41 pages, 2 articles pour «where»

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41 pages

  • SQL commandes DML
    https://www.gaudry.be > general > SGBD
    [1] 10/01/2010 - Dernière modification le 19/09/2020 Quelques commandes DML SQL: SELECT, FROM, WHERE, GROUP BY, HAVING, INSERT INTO, DELETE FROM, UPDATE SET
    Mot clé = where | Niveau = 9

  • 9/11, somewhere else during this time...
    https://www.gaudry.be > Photography > Gallery
    [2] 13/09/2001 - Dernière modification le 28/08/2020
    Mot clé = where (titre ou description) | Niveau = 11

  • Vesteda tower
    https://www.gaudry.be > Photography > Gallery
    [3] 09/07/2011 - Dernière modification le 11/09/2020 The Vesteda tower is located in Eindhoven and was finished in 2006. This tower refers back to the Flatiron building (in Manhattan, New York City) of 1902 with its distinct shape. One of the main differences being the diamond shape of the former, whereas the latter is more like a triangle. At 90 meters tall it is the fourth tallest building in Eindhoven. 23 Of its 27 floors above ground (thus 28 floors for the total) are occupied by two luxury apartments per floor, the top floor being home to a penthouse. The third floor is home to a health club and a guest house and the bottom floors are the main entrance and Vesteda gallery.
    Mot clé = where (titre ou description) | Niveau = 12

  • Where there is no struggle there is no strength
    https://www.gaudry.be > Photography > Gallery
    [4] 09/07/2011 - Dernière modification le 25/08/2020
    Mot clé = where (titre ou description) | Niveau = 13

  • Where is my bicycle?
    https://www.gaudry.be > Photography > Gallery
    [5] 27/07/2011 - Dernière modification le 07/09/2020
    Mot clé = where (titre ou description) | Niveau = 14

  • Old glass roof
    https://www.gaudry.be > Photography > Gallery
    [6] 02/09/2020 - Dernière modification le 10/09/2020 Around the hall dispatch revolve clockwise the lamp itself, the studio lights, the studio masks of CO, the pay office decorated with a huge safe. The metal barriers guided the mine workers to the counter where they exchanged their medals against lamp and mask. Barriers along the desks indicated for each worker and his team site.
    Mot clé = where (titre ou description) | Niveau = 15

  • Old jacket
    https://www.gaudry.be > Photography > Gallery
    [7] 06/09/2020 - Dernière modification le 12/09/2020 Before going down into the mine, the miners had to exchange a lamp to the "lampisterie" (lamps room)after giving his personal token. The token was put on the corresponding nail(left to the jacket on this photo) to indicate that he was still working at the "bottom". Each miner had his point card, where his number was listed and the operation being implemented.
    Mot clé = where (titre ou description) | Niveau = 16

  • Doel, Stairs[in most cases, graffiti are like traces of a dog who pees everywhere, even if they are
    https://www.gaudry.be > Photography > Gallery
    [8] 08/06/2020 - Dernière modification le 29/07/2020 Doel is a village located in the area of Antwerpen in Belgium. Doel was until 1977 an autonomous commune, of a surface of 25.61 km², with a population of 1300 inhabitants. Initially, it was chosen, (like Tihange in the Province of Liège), like site of one of the nuclear power plants of Belgium. Then, Doel is sacrificed to the extension of the port of Antwerpen. The total evacuation of the village, after expropriation of its inhabitants, was decided in 1999 by the Flemish regional authority, to leave place to new harbor installations. All of Doel is evacuated. All? Not quite! A very small number of inhabitants is holding out, strong as ever, against the Roman invaders... oh I'm sorry, that it is another Gallic village. Benefitting from the departure of the inhabitants, many artists left free course with their talent and their imagination on the walls of the city. See more about Doel in Wikipedia
    Mot clé = where (titre ou description) | Niveau = 17

  • ...WHERE...
    https://www.gaudry.be > Photography > Gallery
    [9] 07/11/2011 - Dernière modification le 12/09/2020 ‘Transformatie’ en het fluisterbos GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e campus, bij gebouw Impuls About the project: Michel Suk has used theatrical and design techniques to arrive at Transformation. In this work of light art he gives center stage to personal formation and development. Characteristic of Transformation are the multiples of knowledge and continuous innovation, nurtured from a common source: Eindhoven University of Technology. This energy is enclosed and embedded in a steel tube and can only exit this tube through an organized structure in the metal. Only a purely pointed source of light unlocks and translates the structure in the metal into a circular projection. The result: a concentrically arranged light projection on the floor whose rings are not in contact with each other, but which do originate from the same source. To illustrate knowledge, the wood has been changed as if by magic into a whispering wood, where one hears whispers of mysterious scientific formulae. From Glow 2011 website.
    Mot clé = where (titre ou description) | Niveau = 18

  • ...WHERE INNOVATIONS...
    https://www.gaudry.be > Photography > Gallery
    [10] 07/11/2011 - Dernière modification le 06/09/2020 ‘Transformatie’ en het fluisterbos GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: TU/e campus, bij gebouw Impuls About the project: Michel Suk has used theatrical and design techniques to arrive at Transformation. In this work of light art he gives center stage to personal formation and development. Characteristic of Transformation are the multiples of knowledge and continuous innovation, nurtured from a common source: Eindhoven University of Technology. This energy is enclosed and embedded in a steel tube and can only exit this tube through an organized structure in the metal. Only a purely pointed source of light unlocks and translates the structure in the metal into a circular projection. The result: a concentrically arranged light projection on the floor whose rings are not in contact with each other, but which do originate from the same source. To illustrate knowledge, the wood has been changed as if by magic into a whispering wood, where one hears whispers of mysterious scientific formulae. From Glow 2011 website.
    Mot clé = where (titre ou description) | Niveau = 19

  • Burning Van Abbe Museum - 1
    https://www.gaudry.be > Photography > Gallery
    [11] 09/11/2011 - Dernière modification le 04/09/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = where (titre ou description) | Niveau = 20

  • Burning Van Abbe Museum - 2
    https://www.gaudry.be > Photography > Gallery
    [12] 09/11/2011 - Dernière modification le 04/09/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = where (titre ou description) | Niveau = 21

  • Burning Van Abbe Museum - 4
    https://www.gaudry.be > Photography > Gallery
    [13] 09/11/2011 - Dernière modification le 04/09/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = where (titre ou description) | Niveau = 22

  • Burning Van Abbe Museum - 3
    https://www.gaudry.be > Photography > Gallery
    [14] 09/11/2011 - Dernière modification le 04/09/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = where (titre ou description) | Niveau = 23

  • Burning Van Abbe Museum - 5
    https://www.gaudry.be > Photography > Gallery
    [15] 09/11/2011 - Dernière modification le 04/09/2020 Burning Van Abbe Museum (Xavier de Richemont ) GLOW - International Forum of Light in Art and Architecture Eindhoven 2011 - 6th Edition - 'Illusion and reality' Due to the dedication of CityDynamiek Eindhoven, from November, 5th to 12th, 2011, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: van Abbemuseum About the project: This work by Xavier de Richemont was the opening act at the launch of GLOW in 2006. Because five years ago only a few people have actually seen it, this year a repetition follows. A performance on the outer walls of the Van Abbe Museum suggests the building is on fire and burns within minutes. The projection is strong and closely matches the shape of the building, so the actual structure of the museum disappears and the fire looks genuine. With this work De Richemont refers to a quote from Pablo Picasso, where he calls for burning down the museums, because creativity is only locked up here. By taking down the proverbial walls, the gap between art and audience can be closed. The accompanying music is inspired by a composition of Claude Débussy. From Glow 2011 website. More photos related to the Van Abbe museum.
    Mot clé = where (titre ou description) | Niveau = 24

  • Istanbul, Topkapi palace - Imperial Council (Defterhāne)
    https://www.gaudry.be > Photography > Gallery
    [16] 22/02/2012 - Dernière modification le 20/08/2020 Defterhāne This picture shows the third chamber called Defterhāne. Imperial Council The Imperial Council (Dîvân-ı Hümâyûn) building is the chamber in which the ministers of state, council ministers (Dîvân Heyeti), the Imperial Council, consisting of the Grand Vizier (Paşa Kapısı), viziers, and other leading officials of the Ottoman state, held meetings. It is also called Kubbealtı, which means "under the dome", in reference to the dome in the council main hall. It is situated in the northwestern corner of the courtyard next to the Gate of Felicity. The first Council chambers in the palace were built during the reign of Mehmed II, and the present building dates from the period of Süleyman the Magnificent by the chief architect Alseddin. It has since undergone several changes, was much damaged and restored after the Harem fire of 1665, and according to the entrance inscription it was also restored during the periods of Selim III and Mahmud II. From the 18th century onwards, the place began to lose its original importance, as state administration was gradually transferred to the Sublime Porte (Bâb-ı Âli) of the Grand Viziers. The last meeting of the Council in the palace chambers was held on Wednesday, August 30, 1876, when the cabinet (Vükela Heyeti) met to discuss the state of Murat V, who had been indisposed for some time. The council hall has multiple entrances both from inside the palace and from the courtyard. The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold. The floor is covered in marble. The entrances into the hall from outside are in the rococo style, with gilded grills to admit natural light. While the pillars are earlier Ottoman style, the wall paintings and decorations are from the later rococo period. Inside, the Imperial Council building consists of three adjoining main rooms. Two of the three domed chambers of this building open into the porch and the courtyard. The Divanhane, built with a wooden portico at the corner of the Divan Court (Divan Meydani) in the 15th century, was later used as the mosque of the council but was removed in 1916. There are three domed chambers: - The first chamber where the Imperial Council held its deliberations is the Kubbealtı. - The second chamber was occupied by the secretarial staff of the Imperial Divan. - In the adjacent third chamber called Defterhāne (this view) , records were kept by the head clerks. The last room also served as a document archive. On its facade are verse inscriptions, which mention the restoration work carried out in 1792 and 1819, namely under Sultan Selim III and Mahmud II. The rococo decorations on the façade and inside the Imperial Council date from this period. The main chamber Kubbealtı is, however, decorated with Ottoman Kütahya tiles. Three long sofas along the sides were the seats for the officials, with a small hearth in the middle. The small gilded ball that hangs from the ceiling represents the earth. It is placed in front of the sultan's window and symbolizes him dispensing justice to the world, as well as keeping the powers of his viziers in check. In the Imperial Council meetings, the political, administrative and religious affairs of the state and important concerns of the citizens were discussed. The Imperial Council normally met four times a week (Saturday, Sunday, Monday and Tuesday) after prayer at dawn. The meetings of the Imperial Council were run according to an elaborate and strict protocol. Council members such as the Grand Vizier, viziers, chief military officials of the Muslim Judiciary (Kazaskers) of Rumelia and Anatolia, the Minister of Finance or heads of the Treasury (defterdar), the Minister of Foreign Affairs (Reis-ül-Küttab) and sometimes the Grand Müfti (Sheikh ül-İslam) met here to discuss and decide the affairs of state. Other officials who were allowed were the Nişancilar secretaries of the Imperial Council and keepers of the royal monogram (tuğra) and the officials charged with the duty of writing official memoranda (Tezkereciler), and the clerks recording the resolutions. From the window with the golden grill, the Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed. The window could be reached from the imperial quarters in the adjacent Tower of Justice (Adalet Kulesi). When the sultan rapped on the grill or drew the red curtain, the Council session was terminated, and the viziers were summoned one by one to the Audience Hall (Arz Odası) to present their reports to the sultan. All the statesmen, apart from the Grand Vizier, performed their dawn prayers in the Hagia Sophia and entered the Imperial Gate according to their rank, passing through the Gate of Salutation and into the divan chamber, where they would wait for the arrival of the Grand Vizier. The Grand Vizier performed his prayers at home, and was accompanied to the palace by his own attendants. On his arrival there, he was given a ceremonial welcome, and before proceeding to the imperial divan, he would approach the Gate of Felicity and salute it as if paying his respects to the gate of the sultan's house. He entered the chamber and took his seat directly under the sultan's window and council commenced. Affairs of the state were generally discussed until noon, when the members of the Council dined in the chambers and after which petitions were heard here. All the members of Ottoman society, men and women of all creeds, were granted a hearing. An important ceremony was held to mark the first Imperial Council of each new Grand Vizier, and also to mark his presentation with the Imperial Seal (Mühr-ü Hümayûn). The most important ceremony took place every three months during the handing out of salaries (ulûfe) to the Janissaries. The reception of foreign dignitaries was normally arranged for the same day, creating an occasion to reflect the wealth and might of the state. Ambassadors were then received by the Grand Vizier in the Council chambers, where a banquet was held in their honour. Source: Wikipedia, the free encyclopedia - version 10Mar2012
    Mot clé = where (titre ou description) | Niveau = 25

  • Chambre du commerce, Cathédrale à la gloire des spéculations mercantiles
    https://www.gaudry.be > Photography > Gallery
    [17] 03/07/2020 - Dernière modification le 11/08/2020 A real architectural beauty. The Chamber of Commerce was a place where prices were negotiated for spices and other goods. Around the central courtyard, we can see a corridor whose ceilings are decorated with neo-Gothic arches, and walls are decorated with paintings representing different parts of the world in maps
    Mot clé = where (titre ou description) | Niveau = 26

  • Chambre of Commerce, Covered alley and courtyard
    https://www.gaudry.be > Photography > Gallery
    [18] 30/07/2020 - Dernière modification le 24/08/2020 A real architectural beauty. The Chamber of Commerce was a place where prices were negotiated for spices and other goods. Around the central courtyard, we can see a corridor whose ceilings are decorated with neo-Gothic arches, and walls are decorated with paintings representing different parts of the world in maps
    Mot clé = where (titre ou description) | Niveau = 27

  • Chambre of Commerce, Caribbean Sea
    https://www.gaudry.be > Photography > Gallery
    [19] 13/08/2020 - Dernière modification le 31/08/2020 A real architectural beauty. The Chamber of Commerce was a place where prices were negotiated for spices and other goods. Around the central courtyard, we can see a corridor whose ceilings are decorated with neo-Gothic arches, and walls are decorated with paintings representing different parts of the world in maps
    Mot clé = where (titre ou description) | Niveau = 28

  • Chambre de Commerce, personne au balcon
    https://www.gaudry.be > Photography > Gallery
    [20] 08/08/2020 - Dernière modification le 29/08/2020 A real architectural beauty. The Chamber of Commerce was a place where prices were negotiated for spices and other goods. Around the central courtyard, we can see a corridor whose ceilings are decorated with neo-Gothic arches, and walls are decorated with paintings representing different parts of the world in maps
    Mot clé = where (titre ou description) | Niveau = 29

  • Grand Hôtel d'Ardolaz, les partitions de Dragan Zmadjevic
    https://www.gaudry.be > Photography > Gallery
    [21] 20/07/2020 - Dernière modification le 19/08/2020 The story: "The questions came crowding in me: Who was this strange music lover, amateur works of Dragan? And why did he behave so so weird?" In the village of Ardolaz somewhere in the Valais Alps, Sir Melvin Woodworth is in pursuit of a remember, the shadow of his brother Dragan, pianist in the middle of the mountains. He heards one night a melody played on the piano of the decrepit abandoned hotel. An avalanche is going to destroy the village and the population is evacuated. Alone in the abandoned village, he must understand the past to build the future. Source: COSEY, A la recherche de Peter Pan, Editions du Lombard, 1984, "histoires et légendes" The abandoned hotel The Montesano, Arveyes hotel perched on the plateau of Villars, has seen the beautiful world. Built in 1914, the property is responsible for the care of tuberculosis patients, but it soon turns into a hotel. In 1925, he spent 20 to 60 rooms. In the 60s, the hotel became famous for its theme evenings, nights like Brazilian, jazz, African ... the main lounge and bar welcome the stars but also the regional dish. The fate of this hotel goes dark in the late 90s, when it is landing in the hands of the Cantonal Bank of Vaud (BCV). It therefore passes from hand to hand, without finding an owner willing to take the huge renovation that the building needs. Gradually, the squatters invaded the stage. One night a caravan from even smoke in the parking lot. The town, for safety reasons, access is looping. "But we went there as in a mill," says an inhabitant of Villars. Disappears furniture: objects of significant size, requiring the organization. Many people are certain that organized gangs are at work. A bay window is thus carried away, like pieces of flooring. One evening in April 2008, at 3 am, the alarm is raised. The rundown is on fire. It will take just over 12 hours to ensure that the fire is under control. The property is destroyed and the population does not believe in accidents. It was demolished a few months later. L'histoire : «Les questions se pressaient en moi : Qui était cet étrange mélomane, amateur des oeuvres de Dragan ? Et pourquoi se comportait-il de façon si bizarre ?» Dans le village de d'Ardolaz au beau milieu des Alpes valaisannes, Sir Melvin Woodworth est à la poursuite d'un souvenir, de l'ombre de son frère Dragan, pianiste échoué au beau milieu des montagnes. Il surprend une nuit une mélodie jouée sur le piano décrépi de l'hôtel abandonné. Une avalanche menace de détruire le village et la population est évacuée. Seul dans le village abandonné, il doit comprendre le passé pour affronter l'avenir. Source: COSEY, A la recherche de Peter Pan, Editions du Lombard, 1984, "histoires et légendes" L'hôtel abandonné Le Montesano, hôtel perché à Arveyes, sur le plateau de Villars, a vu défiler du beau monde. Construit en 1914, l'établissement est à l'origine destiné au soin des tuberculeux, mais il se transforme rapidement en hôtel. En 1925, il passe de 20 à 60 chambres. Dans les années 60, l'hôtel devient réputé pour ses soirées à thème, comme les nuits brésiliennes, jazz, africaines... le grand salon et le bar accueillent des stars mais aussi le gratin régional. Le destin de cet hôtel s'assombrit à la fin des années 90, lorsqu'il attérit dans les mains de la Banque Cantonale Vaudoise (BCV). Il passe dès lors de mains en mains, sans trouver de propriétaire désireux d'assumer les immenses travaux de rénovation dont la bâtisse a besoin. Petit à petit, les squatteurs envahissent les étages. Un soir, une caravane part même en fumée, sur le parking. La commune, par souci de sécurité, fait boucler l'accès. «Mais on y entrait comme dans un moulin», raconte un habitant de Villars. Du mobilier disparait: des objets de taille conséquente, nécessitant de l'organisation. Nombreux sont ceux qui sont certains que des bandes organisées sont à l'oeuvre. Une baie vitrée est ainsi emportée, tout comme des morceaux de parquet. Un soir d'avril 2008, à 3 h du matin, l'alerte est donnée. L'hôtel délabré est en feu. Il faudra un peu plus de 12 heures pour s'assurer que le sinistre est maîtrisé. L'établissement est détruit et la population ne croit pas à un accident. Il sera démoli quelques mois plus tard.
    Mot clé = where (titre ou description) | Niveau = 30

  • Bernard Wright's strange house
    https://www.gaudry.be > Photography > Gallery
    [22] 17/08/2020 - Dernière modification le 02/09/2020 The story: At the edge of a cliff somewhere on the coast, stands a strange house with a whole section seems to have disappeared in the waves. This is where patient Rork, the mysterious man with white hair ... Three days ago, Rork was contacted by Bernard Wright. He had finally decided Rork to follow him in his strange house, after telling him a strange story. Bernard Wright bought the house two months ago, because this kind of place stimulates creativity. But strange rumors about the place, although at the beginning of its installation the young writer did not notice anything strange, if not the remains of a machine's usefulness in an unknown parts the remains. The nightmare has actually started three days ago. After a slumber, Bernard Wright awoke to a letter written by him but the alphabet and the time of writing are unknown. The only certainty is this strange letter from his hand. Having heard of the immense knowledge of ancient writing Rork, so he decided to call on him to solve this riddle ... Referring to "A Century for a house" where Rork met the young writer Bernard Wright.
    Mot clé = where (titre ou description) | Niveau = 31

  • Bernard Wright's strange house - Chimney
    https://www.gaudry.be > Photography > Gallery
    [23] 07/08/2020 - Dernière modification le 28/08/2020 The story: At the edge of a cliff somewhere on the coast, stands a strange house with a whole section seems to have disappeared in the waves. This is where patient Rork, the mysterious man with white hair ... Three days ago, Rork was contacted by Bernard Wright. He had finally decided Rork to follow him in his strange house, after telling him a strange story. Bernard Wright bought the house two months ago, because this kind of place stimulates creativity. But strange rumors about the place, although at the beginning of its installation the young writer did not notice anything strange, if not the remains of a machine's usefulness in an unknown parts the remains. The nightmare has actually started three days ago. After a slumber, Bernard Wright awoke to a letter written by him but the alphabet and the time of writing are unknown. The only certainty is this strange letter from his hand. Having heard of the immense knowledge of ancient writing Rork, so he decided to call on him to solve this riddle ... Referring to "A Century for a house" where Rork met the young writer Bernard Wright.
    Mot clé = where (titre ou description) | Niveau = 32

  • Le doudou de Léa
    https://www.gaudry.be > Photography > Gallery
    [24] 27/04/2012 - Dernière modification le 09/09/2020 "When the child was a child, it was the time of these questions. Why am I me, and why not you? Why am I here, and why not there? When did time begin, and where does space end? Isn't life under the sun just a dream? Isn't what I see, hear, and smell just the mirage of a world before the world? Does evil actually exist, and are there people who are really evil? How can it be that I, who am I, wasn't before I was, and that sometime I, the one I am, no longer will be the one I am?" Der Himmel über Berlin
    Mot clé = where (titre ou description) | Niveau = 33

  • Cowpers HF6
    https://www.gaudry.be > Photography > Gallery
    [25] 05/09/2020 - Dernière modification le 12/09/2020 Cowpers Un cowper moderne consiste en cylindre vertical en acier de 6 à 9 m de diamètre et s'élevant à 20 à 35 m. Cette enceinte est remplie de briques réfractaires dont la nature dépend de leur rôle : on a des briques isolantes qui protègent la face interne du blindage du cowper, et des briques stockant et restituant la chaleur. Ces dernières servent à la construction du puits de combustion, où se déploie la flamme, et du rûchage, un empilement de briques perforées qui absorbe la chaleur des fumées. Le puits est souvent intégré dans le cylindre où il occupe environ un tiers de la section du four. Les plus gros cowpers sont dotés de puits externes qui permettent de mieux isoler la zone de combustion de celle d’accumulation/restitution de chaleur. La chauffe étant plus lente que le refroidissement, chaque haut fourneau est doté de trois, parfois quatre, cowpers passant alternativement dans chaque phase. En fonctionnement continu, un cowper restitue sa chaleur pendant environ 30 min, avant que le vent soit orienté vers le cowper qui vient de finir une réchauffe de 50 min (durée à laquelle il faut ajouter les phases d'inertage et de mise en pression, qui durent 10 min). Un cowper moderne peut réchauffer environ 1,4 tonne de vent à 1 200 °C, par tonne de fonte. Lorsqu’il restitue sa chaleur, c'est donc, pour un haut fourneau produisant 6 000 t de fonte par jour, un four d'une puissance d'environ 100 MW. La chauffe est effectuée par combustion d'une partie du gaz produit par le haut fourneau, qui doit être mélangé avec un gaz riche pour atteindre les températures souhaitées. Source: Wikipedia Modern cowper consists in vertical steel cylinder 6 to 9 m and a diameter amounting to from 20 to 35 m. This enclosure is filled with refractory bricks whose nature depends on their role has insulating bricks that protect the inner face of the shield cowper, and storing and reproducing bricks heat. The latter are used in the construction of wells combustion, where the flame spreads, and rûchage, a stack of perforated bricks which absorbs heat of the fumes. The well is often integrated into the cylinder where it occupies about one third of the furnace section. The biggest feature cowpers outer wells to better isolate the combustion zone of the accumulator / heat delivery. Heating is slower than cooling, each blast furnace has three, sometimes four, stoves passing alternately in each phase. In continuous operation, cowper restores its heat for about 30 minutes before the wind is facing cowper who just finished a 50-minute heats (time at which there are the phases inerting and pressurization, lasting 10 min). Modern cowper can warm wind of about 1.4 tons to 1200 ° C, per ton of pig iron. When the heat returns, so this is for a blast furnace producing 6000 t of pig iron per day, a furnace with a capacity of approximately 100 MW. The heater is powered by combustion of part of the product through the furnace, which must be mixed with the rich gas to achieve the desired gas temperature.
    Mot clé = where (titre ou description) | Niveau = 34

  • Clane Linn
    https://www.gaudry.be > Photography > Gallery
    [26] 06/09/2020 - Dernière modification le 12/09/2020 12,000 A.D. The Earth, after the atomic holocaust, had reverted to a strange kind of barbarism, where men could build space ships but could not communicate except by the most primitive means. Alien invaders had been sighted at the edge of the galaxy - but no one took action. Only one man, the wizard of Linn could save the decadent empire and with his mysterious powers, prevent the Earth's destruction.
    Mot clé = where (titre ou description) | Niveau = 35

  • Afterlight - 2012_11_18_000945
    https://www.gaudry.be > Photography > Gallery
    [27] 18/11/2012 - Dernière modification le 02/09/2020 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = where (titre ou description) | Niveau = 36

  • Afterlight - 2012_11_18_001006
    https://www.gaudry.be > Photography > Gallery
    [28] 18/11/2012 - Dernière modification le 02/09/2020 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = where (titre ou description) | Niveau = 37

  • Afterlight - 2012_11_18_001236
    https://www.gaudry.be > Photography > Gallery
    [29] 18/11/2012 - Dernière modification le 02/09/2020 Afterlight - Gridular 3.0 GLOW - International Forum of Light in Art and Architecture Eindhoven 2012 - 7th Edition - 'Façades & Faces: Portraits of the City' From November, 10th to 17th 2012, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Location: DELA About the project: Last year during GLOW Afterlight impressed with the powerful work Interstices in a synaptic space. By optical illusions and misleading sounds the audience was carried away into an animated adventure through the human brain. This work is now on permanent display in the Molenstraat. For this edition Afterlight pushes the boundaries of illusion again in an encounter with the massive DELA building. Where the building has a flat facade at daytime, it comes alive during GLOW. Slowly the building loses his hard geometric structure. Straight forms change into organic patterns. Afterlight playfully takes the viewer on a three-dimensional journey and quest for identity. An exciting adventure, awaiting the appearance of the true face of the building. Adopted by: DELA afterlight-video.blogspot.nl/ More information: www.gloweindhoven.nl
    Mot clé = where (titre ou description) | Niveau = 38

  • Armored personnel carrier M75
    https://www.gaudry.be > Photography > Gallery
    [30] 18/08/2020 - Dernière modification le 03/09/2020 M75, armored personnel carrier The M75 is an American armored personnel carrier that was produced between December 1952 and February 1954, and saw service in the Korean War. It was replaced in U.S. service by the smaller, cheaper, amphibious M59. The M75s were given as military aid to Belgium, where they were used until the early 1980s. 1,729 M75s were built before production was halted. Description The M75 has a welded steel hull, which varies in thickness from 1 inch (2.5 cm) to 1.5 inches (3.8 cm) with a line of sight thickness on the front hull of between 1.6 inches (4 cm) and 2 inches (5 cm). Fully loaded, the vehicle weighed approximately 42,000 pounds (19,051 kg). The M75 has an almost identical layout to later U.S. armored personnel carriers: the driver sits in the front left of the hull, with the air-cooled six-cylinder horizontally opposed Continental AO-895-4 gasoline engine to his right. The driver is provided with an M19 infra-red night vision periscope in later models and four M17 periscopes. Behind the driver and engine, in the center of the vehicle, sits the commander, who is provided with six vision blocks around his hatch. The commander has a cupola that was normally fitted with an M2 machine gun, for which 1,800 rounds were carried in the vehicle. The infantry sat behind the commander in a large compartment. Additionally, an M20 Super Bazooka was carried along with 10 rockets, and 180 rounds of ammunition for an M1 or M2 carbine. The engine developed a maximum of around 295 horsepower (220 kW) at 2,660 rpm, giving the vehicle a top speed of 43 mph (69 km/h). The vehicle carried 150 US gallons (568 L) of gasoline, giving it a road range of around 115 miles (185 km). It has five road wheels and three return rollers on each side. Source : Wikipedia
    Mot clé = where (titre ou description) | Niveau = 39

  • Kiskirálylány
    https://www.gaudry.be > Photography > Gallery
    [31] 03/08/2013 - Dernière modification le 10/09/2020 The original 50 cm statuette of the Little Princess (Kiskirálylány) statue sitting on the railings of the Danube promenade in Budapest, Hungary was created by László Marton (1925-2008) Munkácsy- and Kossuth Prize-winning sculptor in 1972. The artist was inspired by his eldest daughter born from his first marriage. She often played in the Tabán wearing a princess costume and a crown made out of newspaper by her father, and at home as well, pretending her bathrobes were a mantle. This image prompted her father, the artist in the creation of this little statue. László Marton writes: " Évike born from my first marriage, at the age of 5, was playing in a little princess costume in the Tabán playground. When I saw it, I immediately had the subject matter. Titled "Little Princess" I sculpted it as well. It was placed in an elegant location on the Danube promenade. Became a symbol of Budapest." "I modeled it after my own daughter - says László Marton in his studio (2007) - she was maybe six years old and playing in the garden. She dressed as a princess: laid a bathrobe on her shoulders and put a crown on her head. I managed to capture this moment and immediately felt that this was a successful work of art. Years later, the capital requested a statue from me. I immediately thought of the "Little Princess" and luckily we managed to find the place where the statue feels good." A larger size copy of this statue was placed on the Danube promenade in 1990, and a second copy in Tapolca, the artist's hometown. A copy of the same statue stands in Japan too - donated by the artist - in front of the Tokyo Metropolitan Art Space cultural center's concert hall. The original statuette (1972) is owned by Hungarian National Gallery. Source: Wikipedia The picture is very badly framed. I wished to have the statue to the left of the image and the Buda Castle on the right. This would have further expanded in the direction of the gaze of the statue, but I had to right a very large group of tourists who had decided to camp on site and jen did not have time to wait for them to leave .
    Mot clé = where (titre ou description) | Niveau = 40

  • In Memoriam
    https://www.gaudry.be > Photography > Gallery
    [32] 04/08/2013 - Dernière modification le 12/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 41

  • Wanderbuch, Jewish Museum 2
    https://www.gaudry.be > Photography > Gallery
    [33] 04/08/2013 - Dernière modification le 04/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 42

  • Wanderbuch, Jewish Museum 3
    https://www.gaudry.be > Photography > Gallery
    [34] 04/08/2013 - Dernière modification le 04/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 43

  • Hirdetmény - Jewish Museum 4
    https://www.gaudry.be > Photography > Gallery
    [35] 04/08/2013 - Dernière modification le 03/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 44

  • Jewish Museum 5
    https://www.gaudry.be > Photography > Gallery
    [36] 04/08/2013 - Dernière modification le 10/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 45

  • Jewish Museum 6
    https://www.gaudry.be > Photography > Gallery
    [37] 04/08/2013 - Dernière modification le 10/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 46

  • Jewish Museum 7
    https://www.gaudry.be > Photography > Gallery
    [38] 04/08/2013 - Dernière modification le 10/09/2020 Jewish Museum The Jewish Museum was constructed on the plot where Theodor Herzl's two-story Classicist style house used to stand, adjoining the Dohány synagogue. The Jewish Museum was built in 1930 in accordance with the synagogue's architectural style and attached in 1931 to the main building. It holds the Jewish Religious and Historical Collection, a collection of religious relics of the Pest Hevrah Kaddishah (Jewish Burial Society), ritual objects of Shabbat and the High Holidays and a Holocaust room. Source: Wikipedia
    Mot clé = where (titre ou description) | Niveau = 47

  • Eindhoven glow 2013 - CHROMOLITHE (v2)
    https://www.gaudry.be > Photography > Gallery
    [39] 16/11/2013 - Dernière modification le 29/08/2020 CHROMOLITHE GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Patrice Warrener Location: Villa De Laak, Dommelhoef About the project: French-born Patrice Warrener has become world famous for the way in which he illuminates buildings. From Belgium to Singapore, from Japan to the United Arab Emirates: everywhere he goes, he turns the world into a book of fairy-tale images. Warrener uses projectors able to project coloured light onto the facades of buildings with enormous precision. The tiniest architectural details are highlighted and bathed in such a bright colour that they appear freshly painted. In 1989, Warrener filed, and obtained, a patent for the technique He has worked on the method ever since, refining it to create spectacles, each more vibrant and imposing than the last, in each place he visits. For GLOW, he puts Villa de Laak in the limelight. In the glow of his illumination, the monumental buildings lining the Nachtegaallaan almost look like sugared almonds. The surrounding gardens are also lit up. The buildings constantly change colour, to the accompaniment of evocative sounds Source: gloweindhoven
    Mot clé = where (titre ou description) | Niveau = 48

  • Eindhoven glow 2013 - CHROMOLITHE (v1)
    https://www.gaudry.be > Photography > Gallery
    [40] 16/11/2013 - Dernière modification le 29/08/2020 CHROMOLITHE GLOW - International Forum of Light in Art and Architecture Eindhoven 2013 - 8th Edition - 'Urban Playground' From November, 9th to 16th 2013, the city center of Eindhoven turns again into a forum of interventions, installations, performances and events based on the phenomena of artificial light. Artist: Patrice Warrener Location: Villa De Laak, Dommelhoef About the project: French-born Patrice Warrener has become world famous for the way in which he illuminates buildings. From Belgium to Singapore, from Japan to the United Arab Emirates: everywhere he goes, he turns the world into a book of fairy-tale images. Warrener uses projectors able to project coloured light onto the facades of buildings with enormous precision. The tiniest architectural details are highlighted and bathed in such a bright colour that they appear freshly painted. In 1989, Warrener filed, and obtained, a patent for the technique He has worked on the method ever since, refining it to create spectacles, each more vibrant and imposing than the last, in each place he visits. For GLOW, he puts Villa de Laak in the limelight. In the glow of his illumination, the monumental buildings lining the Nachtegaallaan almost look like sugared almonds. The surrounding gardens are also lit up. The buildings constantly change colour, to the accompaniment of evocative sounds Source: gloweindhoven
    Mot clé = where (titre ou description) | Niveau = 49

  • Chernobyl Diaries control room
    https://www.gaudry.be > Photography > Gallery
    [41] 02/09/2016 - Dernière modification le 02/09/2020 I had seen this control room in the movie "Chernobyl Diaries" (a movie I did not like at all), and I dreamed of visiting it one day. It's been done since this summer. Until now, the abandoned place that had inspired me most, impressed, and made me dream, was the ECVB powerplant, with its titanic dimentions, a dark dead and silent world, where rusty hues barely hang the weak Rays of light, under a layer of ashes, asbestos, and dust. In total contrast to the dark and almost oppressive atmosphere of the ECVB, this control room is extremely bright and colorful thanks to this magnificent glass roof. It almost feels like a fairy tale ballroom, amidst laughter and music. The consoles in the control room are covered with a layer of dust that testifies to the years of abandonment (it has been closed since 2005), but the whole remains clean and clean. Thank you to my companions of this adventure, Sophie, Lise, and Jef, for their patience, their dynamism and my questionable music program during the many hours I was driving. J'avais vu cette salle de contrôle dans le film "Chernobyl Diaries" (un film que je n'ai pas aimé du tout), et je rêvais de la visiter un jour. C'est chose faite depuis cet été. Jusqu'à présent, le lieux abandonné qui m'avait le plus inspiré, impressionné, et fait rêver, était la centrale ECVB, avec ses dimensions titanesques, monde sombre, mort, et silencieux, où les teintes de rouille accrochent à peine les faibles rayons de lumière, sous une couche de cendres, d'amiante, et de poussière. En totale opposition à l'ambiance sombre et presque oppressante de l'ECVB, cette salle de contrôle est extrêmement lumineuse et colorée, grâce à cette magnifique verrière. On se croirait presque dans une salle de bal d'un conte féerique, au milieu des rires et de la musique. Les consoles de la salle de contrôle sont couvertes d'une couche de poussière qui témoigne des années d'abandon (elle est fermée depuis 2005), mais l'ensemble reste propre et net. Merci à mes compagnons de cette aventure, Sophie, Lise, et Jef, pour leur patience, leur dynamisme et ma programmation musicale douteuse pendant les nombreuses heures où je conduisais.
    Mot clé = where (titre ou description) | Niveau = 50

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