44 pages, 171 articles pour «alt»

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44 pages

  • Raccourcis
    https://www.gaudry.be > gegevensverwerking > Grondbeginselen van BS
    [1] 19/03/2002 - Dernière modification le 07/03/2021 Les raccourcis claviers sous Windows.
    Mot clé = alt | Niveau = 2

  • Les commandes DOS
    https://www.gaudry.be > gegevensverwerking > Grondbeginselen van BS
    [2] 19/03/2002 - Dernière modification le 07/03/2021 Les commandes DOS les plus importantes, syntaxe et exemples.
    Mot clé = alt | Niveau = 9

  • Vesteda tower
    https://www.gaudry.be > Fotografie > Galerij
    [3] 09/07/2011 - Dernière modification le 27/02/2021 The Vesteda tower is located in Eindhoven and was finished in 2006. This tower refers back to the Flatiron building (in Manhattan, New York City) of 1902 with its distinct shape. One of the main differences being the diamond shape of the former, whereas the latter is more like a triangle. At 90 meters tall it is the fourth tallest building in Eindhoven. 23 Of its 27 floors above ground (thus 28 floors for the total) are occupied by two luxury apartments per floor, the top floor being home to a penthouse. The third floor is home to a health club and a guest house and the bottom floors are the main entrance and Vesteda gallery.
    Mot clé = alt (titre ou description) | Niveau = 11

  • La tour d'Eben-Ezer
    https://www.gaudry.be > Fotografie > Galerij
    [4] 21/07/2011 - Dernière modification le 24/02/2021 A Belgian self-built tower inspired by the bible and ancient civilizations. Eben-Ezer Tower is a tower-museum built by Robert Garcet to Eben-Emael (common Bassenge ), north of Liège. Its proportions are based on those of the New Jerusalem , according to John. According to its architect, Robert Garcet , each stone has a revelation and the figures speak for themselves. The building, 33 meters high on a square plan with turret corners, is constructed of large stones of flint on a deep well of 33 meters also. One of the leading manufacturer is Krawinckel Gilbert. Its seven floors are crowned by the four cherubim of the Apocalypse, scupted in stone: Taurus, northwest, man, south-west, Leo, southeast, and the Eagle, the northeast. At the base of the tower, a stone circle draws her twelve pillars between the bushes, each standing stone is distant from each other by 3.33 meters. As for the monumental staircase that runs down the hillside, he, too, the dimensions required by an ancient esoteric . In the Bible, Eben-Ezer is the Stone of help, the memorial stone set up by Samuel after a defeat of the Philistines, as a memorial of the aid received in connection with God (1 Sat 7:7 - 12), near Mizpah (Benjamin), near the western entrance to the pass of Beth-horon. The Tower of Eben-Ezer is a self-built castle constructed in the 1960s by a single man in the isolated Jeker valley of Belgium. The builder, Robert Garcet, was fascinated with the Bible, numerology and ancient civilizations. The entire seven-level tower is built of flint, and according to Garcet, was designed using ancient mystical measurements. On the top of the tower are four giant biblical animals, and the interior is full of Garcet's biblical, archaeological, paleontological and geological art. Even more curious is that although the tower only looks ancient, it sits on top of a vast network of truly ancient tunnels. Garcet claims to have discovered over a hundred "new" fossilized creatures and a 70-million year-old village in the labyrinth of tunnels under the tower! Unfortunately, the village was destroyed by a mining explosion before it could be studied. A new educational space called the Geospadium takes the visitor on a tour of the history and use of the flint stone. From Wikipedia, the free encyclopedia, and Atlas Oscura.
    Mot clé = alt (titre ou description) | Niveau = 12

  • Un des deux moteurs de la machine d'extraction du puits n°1
    https://www.gaudry.be > Fotografie > Galerij
    [5] 03/01/2021 - Dernière modification le 03/02/2021 The continuous engines are mounted on a single tree (although the engines are electrical insulation), one at the end(placed opposite the machinist) indicates the position of the cages.
    Mot clé = alt (titre ou description) | Niveau = 13

  • Turbines - BROWN BOVERI
    https://www.gaudry.be > Fotografie > Galerij
    [6] 09/02/2021 - Dernière modification le 22/02/2021 Vue du hall à l'étage avec les imposantes turbines Brown Boveri et leurs alternateurs. Le lieu étant démoli et assaini, la confidentialité du titre, de la description, et de la localisation sont à présent réglés sur "public".
    Mot clé = alt (titre ou description) | Niveau = 14

  • Energeia - alternateur triphasé
    https://www.gaudry.be > Fotografie > Galerij
    [7] 31/01/2021 - Dernière modification le 17/02/2021 Musée Energeia, électricité et éclairage au fil des ans Ce musée, situé dans une ancienne centrale électrique, a été fermé par Electrabel car la fréquentation n'était pas assez importante. Des bobinages gigantesques patinés par le temps reposent dans le silence; et encore une fois, pipboy n'a pu se cacher à temps... Le lieu étant démoli et assaini, la confidentialité du titre, de la description, et de la localisation sont à présent réglés sur "public".
    Mot clé = alt (titre ou description) | Niveau = 15

  • ECVB - Vue d'ensemble du grand hall
    https://www.gaudry.be > Fotografie > Galerij
    [8] 28/01/2021 - Dernière modification le 16/02/2021 Petite salle technique à côté de la turbineJ'avais beaucoup apprécié cette ambiance crépusculaire; les derniers rayons du jour jouant avec les particules de poussière dans l'air... Sur cette vue d'ensemble du grand hall, nous pouvons voir la petite salle technique à l'étage, au dessus des tuyaux, dont voici une vue intérieure. La photo est prise depuis le plancher de la grosse turbine.
    Le lieu étant démoli et assaini, la confidentialité du titre, de la description, et de la localisation sont à présent réglés sur "public".

    Mot clé = alt (titre ou description) | Niveau = 16

  • Beauty of stagnation - 3
    https://www.gaudry.be > Fotografie > Galerij
    [9] 09/11/2011 - Dernière modification le 21/02/2021 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = alt (titre ou description) | Niveau = 17

  • Beauty of stagnation - 2
    https://www.gaudry.be > Fotografie > Galerij
    [10] 09/11/2011 - Dernière modification le 21/02/2021 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = alt (titre ou description) | Niveau = 18

  • Beauty of stagnation - 1
    https://www.gaudry.be > Fotografie > Galerij
    [11] 09/11/2011 - Dernière modification le 21/02/2021 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = alt (titre ou description) | Niveau = 19

  • Beauty of stagnation - 4
    https://www.gaudry.be > Fotografie > Galerij
    [12] 09/11/2011 - Dernière modification le 21/02/2021 Beauty of stagnation (Michel Suk en Bart van Dongen) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e en Kennispoort About the project: On the TU/e campus and surrounding area lighting designer Michel Suk fully lightens different buildings and landscape elements. Large-scale installations slowly change color or reveal patterns which alternately show chaos and order. Because the light programs are linked together, the overall view is impressive. Visitors walk through a landscape of light and color in which vistas and sight lines continuously cause other images. To mark the 120 year anniversary of Philips the concern supports this project of Michel Suk. His work seamlessly connect to the Philips theme of \u2018Livable Cities\u2019. Absolute eye-catcher in this large installation is the building of Kennispoort. This is the scenery for a co-production of Michel Suk and composer Bart van Dongen. Accompanied by a wind instruments ensemble and electronics a choir of 150 to 200 singers performs a new composition by Bart van Dongen. By using projections Michel Suk provides for a powerful visual counterweight. Because Van Dongen and Suk have worked together from the start lighting and sound are integrated beautifully. Both images and music of Beauty of stagnation are based on the Fibonacci number sequence, which describes growth processes in nature. In both media small entities accumulate to large and complex constructions. For example the projection of a line develops into a tree structure or a color into a fine mosaic. The words and sounds of the music composition evolve gradually into extensive rhythms and tunes. From Glow 2011 website.
    Mot clé = alt (titre ou description) | Niveau = 20

  • Istanbul, Topkapi palace - Imperial Council (Defterhāne)
    https://www.gaudry.be > Fotografie > Galerij
    [13] 22/02/2012 - Dernière modification le 05/02/2021 Defterhāne This picture shows the third chamber called Defterhāne. Imperial Council The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity. The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II. From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time. The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers: - The first chamber where the Imperial Council held its deliberations is the Kubbealtı. - The second chamber was occupied by the secretarial staff of the Imperial Divan. - In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive. On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check. In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol. Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions. From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan. All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour. Source: Wikipedia, the free encyclopedia - version 10Mar2012
    Mot clé = alt (titre ou description) | Niveau = 21

  • Les nomades du ciel : le salon d'affaires
    https://www.gaudry.be > Fotografie > Galerij
    [14] 22/01/2021 - Dernière modification le 13/02/2021 Natacha, Walter, Le commandant Turbo et le copilote Legrain, suite à une tentative de détournement, un trafic de microfilms raté et un transport de doux dingues, sont coincés à Nice - où ils sont enrôlés de force comme équipage d'un Boeing 707, propriété d'un dictateur déchu qui se voit refuser l'asile où qu'il se pose. Ce dernier, pas vraiment mauvais bougre, tente de rendre le séjour de Natacha (qu'il trouve fort séduisante) plus agréable - et fait aménager l'habitacle de l'avion en fonction de ses envies. Car il a avec lui quelques partisans, une petite ménagerie, et suffisamment d'accessoires de théâtre pour passer le temps agréablement... Mais tout cela n'arrange pas les affaires de nos héros, qui aimeraient bien pouvoir débarquer. Seulement, personne n'a le droit de quitter l'avion, quel que soit le pays où ils atterrissent. Source : Wikipédia, l'encyclopédie libre
    Mot clé = alt (titre ou description) | Niveau = 22

  • Les nomades du ciel: la salle de réunion
    https://www.gaudry.be > Fotografie > Galerij
    [15] 22/01/2021 - Dernière modification le 13/02/2021 Natacha, Walter, Le commandant Turbo et le copilote Legrain, suite à une tentative de détournement, un trafic de microfilms raté et un transport de doux dingues, sont coincés à Nice - où ils sont enrôlés de force comme équipage d'un Boeing 707, propriété d'un dictateur déchu qui se voit refuser l'asile où qu'il se pose. Ce dernier, pas vraiment mauvais bougre, tente de rendre le séjour de Natacha (qu'il trouve fort séduisante) plus agréable - et fait aménager l'habitacle de l'avion en fonction de ses envies. Car il a avec lui quelques partisans, une petite ménagerie, et suffisamment d'accessoires de théâtre pour passer le temps agréablement... Mais tout cela n'arrange pas les affaires de nos héros, qui aimeraient bien pouvoir débarquer. Seulement, personne n'a le droit de quitter l'avion, quel que soit le pays où ils atterrissent. Source : Wikipédia, l'encyclopédie libre
    Mot clé = alt (titre ou description) | Niveau = 23

  • Les nomades du ciel: la salle de réunion
    https://www.gaudry.be > Fotografie > Galerij
    [16] 22/01/2021 - Dernière modification le 13/02/2021 Natacha, Walter, Le commandant Turbo et le copilote Legrain, suite à une tentative de détournement, un trafic de microfilms raté et un transport de doux dingues, sont coincés à Nice - où ils sont enrôlés de force comme équipage d'un Boeing 707, propriété d'un dictateur déchu qui se voit refuser l'asile où qu'il se pose. Ce dernier, pas vraiment mauvais bougre, tente de rendre le séjour de Natacha (qu'il trouve fort séduisante) plus agréable - et fait aménager l'habitacle de l'avion en fonction de ses envies. Car il a avec lui quelques partisans, une petite ménagerie, et suffisamment d'accessoires de théâtre pour passer le temps agréablement... Mais tout cela n'arrange pas les affaires de nos héros, qui aimeraient bien pouvoir débarquer. Seulement, personne n'a le droit de quitter l'avion, quel que soit le pays où ils atterrissent. Source : Wikipédia, l'encyclopédie libre
    Mot clé = alt (titre ou description) | Niveau = 24

  • Maltazard control panel
    https://www.gaudry.be > Fotografie > Galerij
    [17] 09/02/2021 - Dernière modification le 22/02/2021
    Mot clé = alt (titre ou description) | Niveau = 25

  • Bernard Wright's strange house
    https://www.gaudry.be > Fotografie > Galerij
    [18] 02/02/2021 - Dernière modification le 18/02/2021 The story: At the edge of a cliff somewhere on the coast, stands a strange house with a whole section seems to have disappeared in the waves. This is where patient Rork, the mysterious man with white hair ... Three days ago, Rork was contacted by Bernard Wright. He had finally decided Rork to follow him in his strange house, after telling him a strange story. Bernard Wright bought the house two months ago, because this kind of place stimulates creativity. But strange rumors about the place, although at the beginning of its installation the young writer did not notice anything strange, if not the remains of a machine's usefulness in an unknown parts the remains. The nightmare has actually started three days ago. After a slumber, Bernard Wright awoke to a letter written by him but the alphabet and the time of writing are unknown. The only certainty is this strange letter from his hand. Having heard of the immense knowledge of ancient writing Rork, so he decided to call on him to solve this riddle ... Referring to "A Century for a house" where Rork met the young writer Bernard Wright.
    Mot clé = alt (titre ou description) | Niveau = 26

  • Bernard Wright's strange house - Chimney
    https://www.gaudry.be > Fotografie > Galerij
    [19] 23/01/2021 - Dernière modification le 13/02/2021 The story: At the edge of a cliff somewhere on the coast, stands a strange house with a whole section seems to have disappeared in the waves. This is where patient Rork, the mysterious man with white hair ... Three days ago, Rork was contacted by Bernard Wright. He had finally decided Rork to follow him in his strange house, after telling him a strange story. Bernard Wright bought the house two months ago, because this kind of place stimulates creativity. But strange rumors about the place, although at the beginning of its installation the young writer did not notice anything strange, if not the remains of a machine's usefulness in an unknown parts the remains. The nightmare has actually started three days ago. After a slumber, Bernard Wright awoke to a letter written by him but the alphabet and the time of writing are unknown. The only certainty is this strange letter from his hand. Having heard of the immense knowledge of ancient writing Rork, so he decided to call on him to solve this riddle ... Referring to "A Century for a house" where Rork met the young writer Bernard Wright.
    Mot clé = alt (titre ou description) | Niveau = 27

  • Cowpers HF6
    https://www.gaudry.be > Fotografie > Galerij
    [20] 21/02/2021 - Dernière modification le 28/02/2021 Cowpers Un cowper moderne consiste en cylindre vertical en acier de 6 à 9 m de diamètre et s'élevant à 20 à 35 m. Cette enceinte est remplie de briques réfractaires dont la nature dépend de leur rôle : on a des briques isolantes qui protègent la face interne du blindage du cowper, et des briques stockant et restituant la chaleur. Ces dernières servent à la construction du puits de combustion, où se déploie la flamme, et du rûchage, un empilement de briques perforées qui absorbe la chaleur des fumées. Le puits est souvent intégré dans le cylindre où il occupe environ un tiers de la section du four. Les plus gros cowpers sont dotés de puits externes qui permettent de mieux isoler la zone de combustion de celle d’accumulation/restitution de chaleur. La chauffe étant plus lente que le refroidissement, chaque haut fourneau est doté de trois, parfois quatre, cowpers passant alternativement dans chaque phase. En fonctionnement continu, un cowper restitue sa chaleur pendant environ 30 min, avant que le vent soit orienté vers le cowper qui vient de finir une réchauffe de 50 min (durée à laquelle il faut ajouter les phases d'inertage et de mise en pression, qui durent 10 min). Un cowper moderne peut réchauffer environ 1,4 tonne de vent à 1 200 °C, par tonne de fonte. Lorsqu’il restitue sa chaleur, c'est donc, pour un haut fourneau produisant 6 000 t de fonte par jour, un four d'une puissance d'environ 100 MW. La chauffe est effectuée par combustion d'une partie du gaz produit par le haut fourneau, qui doit être mélangé avec un gaz riche pour atteindre les températures souhaitées. Source: Wikipedia Modern cowper consists in vertical steel cylinder 6 to 9 m and a diameter amounting to from 20 to 35 m. This enclosure is filled with refractory bricks whose nature depends on their role has insulating bricks that protect the inner face of the shield cowper, and storing and reproducing bricks heat. The latter are used in the construction of wells combustion, where the flame spreads, and rûchage, a stack of perforated bricks which absorbs heat of the fumes. The well is often integrated into the cylinder where it occupies about one third of the furnace section. The biggest feature cowpers outer wells to better isolate the combustion zone of the accumulator / heat delivery. Heating is slower than cooling, each blast furnace has three, sometimes four, stoves passing alternately in each phase. In continuous operation, cowper restores its heat for about 30 minutes before the wind is facing cowper who just finished a 50-minute heats (time at which there are the phases inerting and pressurization, lasting 10 min). Modern cowper can warm wind of about 1.4 tons to 1200 ° C, per ton of pig iron. When the heat returns, so this is for a blast furnace producing 6000 t of pig iron per day, a furnace with a capacity of approximately 100 MW. The heater is powered by combustion of part of the product through the furnace, which must be mixed with the rich gas to achieve the desired gas temperature.
    Mot clé = alt (titre ou description) | Niveau = 28

  • Devoxx - JavaFx devices - preparation
    https://www.gaudry.be > Fotografie > Galerij
    [21] 13/11/2012 - Dernière modification le 15/02/2021 JavaFX Bootstrap by Jim Weaver and Gerrit Grunwald Much of this session will draw upon the work in the Pro JavaFX 2 book that Jim Weaver co-authored, as well as the UI controls and gauges that Gerrit Grunwald created for the open source JFXtras project. Some of the areas that we'll cover are: Getting started with JavaFX Creating a user interface Using Scene Builder and FXML Using the JavaFX UI controls Creating custom UI controls Leveraging the strengths of JavaFX and HTML5 Overview of DataFX, calling web services Using Scenic View Using JavaFX APIs from Alternative JVM Languages Embedded Java/JavaFX on a Raspberry Pi Embedded Java/JavaFX on a BeagleBoard Wrap-up and additional Q&A During the session we'll have brief guest appearances by JavaFX developers such as Martin Gunnarson and Pär Sikö, Stephen Chin, Angela Caicedo, Jonathan Giles, Johan Vos, and Jasper Potts. We'll also be awarding ten copies of the Pro JavaFX 2 book to participative audience members. Source: Devoxx
    Mot clé = alt (titre ou description) | Niveau = 29

  • Devoxx - JavaFX Bootstrap
    https://www.gaudry.be > Fotografie > Galerij
    [22] 13/11/2012 - Dernière modification le 21/02/2021 JavaFX Bootstrap by Jim Weaver and Gerrit Grunwald Much of this session will draw upon the work in the Pro JavaFX 2 book that Jim Weaver co-authored, as well as the UI controls and gauges that Gerrit Grunwald created for the open source JFXtras project. Some of the areas that we'll cover are: Getting started with JavaFX Creating a user interface Using Scene Builder and FXML Using the JavaFX UI controls Creating custom UI controls Leveraging the strengths of JavaFX and HTML5 Overview of DataFX, calling web services Using Scenic View Using JavaFX APIs from Alternative JVM Languages Embedded Java/JavaFX on a Raspberry Pi Embedded Java/JavaFX on a BeagleBoard Wrap-up and additional Q&A During the session we'll have brief guest appearances by JavaFX developers such as Martin Gunnarson and Pär Sikö, Stephen Chin, Angela Caicedo, Jonathan Giles, Johan Vos, and Jasper Potts. We'll also be awarding ten copies of the Pro JavaFX 2 book to participative audience members. Source: Devoxx
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  • Bouquets d'abat-jours
    https://www.gaudry.be > Fotografie > Galerij
    [23] 17/11/2012 - Dernière modification le 23/02/2021 Bouquets d'abat-jours - Bouquets from lampcovers (TILT) GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: Wilhelminaplein About the project: TILT is a French collective focusing on the interplay of light, design and architecture. It realizes both temporary and permanent projects, always with the intention of making the audience look differently at the public space. The designs of TILT often are inspired by nature. Two years ago the collective presented luminous plants and trees on the 18 Septemberplein. This year the Wilhelminaplein is the setting for Bouquets d'abat-jours - bouquets of lampshades. These colorful bouquets are not made from flowers but from traditional lampshades. Although they are blown up to enormous proportions they keep reminding of the domesticity of the living room. The lamps kindly bend over the audience making the Wilheminaplein a pleasant place to stay. With their ever changing colors, they provide the square also a joyful and festive look. At the foot of the lamps people have the opportunity to take a break or to socialize. Adopted by Philips www.t-i-l-t.com More information: www.gloweindhoven.nl
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  • Mil Mi-2 and Aero L-29 Delfin
    https://www.gaudry.be > Fotografie > Galerij
    [24] 03/02/2021 - Dernière modification le 19/02/2021 The Mil Mi-2 (NATO reporting name Hoplite) is a small, lightly armored turbine-powered transport helicopter that could also provide close air support when armed with 57 mm rockets and a 23 mm cannon. Design and development The Mi-2 was produced exclusively in Poland, in the WSK "PZL-Świdnik" factory in Świdnik. The first production helicopter in the Soviet Union was the Mil Mi-1, modelled along the lines of the S-51 and Bristol Sycamore and flown by Mikhail Mil's bureau in September 1948. During the 1950s it became evident, and confirmed by American and French development, that helicopters could be greatly improved with turbine engines. S. P. Isotov developed the GTD-350 engine and Mil used two of these in the far superior Mi-2. The twin shaft-turbine engines used in the Mi-2 develop 40% more power than the Mi-1's piston engines, for barely half the engine weight, with the result that the payload was more than doubled. The Mi-2 fuselage was extensively altered from its predecessor, with the engines mounted overhead. However, the external dimensions remained similar. After initial development at the Mil bureau (Soviet designation V-2) the project was transferred to Poland in 1964, after the first Świdnik-built example had flown (making this the only Soviet-designed helicopter to be built solely outside the Soviet Union). PZL-Świdnik produced a total of 5,497 units, about a third for military users. The factory also developed fiberglass rotor blades, and developed the wide-body Mi-2M seating 10 passengers instead of eight. Most typical kits include four stretchers for air ambulance usage, or aerospraying or cropdusting applications. In Poland, there were also developed several specialized military variants for support or reconnaissance roles, with 23 mm autocannon, machine guns and/or two 57 mm rocket pods, four 9K11 Malyutka anti-tank missiles or Strela-2 AA missiles. Operational history The Mi-2 was first introduced into the Soviet Air Force in 1965. The Mi-2 is used by mainly former Soviet and Eastern Bloc countries, although it was also purchased by Mexico and Myanmar armed forces. Most of the armed Mi-2 variants were used by Poland. Some were also used by the former East Germany (with machine gun and unguided rocket armament only). North Korea still maintains a large active fleet of Mi-2s. Aero L-29 Delfin (left side) The Aero L-29 Delfín (English: Dolphin, NATO reporting name: Maya) is a military jet trainer aircraft that became the standard jet trainer for the air forces of Warsaw Pact nations in the 1960s. It was Czechoslovakia's first locally designed and built jet aircraft. Source: Wikipedia
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  • Jagdpanzer Kanone Jpz 4-53
    https://www.gaudry.be > Fotografie > Galerij
    [25] 06/02/2021 - Dernière modification le 20/02/2021 Kanonenjagdpanzer The Kanonenjagdpanzer 4 - 5 (also known as Jagdpanzer Kanone 90mm, or tank destroyer, gun) was a German Cold War tank destroyer equipped with a 90mm anti-tank gun from obsolete M47 Patton tanks. Its design was very similar to that of the World War II Jagdpanzer IV. History The first prototypes of the Kanonenjagdpanzer were built in 1960 by Hanomag and Henschel for West Germany and by MOWAG for Switzerland. Hanomag and Henschel continued to produce prototypes, until between 1966 and 1967, 770 were built for the Bundeswehr, 385 by Hanomag and 385 by Henschel. Eighty of them were delivered to Belgium from April 1975 onward. When the Soviets began deploying their T-64 and T-72 main battle tanks, the 90 mm gun wasn't capable of ensuring long-range combat and the Kanonenjagdpanzer became obsolete. Although the producers claimed it could be rearmed with a 105 mm gun, between 1983 and 1985, 163 of these tank destroyers were converted into Raketenjagdpanzer Jaguar 2 anti-tank guided missile carriers by removing the gun, adding a roof-mounted TOW missile launcher and fastening further spaced and perforated armour on the hull. Some others were refitted by removing the main gun into artillery observation vehicles, so called Beobachtungspanzer, which served most particularly in the mortar units. Some Kanonenjagdpanzer remained into service with the Heimatschutztruppe until 1990. Design The Kanonenjagdpanzer was a highly mobile vehicle, its survivability based on its mobility and its low profile. Its hull consisted of welded steel, which had a maximum thickness of only 50 mm. It carried a crew of four, a commander, driver, gunner and a loader. Since the Kanonenjagdpanzer followed the casemate design of most World War II tank destroyers, the gun was fixed within the casemate, located a little right from the center. The 90 mm gun could only traverse 15° to the sides and elevate from -8° to +15°. It carried 51 90 mm rounds for the main gun and 4000 7,62 mm rounds for the two MG3s. The Kanonenjagdpanzer had NBC protection and night-fighting ability. Source : Wikipedia In the left background, we can see a GFM cloche made by Cockerill in the year 1935. It was a fixed and non-retractable firing position made of a 20 tons thick iron casting which shielded its occupant. GFM is an acronym for Guetteur et Fusil-Mitrailleur, (lookout and rifle-machine-gunner), which describes its purpose as a lookout and firing position for light weapons.
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  • Armored personnel carrier M75
    https://www.gaudry.be > Fotografie > Galerij
    [26] 03/02/2021 - Dernière modification le 19/02/2021 M75, armored personnel carrier The M75 is an American armored personnel carrier that was produced between December 1952 and February 1954, and saw service in the Korean War. It was replaced in U.S. service by the smaller, cheaper, amphibious M59. The M75s were given as military aid to Belgium, where they were used until the early 1980s. 1,729 M75s were built before production was halted. Description The M75 has a welded steel hull, which varies in thickness from 1 inch (2.5 cm) to 1.5 inches (3.8 cm) with a line of sight thickness on the front hull of between 1.6 inches (4 cm) and 2 inches (5 cm). Fully loaded, the vehicle weighed approximately 42,000 pounds (19,051 kg). The M75 has an almost identical layout to later U.S. armored personnel carriers: the driver sits in the front left of the hull, with the air-cooled six-cylinder horizontally opposed Continental AO-895-4 gasoline engine to his right. The driver is provided with an M19 infra-red night vision periscope in later models and four M17 periscopes. Behind the driver and engine, in the center of the vehicle, sits the commander, who is provided with six vision blocks around his hatch. The commander has a cupola that was normally fitted with an M2 machine gun, for which 1,800 rounds were carried in the vehicle. The infantry sat behind the commander in a large compartment. Additionally, an M20 Super Bazooka was carried along with 10 rockets, and 180 rounds of ammunition for an M1 or M2 carbine. The engine developed a maximum of around 295 horsepower (220 kW) at 2,660 rpm, giving the vehicle a top speed of 43 mph (69 km/h). The vehicle carried 150 US gallons (568 L) of gasoline, giving it a road range of around 115 miles (185 km). It has five road wheels and three return rollers on each side. Source : Wikipedia
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  • Magyar Állami Operaház [8mm version]
    https://www.gaudry.be > Fotografie > Galerij
    [27] 05/08/2013 - Dernière modification le 14/02/2021 Hungarian State Opera House The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. It is home to the Budapest Opera Ball, a society event dating back to 1886. Before the closure of "Népszínház" in Budapest, it was the second largest opera building in Budapest. Today it is the largest Opera building in Budapest and Hungary. History Designed by Miklós Ybl, a major figure of 19th century Hungarian architecture, the construction lasted from 1875 to 1884 and was funded by the city of Budapest and by Emperor Franz Joseph of Austria-Hungary. The Hungarian Royal Opera House (as it was known then) opened to the public on the September 27, 1884. Many important artists were guests here including Gustav Mahler the composer who was director in Budapest from 1887 to 1891 and Otto Klemperer who was music director for three years from 1947 to 1950. In the 1970s the state of the building prompted the Hungarian State to order a major renovation which eventually began in 1980 and lasted till 1984. The reopening was held exactly 100 years after the original opening, on the September 27, 1984. Overview It is a richly-decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world. The auditorium holds 1261 seats. It is horseshoe shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since, the Budapest Opera House is still among the best in terms of the acoustics. In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also founder of the Budapest Philharmonic Orchestra. Each year the season lasts from September to the end of June and besides opera performances the Opera House is home to the Hungarian National Ballet. The secondary building of the Hungarian State Opera is Erkel theatre. It is a much larger building that also hosts opera and ballet performances during the opera season. There are guided tours in the building in six languages (English, German, Spanish, French, Italian and Hungarian) almost every day. Features Facade: The decoration of the symmetrical façade follows a musical theme. In niches on either side of the main entrance there are figures of two of Hungary's most prominent composers, Ferenc Erkel and Franz Liszt. Both were sculpted by Alajos Stróbl. Murals: The vaulted ceiling of the foyer is covered in magnificent murals by Bertalan Székely and Mór Than. They depict the nine Muses. Foyer: The foyer, with its marble columns, gilded vaulted ceiling, murals and chandeliers, gives the State Opera House a feeling of opulence and grandeur. Main Entrance: Wrought-iron lamps illuminate the wide stone staircase and the main entrance. Main Staircase: Going to the opera was a great social occasion in the 19th century. A vast, sweeping staircase was an important element of the opera house as it allowed ladies to show off their new gowns. Interior, Hungarian State Opera House Chandelier: The mail hall is decorated with a bronze chandelier the weighs 3050 kg! It illuminates a magnificent fresco by Károly Lotz, of the Greek gods on Olympus. Central Stage: This proscenium arch stage employed the most modern technology of the time. It featured a revolving stage and metal hydraulic machinery. Royal Box: The royal box is located centrally in the three-storey circle. It is decorated with sculptures symbolizing the four operatic voices - soprano, alto, tenor and bass. Source: Wikipedia
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  • Magyar Állami Operaház [16mm version]
    https://www.gaudry.be > Fotografie > Galerij
    [28] 05/08/2013 - Dernière modification le 14/02/2021 Hungarian State Opera House The Hungarian State Opera House (Hungarian: Magyar Állami Operaház) is a neo-Renaissance opera house located in central Budapest, on Andrássy út. It is home to the Budapest Opera Ball, a society event dating back to 1886. Before the closure of "Népszínház" in Budapest, it was the second largest opera building in Budapest. Today it is the largest Opera building in Budapest and Hungary. History Designed by Miklós Ybl, a major figure of 19th century Hungarian architecture, the construction lasted from 1875 to 1884 and was funded by the city of Budapest and by Emperor Franz Joseph of Austria-Hungary. The Hungarian Royal Opera House (as it was known then) opened to the public on the September 27, 1884. Many important artists were guests here including Gustav Mahler the composer who was director in Budapest from 1887 to 1891 and Otto Klemperer who was music director for three years from 1947 to 1950. In the 1970s the state of the building prompted the Hungarian State to order a major renovation which eventually began in 1980 and lasted till 1984. The reopening was held exactly 100 years after the original opening, on the September 27, 1984. Overview It is a richly-decorated building and is considered one of the architect's masterpieces. It was built in neo-Renaissance style, with elements of Baroque. Ornamentation includes paintings and sculptures by leading figures of Hungarian art including Bertalan Székely, Mór Than and Károly Lotz. Although in size and capacity it is not among the greatest, in beauty and the quality of acoustics the Budapest Opera House is considered to be amongst the finest opera houses in the world. The auditorium holds 1261 seats. It is horseshoe shaped and – according to measurements done in the 1970s by a group of international engineers – has the third best acoustics in Europe after La Scala in Milan and the Palais Garnier in Paris. Although many opera houses have been built since, the Budapest Opera House is still among the best in terms of the acoustics. In front of the building are statues of Ferenc Erkel and Franz Liszt. Liszt is the best known Hungarian composer. Erkel composed the Hungarian national anthem, and was the first music director of the Opera House; he was also founder of the Budapest Philharmonic Orchestra. Each year the season lasts from September to the end of June and besides opera performances the Opera House is home to the Hungarian National Ballet. The secondary building of the Hungarian State Opera is Erkel theatre. It is a much larger building that also hosts opera and ballet performances during the opera season. There are guided tours in the building in six languages (English, German, Spanish, French, Italian and Hungarian) almost every day. Features Facade: The decoration of the symmetrical façade follows a musical theme. In niches on either side of the main entrance there are figures of two of Hungary's most prominent composers, Ferenc Erkel and Franz Liszt. Both were sculpted by Alajos Stróbl. Murals: The vaulted ceiling of the foyer is covered in magnificent murals by Bertalan Székely and Mór Than. They depict the nine Muses. Foyer: The foyer, with its marble columns, gilded vaulted ceiling, murals and chandeliers, gives the State Opera House a feeling of opulence and grandeur. Main Entrance: Wrought-iron lamps illuminate the wide stone staircase and the main entrance. Main Staircase: Going to the opera was a great social occasion in the 19th century. A vast, sweeping staircase was an important element of the opera house as it allowed ladies to show off their new gowns. Interior, Hungarian State Opera House Chandelier: The mail hall is decorated with a bronze chandelier the weighs 3050 kg! It illuminates a magnificent fresco by Károly Lotz, of the Greek gods on Olympus. Central Stage: This proscenium arch stage employed the most modern technology of the time. It featured a revolving stage and metal hydraulic machinery. Royal Box: The royal box is located centrally in the three-storey circle. It is decorated with sculptures symbolizing the four operatic voices - soprano, alto, tenor and bass. Source: Wikipedia Camera Nikon D7000 Exposure 0.003 sec (1/400) Aperture f/5.6 Focal Length 16 mm ISO Speed 100
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  • Stone powerplant - ALTERNATEUR I
    https://www.gaudry.be > Fotografie > Galerij
    [29] 31/01/2021 - Dernière modification le 17/02/2021
    Mot clé = alt (titre ou description) | Niveau = 37

  • Storm rumbling on lost temple
    https://www.gaudry.be > Fotografie > Galerij
    [30] 30/04/2014 - Dernière modification le 18/02/2021 Le belvédère de Wégimont, un endroit que j'apprécie et qui se trouve juste à côté de chez moi. Il s'agit d'un montage, avec la photo du belvédère tôt le matin, et d'un ciel d'orage un autre jour. J'ai toute une série de clichés de ciels particuliers, mais dont je sais au moment de prendre la photo qu'il ne s'agira que d'élément de composition car à part le ciel la scène est totalement nulle (parfois un bout de toit de mon abri de jardin :-) ). En 2011, la toiture était garnie de statues qui ont à présent disparu depuis la rénovation du bâtiment. Il est possible de voir les statues sur cette photo: statues du belvédère de Wégimont
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  • Air disaster
    https://www.gaudry.be > Fotografie > Galerij
    [31] 20/02/2021 - Dernière modification le 27/02/2021 Ce monument à Bosfagne commémore le crash d'un bombardier britannique "Halifax" abattu le 04 juillet 1943. Il y a cependant certaines incohérences... L'hélice Le Halifax DT784 est un quadrimoteur, composé de quatre groupe d'hélices à trois pales. Cette hélice comporte quatre pales; il s'agit probablement de celle du bimoteur B26 Marauder abattu en avril 1945. L'équipage La plaque commémorative fait mention de l'équipage suivant: Sergent Edward Macintosh (mécanicien de bord) Flight Sergeant canadien Charles Preston Sergent David Lock (mitrailleur) Sergent Frederick Walton (mitrailleur) ... ces personnes composent en réalité l'équipage du Halifax II HR734 qui s'est écrasé à Loncin le 04 juillet 1943. Le bon équipage du Halifax DT784 abattu le 04 juillet 1943 à Bosfagne serait: Flight Sergeant A. Morley (RAAF) Pilote (†) Sergent F. Sadler (†) Les autres membres d'équipages qui ont survécu au crash (mais ont été fait prisonnier) seraient donc: Sergent W. R. Redhead Sergent R. L. Watson Sergent R. J. West Sergent R. C. Samways Sergent J. R. Barlow
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  • Devoxx 2014 - Probably, Definitely, Maybe
    https://www.gaudry.be > Fotografie > Galerij
    [32] 12/11/2014 - Dernière modification le 13/02/2021 Probably, Definitely, Maybe We live in an uncertain world and we deal with this by considering possibilities and probabilities; from what movies you might be interested in to what diseases you might have given your symptoms. Without realising it people interact with systems that utilise probability on a daily basis. But what is probability, how to we measure and work with it? Given the wealth of big data collected how can we use that to predict the future? What if there is noise in the data? What if the data changes over time? To answer these questions we start with the fundamentals of probability theory before looking Bayesian systems (frequently a key part of recommendation and expert systems), Markov chains (useful in predicting human behaviour), and dynamic Bayesian networks (such as Kalman filters and hidden Markov chains which are often used in real-time systems like auto-pilot navigation). Along the way we'll try to demonstrate the mathematics using simple Java/Groovy examples. No knowledge of advanced mathematics is required! Source: DEVOXX
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  • Ancien sanatorium de Borgoumont (sanatorium du Basil)
    https://www.gaudry.be > Fotografie > Galerij
    [33] 05/04/2015 - Dernière modification le 07/02/2021 Construit à partir de 1900 à l’initiative du directeur du laboratoire bactériologique Ernest Malvoz, le sanatorium accueillit ses premiers patients en 1903. La finalité d'un tel établissement est le traitement de la tuberculose et de certaines maladies pulmonaires infectieuses chroniques. Le sanatorium est aussi un moyen d'isoler et d'éloigner les personnes contaminées du reste de la population. Ils sont souvent réservés à une classe aisée. À cette époque la tuberculose est bel et bien une maladie incurable et mortelle qui touche toutes les couches sociales de la population. Le séjour au sanatorium a pour objectif de soulager les malades et d'adoucir les symptômes de cette terrible « peste blanche ». On parle de 100 millions de morts au cours du 20e siècle. De 1903 à 1941, le sanatorium est inévitablement un mouroir, comme tous les autres, du fait que la pénicilline n'était pas encore découverte. Peu de personnes s'en sortaient vivantes et inévitablement, le domaine est empreint d'une grande tristesse. Bien que le taux de mortalité soit extrêmement élevé, il est étonnant de constater qu'au contraire d'autres établissements similaires il n'y ait pas un petit cimetière en annexe du logis. De 1941 à 1947 les traitements s'améliorent. Après la guerre, avec la découverte des premiers traitements antibiotiques, les médecins pourront petit à petit éteindre les foyers infectieux et diminuer drastiquement la mortalité. Cette maladie n'appartient, hélas, pas au passé et selon l'OMS, en 2018, 10 millions de personnes ont contracté la tuberculose et 1,5 million en sont mortes (dont 251 000 porteurs du VIH). Plus tard, le bâtiment est reconverti en centre de revalidation et en maison de repos, sous le nom "centre Princesse Astrid". En 2003, le sanatorium de Borgoumont est repris par le centre hospitalier "Peltzer - La Tourelle" de Verviers. Entre 2010 et 2013, le site est utilisé par Fedasil, en matière d'accueil de demandeurs d'asile. A partir de 2013, le bâtiment est à l'abandon. Outre les dégradations naturelles, il est vandalisé par de pseudo artistes utilisant les bombes de couleurs comme certains animaux leur urine, des rave party, ou encore certains pratiquants de l'urbex (exploration de lieux abandonnés). Fenêtres éclatées, tuyaux arrachés, murs tagués, portes défoncées ... l'intérieur du sanatorium a été saccagé. En 2018, un compromis de vente est signé et une demande de permis d’urbanisme est introduite. Le projet prévoit l’aménagement d’un appart-hôtel de luxe (cinq étoiles), ainsi que cent et deux appartements de tourisme plutôt familial. Le caractère unique de ce bâtiment, le clocher central et la promenade couverte en terrasse seraient conservés. La consultation publique à propos du certificat d’urbanisme demandé par le nouveau propriétaire de l’ex-sanatorium est seulement clôturée en août 2019 Situé au-dessus du hameau, dans une clairière au milieu des bois à une altitude de 420 mètres, cet imposant immeuble d'une longueur d'environ 150 mètres est orienté plein sud et son architecture concave augmente l'absorption de la chaleur, de l'air et de la lumière indispensables à la thérapie soignant la tuberculose. L'édifice est construit en pierres du pays ( moellons de grès et colombages avec pierres de taille en angles) avec une structure en béton armé. L'intérieur est agencé selon une architecture hygiéniste : éviter la poussière en inclinant les surfaces, faciliter le nettoyage en soudant les pieds des meubles au sol, favoriser le renouvellement de l'air ambiant avec un système d'aération. Les seuls endroits de divertissement autorisés étaient le jardin d'hiver et la salle de spectacle. Pour tromper leur ennui les malades avaient, étonnamment, le droit de fumer… ce qui nous semble incroyable aujourd'hui. On note aussi la présence d’un petit clocher dressé au milieu du bâtiment. À l'entrée du domaine, se trouve une construction originale en grès, colombages et ardoises traversée par la route d'accès à l'ancien sanatorium. Plus d'infos: A la découverte du sanatorium de Borgoumont (RTBF Auvio)
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  • Serpolet
    https://www.gaudry.be > Fotografie > Galerij
    [34] 04/07/2015 - Dernière modification le 01/03/2021 Le serpolet (Thymus serpyllum) ou thym serpolet est un sous-arbrisseau de la famille des Lamiacées appartenant au genre Thymus. Description C'est une plante aromatique basse, d'environ 10 cm de hauteur, et s'étendant jusqu'à 50 cm de largeur ; elle est tapissante, aux tiges radicantes aux nœuds, aux très petites feuilles opposées ovales ou lancéolées, aux courtes hampes florales dressées. De juin à septembre, son feuillage aromatique vert à reflets pourprés sous le soleil disparaît littéralement sous une nuée de petites fleurs bleues groupées en capitules terminaux, plus carminés dans la variété Coccineus. Après la floraison, (juin à octobre) viennent les fruits formés de quatre petits akènes. C'est une plante des zones ensoleillées, broussailles, prés secs, rochers, dunes, jusqu'à 3 000 m d'altitude. Culture C'est une plante tapissante, au feuillage persistant qui résiste au gel jusqu'à -20 °C. Elle ne doit pas être plantée dans une terre trop riche car c'est dans les sols maigres et secs qu'elle donne le meilleur d'elle-même et répand alors des senteurs de garrigue. Quant à sa multiplication, elle se fait par division des touffes au printemps ou par bouturage estival. Propriétés médicinales Le serpolet est antiseptique et il a des propriétés anti-virales. Il est aussi stomachique, expectorant et antispasmodique. En aromate ou en infusion, c'est un désinfectant des voies digestives souvent utilisé associé au romarin et à la sauge. Il soulage les digestions difficiles. L'infusion de serpolet s'utilisait en bain de bouche en cas d'inflammation des gencives et en gargarisme en cas d'irritation de la gorge ou d'angine. Mais surtout le serpolet ou des préparations contenant les divers thyms s'utilisent en fumigation pour traiter les rhinites et les sinusites. Source : Wikipedia
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  • Wégimont - 2015_10_11
    https://www.gaudry.be > Fotografie > Galerij
    [35] 11/10/2015 - Dernière modification le 22/02/2021 J'adore les chaudes couleurs dont se parent les arbres en automne; ultime sursaut de la nature avant de terminer son cycle par le repos de l'hiver. Les reflets dans le lac de Wégimont en cette belle journée automnale sont superbes. Nous pouvons admirer le belvédère, sorte de temple néo-classique, dont la toiture vient d'être restaurée. C'est avec un brin de nostalgie que je pense à ces superbes statues qui ornaient la coupole, et qui ont disparu depuis les travaux. Je me demande où elles sont à présent, et si nous pouvons espérer leur retour un jour... statues du belvédère de Wégimont
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  • Alto de Guajara - cabane de l’astronome Jean Mascart
    https://www.gaudry.be > Fotografie > Galerij
    [36] 15/03/2016 - Dernière modification le 06/02/2021 Sur le sommet de l'Alto de Guajara, à 2715 mètres d'altitude, il reste encore des murs de la cabane de l’astronome français Jean Mascart, lors de son étude de la comète Halley à l’occasion de son passage près de la Terre en 1910. Au travers du cadre formé par la fenêtre, la vue sur le Teide est magique. L'abri que constituent les restes de murs permet de s’asseoir un peu à l'abri du vent pour une petite collation sympa, méritée après la grimpette depuis la Degollada de Guajara.
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  • Roques de García desde el Alto de Guajara
    https://www.gaudry.be > Fotografie > Galerij
    [37] 15/03/2016 - Dernière modification le 12/02/2021 Ermita de la Nieves y Roques de García desde el primer observatorio astronómico de Canarias (estaba situado en el Alto de Guajara)
    Mot clé = alt (titre ou description) | Niveau = 45

  • Sombra en el Alto de Guajara
    https://www.gaudry.be > Fotografie > Galerij
    [38] 15/03/2016 - Dernière modification le 19/02/2021
    Mot clé = alt (titre ou description) | Niveau = 46

  • Coucher de soleil sur le Roque Cinchado
    https://www.gaudry.be > Fotografie > Galerij
    [39] 15/03/2016 - Dernière modification le 14/02/2021 Le Roque Cinchado est un neck, une ancienne cheminée volcanique. La cheminée a disparu, mais le monolithe de basalte formé par la lave subsiste. Il se situe à plus ou moins 2100 mètres d'altitude au sud-est du sommet du Teide, dans la Caldeira de las Cañadas. Cette photo est prise au moment du retour d'une rando, en descendant de l'Alto de Guajara, et présente une silhouette plus esthétique de ce côté que du côté par lequel je l'ai photographié en montant le matin.
    Mot clé = alt (titre ou description) | Niveau = 47

  • Alto de Guajara
    https://www.gaudry.be > Fotografie > Galerij
    [40] 15/03/2016 - Dernière modification le 26/02/2021
    Mot clé = alt (titre ou description) | Niveau = 48

  • Chaque morceau de rocher est sculpté à Petra...
    https://www.gaudry.be > Fotografie > Galerij
    [41] 06/09/2017 - Dernière modification le 09/02/2021 Vous pouvez cliquer sur l'image ci-dessous pour afficher la photo en format original avec les agrandissement des différents ouvrages sculptés à Petra: agrandissement des ouvrages de Petra Version en format 24*36
    Mot clé = alt (titre ou description) | Niveau = 49


  • https://www.gaudry.be > Fotografie > Galerij
    [42] 06/09/2017 - Dernière modification le 05/03/2021 Les montagnes de Petra en Jordanie sont incroyablement sculptées au long du temps, par les nabatéens, les bédouins, les romains, ... Vous pouvez cliquer sur les images ci-dessous pour afficher l'infographie avec les agrandissement des différents ouvrages sculptés à Petra, ou la photo en format cinémascope: agrandissement des ouvrages de Petra

    Chaque morceau de rocher est sculpté à Petra...
    Mot clé = alt (titre ou description) | Niveau = 50


  • https://www.gaudry.be > Fotografie > Galerij
    [43] 06/09/2017 - Dernière modification le 05/03/2021 Agrandissement des parties du paysage de Petra afin de mettre en évidence les transformations de la montagne par les nabatéens, les bédouins, les romains... Vous pouvez cliquer sur les images ci-dessous pour afficher la photo en format original, ou en format cinémascope: Paysage Petra - format 24*36

    Chaque morceau de rocher est sculpté à Petra...
    Mot clé = alt (titre ou description) | Niveau = 51

  • Wégimont dans le brouillard (11/2019)
    https://www.gaudry.be > Fotografie > Galerij
    [44] 30/11/2019 - Dernière modification le 14/02/2021 Le belvédère (temple néo-classique) fut construit au temps de la splendeur du château. Il servait de lieu de promenade et aussi d’abri pour les chasseurs. De là, Un souterrain permettait aux villageois d’accéder au château. Témoin des mouvements de l’histoire tels que l’occupation du pays d’Outre-Meuse en 1632, la révolution française et les deux grandes guerres mondiales où il devint lieu d’hébergement des troupes. En 1940, l’ombre noire du nazisme envahit nos contrées et le Domaine est réquisitionné par l’occupant qui crée un tristement célèbre lebesborn (Heim Ardennen) en 1942 (d'abord centre d’accueil pour les filles-mères qui accouchaient dans l’anonymat et qui abandonnaient le nourrisson à la nurserie SS. Il devient un centre de reproduction aryenne, ces enfants destinés à constituer la future élite d’un troisième Reich). Une cinquantaine d’enfants y sont nés. La « Fontaine de vie » de Wégimont n'a cependant jamais répondu aux attentes de ses concepteurs. Elle connut, en effet, bon nombre de problèmes pratiques (notamment une pénurie de sages femmes) et se heurta aussi à l'hostilité de la population locale. Le « Lebensborn » soumagnard ferma définitivement ses portes le 1er septembre 1944. Les mères et les enfants qui y séjournaient furent, semble-t-il, transférés à Wiesbaden en Allemagne. Après et pendant près de vingt ans, le château de Wégimont a servi entre autres de maison destinée aux vacances des pensionnés. Le parc, lui, était réservé aux enfants et aux promeneurs. La nuit du 24 au 25 mai 1964, un incendie a ravagé l’aile centrale du château et les extrémités des ailes latérales, faisant 17 morts. Aujourd'hui, seule la partie centrale manque à l’édifice. Source: https://www.provincedeliege.be/ Vous pouvez voir une image du belvédère avec ses statues, avant les travaux de restauration de la toiture: statues du belvédère de Wégimont
    Mot clé = alt (titre ou description) | Niveau = 52

171 articles

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