30 pages, 8 articles pour «media»

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30 pages

  • [1] bibliobrol
    01/12/2006 Réaliser une application de gestion de media. Brève analyse de bibliobrol.
    Mot clé = media | Niveau = 2

  • [2] Les types de médias
    12/08/2006 CSS Les types de médias Traduction en français des spécifications CSS du W3C. Ces informations proviennent du site www.yoyodesign.org
    Mot clé = media | Niveau = 2

  • [3] Les médias paginés
    12/08/2006 CSS Les médias paginés Traduction en français des spécifications CSS du W3C. Ces informations proviennent du site www.yoyodesign.org
    Mot clé = media | Niveau = 9

  • [4] Media
    31/08/2006 javax.print.attribute.standard.Media Les API Java 1.5 du site de sun. En anglais...
    Mot clé = media | Niveau = 9

  • [5] Media
    10/01/2010 javax.print.attribute.standard.Media
    Mot clé = media | Niveau = 9

  • [6] toolStripMenu
    26/09/2006 C# Comment ajouter une barre d'outils (toolStripMenu) à notre application?
    Mot clé = media | Niveau = 9

  • [7] 1 photo en rapport avec mediacite
    18/06/2019 Il est possible de consulter les photos selon le flux de la galerie, mais aussi selon certaines recherches, que ce soit par tags comme dans ce cas, ou selon les meta données des photos.
    Mot clé = mediacite | Niveau = 11

  • [8] Mediacité
    11/07/2019
    Mot clé = Mediacité | Niveau = 12

  • [9] War Veteran Vehicle
    02/07/2019 War Veteran Vehicle (Krzysztof Wodiczko) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Square 18 septemberplein About the project: Originally from Poland but since 1977 a resident of the united states Krzysztof Wodiczko has become famous for his socially engaged and politically charged work. Since the eighties, he has realized numerous projects in public space. With his art he wants to increase people\u2019s awareness of the social conditions in their immediate environment and to contribute to the political debate. During GLOW he presents War Veteran Vehicle, a military vehicle that has served in war zones for the Dutch army, now driving through the streets of Eindhoven. It is equipped with a projector that fires words on the facades of the 18 September Square, accompanied by sounds. The projected images are quotes from national and local war veterans and their families. They explain why the transition from the battlefield to a civilian life has been difficult for them. With his work Wodiczko hopes that people will open their eyes for the traumatic effects military missions could cause. He offers war veterans and their families the opportunity to speak out in public and to share their experiences. At the same time he focuses on the personal problems of veterans in their own environment. From Glow 2011 website.
    Mot clé = War Veteran Vehicle | Niveau = 13

  • [10] Glow for Kids
    08/07/2019 GLOW for Kids GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Market Square About the project: In collaboration with CultuurStation, the mediator between culture and education in Eindhoven, students of primary schools in Eindhoven and its environs were invited to design their own light. The response was overwhelming. About thousand students showed their creativity and decorated their own lampshades. The required lights were provided by the Lichtjesroute Eindhoven. Volunteers from the Scouting Dr. Albert Schweitzer helped to connect and install the creations. The result is a great piece of artwork that seems to float above the Market Square. An event like GLOW is an excellent opportunity to make children aware of the importance of renewable energy. Therefore the Environmental Education Center (MEC) gladly joined this initiative. With special education material of the MEC, teachers focused on smart and responsible use of light From Glow 2011 website.
    Mot clé = Glow for Kids | Niveau = 14

  • [11] Beauty of stagnation - 3
    27/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 3 | Niveau = 15

  • [12] Beauty of stagnation - 2
    27/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 2 | Niveau = 16

  • [13] Beauty of stagnation - 1
    27/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 1 | Niveau = 17

  • [14] Beauty of stagnation - 4
    27/06/2019 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = Beauty of stagnation - 4 | Niveau = 18

  • [15] Istanbul, Basilica Cistern
    25/06/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia, the free encyclopedia - version 09Mar2012 See also in my flickr albums: Sultan Ahmed Mosque (Blue Mosque of Istanbul), Hagia Sophia, the Rüstem Pasha Mosque
    Mot clé = Istanbul, Basilica Cistern | Niveau = 19

  • [16] Istanbul, la citerne basilique
    21/06/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Istanbul, la citerne basilique | Niveau = 20

  • [17] Yerebatan Sarayı
    04/07/2019 The Basilica Cistern (Turkish: Yerebatan Sarayı - "Sunken Palace", or Yerebatan Sarnıcı - "Sunken Cistern"), is the largest of several hundred ancient cisterns that lie beneath the city of Istanbul (formerly Constantinople), Turkey. The cistern, located 500 feet (150 m) southwest of the Hagia Sophia on the historical peninsula of Sarayburnu, was built in the 6th century during the reign of Byzantine Emperor Justinian I. History The name of this subterranean structure derives from a large public square on the First Hill of Constantinople, the Stoa Basilica, beneath which it was originally constructed. Before being converted to a cistern, a great Basilica stood in its place, built between the 3rd and 4th centuries during the Early Roman Age as a commercial, legal and artistic centre. The basilica was reconstructed by Ilius after a fire in 476. Ancient texts indicated that the basilica contained gardens, surrounded by a colonnade and facing the Church of Hagia Sophia According to ancient historians, Emperor Constantine built a structure that was later rebuilt and enlarged by Emperor Justinian after the Nika riots of 532, which devastated the city. Historical texts claim that 7,000 slaves were involved in the construction of the cistern. The enlarged cistern provided a water filtration system for the Great Palace of Constantinople and other buildings on the First Hill, and continued to provide water to the Topkapı Palace after the Ottoman conquest in 1453 and into modern times. In media The cistern was used as a location for the 1963 James Bond film From Russia with Love. In the film, it is referred to as being constructed by the Emperor Constantine, with no reference to Justinian. Its location is a considerable distance from the Soviet (now Russian) consulate, which is located in Beyoğlu, the "newer" European section of Istanbul, on the other side of the Golden Horn. The finale of the 2009 film The International takes place in a fantasy amalgam of the Old City, depicting the Basilica Cistern as lying beneath the Sultan Ahmed Mosque, which, in the film, is directly adjacent to the Süleymaniye Mosque. In the 2011 video game, Assassin's Creed: Revelations, the player controlled character, Ezio Auditore, is given the chance to explore a section of this cistern in a memory sequence entitled The Yerebatan Cistern. Source: Wikipedia
    Mot clé = Yerebatan Sarayı | Niveau = 21

  • [18] Tannery Schotte, main hall
    25/06/2019 Built during the 1920’s the family owned tannery of Schotte specialized in Chrome tanning to transform hides into leather for shoes and handbags. For its time this was a revolutionary process of tanning leather (albeit a contemporary environmentalists nightmare because the soil is now contaminated with heavy metals) which proved to be considerably faster than the more traditional method of vegetable tanning and rendered the leather more pliable after the treatment. The company went bankrupt in 1997. The building is almost completely demolished at the time of our visit, and soon the site will be remediated to make way for a new project.
    Mot clé = Tannery Schotte, main hall | Niveau = 22

  • [19] Des hommes comme vous et moi
    23/06/2019 The museum Ramioul: The museum is designed to encourage visitors not to look at prehistory from the outside but rather to make him live it by experiencing the sensations of prehistoric man. The exhibition collections refuses to privilege the public scholar, it aims instead to familiarize the visitor with prehistoric life itself rather than with the representation given by the Archaeology. The chronology is not the main theme of the course. The museum is structured according to themes of prehistoric life in order to create a genuine relationship between the daily life of the visitor and that of prehistoric man. For this purpose, the concept expographique refers to his daily life, in a participatory approach and a variety of scenic resources: interactive terminals, multimedia projections, reconstructions, facsimiles to handle, ... The cave Ramioul: The cave Ramioul is a treasure of natural heritage and archaeological Walloon. It is a listed site of the Walloon Region. Discoveries that were made and the beauty of its concretions make it unavoidable. Cave Ramioul extends to within one kilometer of the cave Engis which were discovered in 1829, the first Neanderthal fossils in the world. "Chercheurs de la Wallonie" fought for many years to preserve it, and it narrowly escaped the shots backhoe. Since its inception, Prehistoric - Museum of Prehistory in Wallonia, has made every effort to conserve, preserve and enhance this jewel stone and its biodiversity. The upper level of the cave has archaeological interest. The terrace was cleared in progressively different excavations. In October 1908, A. Vandebosch and her team of "Chercheurs de la Wallonie" discover the Neolithic ossuary of "triangular cave" that overlooks the terrace of the cave when masked by sediments. Shards of pottery, faunal remains, some stone tools and numerous body parts belonging to seven children and dated + / -2750 years BC have been unearthed. Continued excavations beneath the ossuary and the release of the entry in 1911, leading the researchers to explore the cave itself. It delivers the tools belonging to Palaeolithic industries as well as faunal remains of now extinct species (bear, lion, cave hyaena, wolf, woolly rhinoceros, mammoth). On the terrace, two archaeological layers were identified. The first was attributed to the Upper Palaeolithic to Aurigacien (+ / - 30000ans BC) and contains various tools slide and faunal remains consumed. The second oldest (+ / - 70000ans BC), contains tools and Middle Paleolithic characteristics attributed to Keilmessergruppen (Neanderthal). Cave Ramioul contributes to the dialogue between past and present. She is behind the Museum of Prehistory in Wallonia and participates in the ongoing dialogue established between the prehistoric sites of excavation, the archaeological material and the public. Source: www.ramioul.org
    Mot clé = Des hommes comme vous et moi | Niveau = 23

  • [20] There is no path to the light
    22/06/2019 Mr. Helpmann: He's got away from us, Jack. Jack Lint: Afraid you're right, Mr. Helpmann. He's gone. Mr. Helpmann: Mmm. Jack Lint: Well... Brazil (last lines) Malheureusement, une photo ratée, car elle manque de netteté et la montée en sensibilité alors que la lumière était faible a induit beaucoup de bruit. Malgré ses défauts je l'aime pour la proportion entre les dimensions gigantesques de la tour et moi qui parais minuscule, l’ambiance générale, les efforts fait pour grimper à l'intérieur (à l'époque il était nécessaire d'escalader les piliers intérieurs sur une très grande hauteur pour accéder à cet étage), et enfin, pour ces fumigènes (car les fumées sont immédiatement aspirées par le tirage d'air de la tour, et il faut des fumigènes extrêmement puissants pour produire un effet satisfaisant).
    Mot clé = There is no path to the light | Niveau = 24

  • [21] Volkswagen Bus Toy
    03/07/2019 I immediately fell in love with this Volkswagen Bus when Nath brought it from holiday This bus was also called: - Volkswagen Bus - Volkswagen Transporter - Volkswagen Kombi - Hippie Bus - Hippie Van - "Hippiemobile" - "hippie-hauler"
    Mot clé = Volkswagen Bus Toy | Niveau = 25

  • [22] Glow tour 2012: Groupe LAPS
    24/06/2019 Groupe LAPS - Keyframes GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Politiebureau Mathildelaan About the project: Groupe LAPS consists of six artists and designers with experience in film, lighting technology and multimedia applications. Together they developed Keyframes, a work on the intersection of film and sculpture. Dozens of human figures in various poses, made up of LED tubes, light up one by one. Because the figures show up one after another continuously, the suggestion of movement arouses. Each figure marks a moment in a nocturnal narrative or dance. The light images are accompanied by a soundtrack composed especially for this installation. Keyframes was designed in 2011 for the Fête des Lumières in Lyon, France and has traveled all over the world since. Before the work came to Eindhoven, it was exposed in Singapore and Jerusalem. www.groupe-laps.org More information: www.gloweindhoven.nl
    Mot clé = Glow tour 2012: Groupe LAPS | Niveau = 26

  • [23] Aero L-29 Delfin
    05/07/2019 The Aero L-29 Delfín (English: Dolphin, NATO reporting name: Maya) is a military jet trainer aircraft that became the standard jet trainer for the air forces of Warsaw Pact nations in the 1960s. It was Czechoslovakia's first locally designed and built jet aircraft. The Delfin served in basic, intermediate and weapons training roles. For this latter mission, they were equipped with hardpoints to carry gunpods, bombs or rockets, and thus armed, Egyptian L-29s were sent into combat against Israeli tanks during the Yom Kippur War. The L-29 was supplanted in the inventory of many of its operators by the Aero L-39 Albatros. More than 2,000 L-29s were supplied to the Soviet Air Force, acquiring the NATO reporting name "Maya." L-29's, along with the newer L-39,were used extensively in ground attack missions in the Nagorno-Karabakh War by Azeri forces. At least 14 were shot down by Armenian air-defences. As a trainer, the L-29 enabled air forces to adopt an "all-through" training on jet aircraft, replacing earlier piston-engined types. On July 16, 1975, a Czechoslovak Air Force L-29 shot down a Polish civilian biplane piloted by Dionizy Bielański that was attempting to defect to the West. On October 2, 2007, an unmodified L-29 was used for the world’s first jet flight powered solely by 100% biodiesel fuel. Pilots Carol Sugars and Douglas Rodante flew their Delphin Jet from Stead Airport, Reno, Nevada to Leesburg International Airport, Leesburg, Florida in order to promote environmentally friendly fuels in aviation. Between September 10–14, 2008, two L-29s took first and second at the Reno Air Races. Both L-29s consistently posted laps at or above 500 miles per hour. Former Astronaut Curt Brown took first in "Viper," followed by Red Bull Racer Mike Mangold in "Euroburner." Russia says it destroyed 2 Georgian L-29s during the 2008 South Ossetia war. Source: Wikipedia
    Mot clé = Aero L-29 Delfin | Niveau = 27

  • [24] Kiskirálylány
    06/07/2019 The original 50 cm statuette of the Little Princess (Kiskirálylány) statue sitting on the railings of the Danube promenade in Budapest, Hungary was created by László Marton (1925-2008) Munkácsy- and Kossuth Prize-winning sculptor in 1972. The artist was inspired by his eldest daughter born from his first marriage. She often played in the Tabán wearing a princess costume and a crown made out of newspaper by her father, and at home as well, pretending her bathrobes were a mantle. This image prompted her father, the artist in the creation of this little statue. László Marton writes: " Évike born from my first marriage, at the age of 5, was playing in a little princess costume in the Tabán playground. When I saw it, I immediately had the subject matter. Titled "Little Princess" I sculpted it as well. It was placed in an elegant location on the Danube promenade. Became a symbol of Budapest." "I modeled it after my own daughter - says László Marton in his studio (2007) - she was maybe six years old and playing in the garden. She dressed as a princess: laid a bathrobe on her shoulders and put a crown on her head. I managed to capture this moment and immediately felt that this was a successful work of art. Years later, the capital requested a statue from me. I immediately thought of the "Little Princess" and luckily we managed to find the place where the statue feels good." A larger size copy of this statue was placed on the Danube promenade in 1990, and a second copy in Tapolca, the artist's hometown. A copy of the same statue stands in Japan too - donated by the artist - in front of the Tokyo Metropolitan Art Space cultural center's concert hall. The original statuette (1972) is owned by Hungarian National Gallery. Source: Wikipedia The picture is very badly framed. I wished to have the statue to the left of the image and the Buda Castle on the right. This would have further expanded in the direction of the gaze of the statue, but I had to right a very large group of tourists who had decided to camp on site and jen did not have time to wait for them to leave .
    Mot clé = Kiskirálylány | Niveau = 28

  • [25] Chapel - Mediavel Palace (basement)
    16/06/2019
    Mot clé = Chapel - Mediavel Palace (basement) | Niveau = 29

  • [26] Eindhoven glow 2013 - Laser
    24/06/2019 GreenPower Lagoon Monster GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Davide Carioni & Lorenzo Pompei Location: Kop van het kanaal About the project: Davide Carioni, also known as “Asker”, is a graphic designer, painter, graffiti artist and media artist. Together with Lorenzo Pompei of Laser Entertainment, a company that creates laser and multimedial shows, he has developed the GreenPower Lagoon Monster. The work was first unveiled in Venice. The first patron saint of Venice was St. Theodore of Amasea, a Byzantine warrior who, legend has it, killed a dragon that was terrorising the town of Amasea. The story can be read as a metaphor for the victory of good over evil. During GLOW, this legend is brought to life in a completely fresh, new way. The dragon appears as a terrifying sea monster, rising up out of the waters of the Eindhoven canal. Only now, it isn’t St. Theodore of Amasea who vanquishes the dragon, but the technology of Davide Carioni and Lorenzo Pompei. Concept and 3d Motion Graphics by: Davide Original Asker Laser Graphics by Lorenzo Pompei Technical Concept and setup Laser Entertainment. (italy) Source: gloweindhoven
    Mot clé = Eindhoven glow 2013 - Laser | Niveau = 30

  • [27] Eindhoven glow 2013 - GreenPower Lagoon Monster
    04/06/2019 GreenPower Lagoon Monster GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Davide Carioni & Lorenzo Pompei Location: Kop van het kanaal About the project: Davide Carioni, also known as “Asker”, is a graphic designer, painter, graffiti artist and media artist. Together with Lorenzo Pompei of Laser Entertainment, a company that creates laser and multimedial shows, he has developed the GreenPower Lagoon Monster. The work was first unveiled in Venice. The first patron saint of Venice was St. Theodore of Amasea, a Byzantine warrior who, legend has it, killed a dragon that was terrorising the town of Amasea. The story can be read as a metaphor for the victory of good over evil. During GLOW, this legend is brought to life in a completely fresh, new way. The dragon appears as a terrifying sea monster, rising up out of the waters of the Eindhoven canal. Only now, it isn’t St. Theodore of Amasea who vanquishes the dragon, but the technology of Davide Carioni and Lorenzo Pompei. Concept and 3d Motion Graphics by: Davide Original Asker Laser Graphics by Lorenzo Pompei Technical Concept and setup Laser Entertainment. (italy) Source: gloweindhoven
    Mot clé = Eindhoven glow 2013 - GreenPower Lagoon Monster | Niveau = 31

  • [28] Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris
    11/05/2019 Depuis que j'avais acheté le CD "Canticles of Ecstasy" il y a une vingtaine d'années, je suis immédiatement tombé sous le charme. Quelle joie de pouvoir écouter ce dimanche une superbe interprétation de Hildegard Von Bingen par Mora Vocis. Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris avant le concert « Histoires de souffles, chants poétiques autour de l’œuvre de Hildegard von Bingen » PROLOGUE Physica : L’Air PROGRAMME Caritas abundat HILDEGARD VON BINGEN (1098-1179) Caritas abundat KLAUS HUBER (CH, 1924) Lettre 160 : L’abbesse Hazzecha à Hildegard (1161) O splendidissima gemma HILDEGARD VON BINGEN Hodie aperuit HILDEGARD VON BINGEN Lettre 159r : Hildegard à l’abbesse Hazzecha (1160-1161) O vivens fons HILDEGARD VON BINGEN O cruor sanguinis DAVID ESKENAZY (FR, 1977) / texte de HILDEGARD Lettre 102 : Le moine Guibert à Hildegard (1175) O quam mirabilis est HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) Favus distillans HILDEGARD VON BINGEN O sapientia SOPHIE LACAZE (FR, 1963) / texte de HILDEGARD Ave generosa HILDEGARD VON BINGEN Et lux perpetua KLAUS HUBER O pulchrae facies HILDEGARD VON BINGEN O viridissima virga HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) O quam pretiosa est HILDEGARD VON BINGEN O quam mirabilis est IVAN MOODY (GB, 1964) / texte de HILDEGARD O pastor animarum HILDEGARD VON BINGEN Lettre 319 : Hildegard à Berthe, Reine de Grèce (1146-1160) O nobilissima viriditas HILDEGARD VON BINGEN Lettre 108a : Guibert de Gembloux aux Sœurs de l’Abbaye du Rupertsberg (1176) Cum processit HILDEGARD VON BINGEN De Sancto Spiritu PETR EBEN (CZ, 1929-2007) Mora Vocis - voix solistes au féminin Kelly Landerkin | Caroline Marçot | Annie Paris | Hélène Richer Els Janssens-Vanmunster, direction artistique
    Mot clé = Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris | Niveau = 32

  • [29] Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris
    11/05/2019 Depuis que j'avais acheté le CD "Canticles of Ecstasy" il y a une vingtaine d'années, je suis immédiatement tombé sous le charme. Quelle joie de pouvoir écouter ce dimanche une superbe interprétation de Hildegard Von Bingen par Mora Vocis. Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris avant le concert « Histoires de souffles, chants poétiques autour de l’œuvre de Hildegard von Bingen » PROLOGUE Physica : L’Air PROGRAMME Caritas abundat HILDEGARD VON BINGEN (1098-1179) Caritas abundat KLAUS HUBER (CH, 1924) Lettre 160 : L’abbesse Hazzecha à Hildegard (1161) O splendidissima gemma HILDEGARD VON BINGEN Hodie aperuit HILDEGARD VON BINGEN Lettre 159r : Hildegard à l’abbesse Hazzecha (1160-1161) O vivens fons HILDEGARD VON BINGEN O cruor sanguinis DAVID ESKENAZY (FR, 1977) / texte de HILDEGARD Lettre 102 : Le moine Guibert à Hildegard (1175) O quam mirabilis est HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) Favus distillans HILDEGARD VON BINGEN O sapientia SOPHIE LACAZE (FR, 1963) / texte de HILDEGARD Ave generosa HILDEGARD VON BINGEN Et lux perpetua KLAUS HUBER O pulchrae facies HILDEGARD VON BINGEN O viridissima virga HILDEGARD VON BINGEN Lettre 102r : Hildegard à Guibert (1175) O quam pretiosa est HILDEGARD VON BINGEN O quam mirabilis est IVAN MOODY (GB, 1964) / texte de HILDEGARD O pastor animarum HILDEGARD VON BINGEN Lettre 319 : Hildegard à Berthe, Reine de Grèce (1146-1160) O nobilissima viriditas HILDEGARD VON BINGEN Lettre 108a : Guibert de Gembloux aux Sœurs de l’Abbaye du Rupertsberg (1176) Cum processit HILDEGARD VON BINGEN De Sancto Spiritu PETR EBEN (CZ, 1929-2007) Mora Vocis - voix solistes au féminin Kelly Landerkin | Caroline Marçot | Annie Paris | Hélène Richer Els Janssens-Vanmunster, direction artistique
    Mot clé = Rencontre avec Els Janssens-Vanmunster, Caroline Marçot et Annie Paris | Niveau = 33

  • [30] Réplicant Priscilla Stratton (Pris - Blade Runner)
    31/05/2019 Bien que cette personne n'ait rien à voir avec Pris, c'est à elle que j'ai immédiatement pensé, dans la scène de Blade Runner où Pris se maquille les yeux d'une bande noire à l'aérographe dans le loft de J. F. Sebastian.
    Mot clé = Réplicant Priscilla Stratton (Pris - Blade Runner) | Niveau = 34

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