisés comme avions de leurre pour l'Azraq Air Force et la base aérienne du Roi Hassan, comme probablement ce modèle.
    Mot clé = osi (titre ou description) | Niveau = 55

  • Les années 80 - pollution
    https://www.gaudry.be > Photo > Galerie
    [80] 24/02/2019 - Dernière modification le 30/07/2020 Une partie de l'expo Génération '80 est dédiée aux grandes catastrophes écologiques qui se sont produites entre 1980 et 1990. Accidents nucléaires (En 1986 à Tchernobyl, qui entraîne des centaines de milliers de morts jusqu'à présent), mais aussi chimique (En décembre 1984 à Bhopal en Inde, qui a causé plus de 8000 morts dans les 3 premiers jours et plus de 20 000 morts en 20 ans), pétrolier (en 1989 au sud de l'Alaska, le nauffrage du pétrolier Exxon Valdez, ou encore en 1988 en mer du Nord, l'explosion de la plateforme pétrolière Piper-Alpha).
    Mot clé = osi (titre ou description) | Niveau = 56

54 articles

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